At Tate Britain
T.J. Clark: Paul Nash , 2 February 2017
“... the dreadful rhyming and dovetailing of his scene’s paths and branches – connects with nothing vital in the motif. Put the darn trees up on the hill, say I. Let them lord it unashamedly, melodramatically, as they do in The Moon’s Last Phase. Flood the foreground with English gloom, if that’s what you’re trying for. Cancel the ambiguous ... ”