Late Picasso at the Tate
David Sylvester, 1 September 1988
“... which can be seen as a sort of compressed version of Guernica – whose dual models in Poussin and David are not painterly in style. Having gone further here than ever before into the post-Renaissance tradition, Picasso soon turned his back on it to work, more characteristically, in a pre-Giottesque tradition. If his painting of the period preceding his late ... ”