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“... He was indignant and suspicious when he heard that Graham Hough was writing a book on D.H. Lawrence, whom he himself had so recently and definitively dealt with. Hough must be up to something. In fact Hough, who had a perfect right to produce a book on Lawrence if he felt like it, was a good hater himself, in that ...”

“... an alarming number of others seem to have stepped straight out of the condescending dreams of D.H. Lawrence and Malcolm Lowry, all immemorial wisdom and ethnic patience. They say things like ‘The soul of Mexico is very old,’ or ‘The road has its own reasons and no two travellers will have the same understanding of those reasons,’ or (in ...”

“... only one to find that England after the Great War was, for the artist, ‘uninhabitable’. D.H. Lawrence found it so, and Graves and then Auden and Isherwood. But the cases don’t click. For Pound – like James and Eliot – had previously found America uninhabitable. Davie finds America inhabitable. I should hope so too. But why wasn’t it part of his ...”

“... out of lives, or even out of Plutarchan parallel lives, which, as in the case of Hitler and D.H. Lawrence, Gerhardie rather enjoys. There are interwoven chapters on Margot Tennant, the Kaiser (‘the greatest ass of the last half-century to wear a crown’), Lenin and Chekhov, Bismarck, Curzon, Balfour, Tolstoy, Wilde, Proust, a couple of Czars, and so ...”

“... Fund persisted, as the presence in its records of applications from Conrad, Joyce and D.H. Lawrence testifies. There were still self-destructive authors, or simply authors down on their luck, to be rescued. From the outbreak of the First World War to 1930, when he died from a fall on a London pavement, Edwin Pugh, a novelist of fair promise in his ...”

“... but plausibly Anthony Mann’s Heroes of Telemark. Meanwhile high culture is represented by D.H. Lawrence (‘his thirst for life lay burning in my hands inside the cool, darkened hospital room’) and a shop assistant quoting Charlotte Brontë (though omitting the question marks). ‘She straightened her back, raised her finger and said: “Do you think I ...”

“... the only solution was to make new kinds of people (Philip Rieff was right to link him with D.H. Lawrence). Turner never makes Reich sound anything other than a very remarkable man while keeping the ironies intact, the main one being just how tyrannical his demand for worldwide sexual liberation became. The orgone box, as Turner writes, ‘offered a ...”

“... An emeritus professor of English at the University of Nottingham, Worthen has written about D.H. Lawrence and the Wordsworth circle and makes no claim to musical expertise; but he has been seized by the Schumann case. Paying fierce attention to original sources, among them Schumann’s autopsy report (printed as an appendix) and the domestic diaries that he ...”

“... and Cold Comfort Farm, itself indulging in metacommentary on one of her most beloved authors, D.H. Lawrence. You are reminded of Frederica Potter (or A.S. Byatt herself) reading English at Newnham, trying to figure out what kind of novel you can write afterwards. Among the flowers of the novels, she also published the Amanita phalloides of three memoirs. The ...”

“... Marx in the company of ‘Keats, Dickens, George Eliot, Dostoevsky, James Joyce, Franz Kafka, D.H. Lawrence’. Marxist thought and the Modernist tradition converge for Berman, as both try to grasp and confront the modern experience: Marx’s ‘new-fangled men ... as much the invention of modern time as machinery itself’; Rimbaud’s ‘il faut être ...”

“... indulgently supportive of young tearaways such as Jacob Epstein, Stanley Spencer and even D.H. Lawrence, part-time painter, when they hit trouble with the British establishment.Yet the phenomenon of Cézanne persisted, and nagged at him, an affront to his capacity to master the scene. He frets away at this modern critical heresy, seeking to diagnose the ...”

“... forms, and his energetic, almost disorientingly large output have elicited comparisons with D.H. Lawrence; when Lawrence died, Williams wrote a substantial elegy. Like Lawrence, he liked to think of himself as breaking society’s rules, and like ...”

“... by an interviewer from the Paris Review about his early influences, Rush first mentioned ‘D.H. Lawrence. Actually, a lot of Lawrence.’ He has probably been familiar for decades with the argument Lawrence made in the characteristically irresponsible and penetrating Studies in Classic ...”

“... all intellect, all aesthetics in a process of literal transcription into the real.’ D.H. Lawrence, with Tocqueville perhaps the most intuitive of all foreign writers about America, was able in a work like St Mawr to see, as Baudrillard can’t, the actual pathos of American figurations of ‘desert’ and ‘space’, the pathos of desire that wants ...”

“... or ‘academic’, gives itself up to unconnected whimsies, velleities or spasms. At its best D.H. Lawrence, who did it best, characterised the genre as ‘the poetry of that which is at hand’, ‘the insurgent naked throb of the instant moment’ where ‘there is no perfection, no consummation, nothing finished.’ The genre can have its successes – we ...”