Perfectly Mobile, Perfectly Still
David Craig: Land Artists, 14 December 2000
“... respectfully plinthed in gallery or plaza; or a curvaceous wooden form strung like a harp which we gaze at in dumbfounded silence. These days, it may well be a drystone wall winding between trees before burying its end in a lake, like the great Norse serpent for ever drinking the world’s waters dry. Or a cairn on a Highland headland with a fire flaming ... ”