“... and others, seems to have brought to an abrupt end the fashion for narrative poetry. Berryman and Lowell were the great contemporary narrators, compulsive tellers of stories about the self, and their style was sharply and wholly comprehensive, perfectly expressing what Berryman’s mentor R.P. Blackmur called ‘the matter in hand’, as well as ‘adding to ...”

“... the intention is different. She never rejected first-person experience as a basis of her lyrics; Robert Lowell’s Notebook poems were an early influence (‘When Lowell relaxed into the sonnet form, he gave us a new kind of poetry notebook,’ she once wrote). In light of this, her poems’ fragmentary brevity ...”

“... will strive beyond his means. (I feel this in some poems by all five, and particularly in those of Robert Hass.) But it produces also a sense of spaciousness and energy in and beyond the language of the poem. James McMichael has a fine delicate touch in brief evocative lyrics and can open out into longer forms. John Matthias at his best achieves a steady ...”

“... dark house in Wimpole Street one September morning; how she met health and happiness, freedom, and Robert Browning in the church round the corner.’ Lady Geraldine’s courtship had been drowned out by talk about Elizabeth’s. Aurora Leigh wasn’t faring any better. The first edition had sold out in a fortnight in 1856 and more than twenty reprints had come ...”

“... In later life​, the worst thing you could call Robert Frost was ‘literary’. ‘If I’m somewhat academic (I’m more agricultural) and you are somewhat executive, so much the better,’ he wrote to Wallace Stevens teasingly in 1935. ‘It is so we are saved from being literary … Our poetry comes choppy, in well-separated poems, well interrupted by time, sleep and events ...”

“... When he called for poetry that was really about something, he was in fact thinking of a poetry – Lowell’s, Berryman’s and Plath’s – obsessed with its own ego. In their case, a regal obsession. In Contemporary British Poetry the materials of fiction are put to quite a different use: the tyranny of the self has been replaced by a meditative sense of ...”

“... happens, has been ignored, discounted or disbelieved. Consequently, among the American poets, Lowell and Berryman, whose work shows in every line, have had the attention they deserve, while William Carlos Williams has been slighted or ignored. Frank O’Hara, like Eliot, inherited two traditions, one American, the other French. Although he ...”

“... obliquely related, spanning almost forty years: on Basil Bunting, Charles Tomlinson, Ted Hughes, Robert Graves, Hugh MacDiarmid, J.M. Synge, David Jones, George Steiner, Geoffrey Hill, Elizabeth Daryush and the fraternity of poets anthologised by Andrew Crozier and Tim Longville in A Various Art. It also includes a number of Davie’s poems. If we were to ...”

“... of ‘place’ in expatriate writing. Did you know, for example, that what Americans take to be Robert Frost’s most characteristic evocations of his native scene – ‘Birches’, ‘Mending Wall’ and ‘After Apple Picking’ – were written in Old England, not New? Or that Stephen Crane’s ‘The bride comes to Yellow Sky’ and ‘The Blue ...”

“... so, despite the succeeding flurry of anti-sweatshop publicity, in which Clinton Labor Secretary Robert Reich also took part, it came as no surprise that, a year later, New York labour officials raided a sweatshop (producing Kathie Lee Gifford and other lines) that was paying workers less than the minimum wage. The garment industry’s darkest days are being ...”

“... and assiduous, here is a thoroughly decent book. It has none of the sleazy sanctimony of Robert Sencourt’s biography, or the vanity of T.S. Matthews’. That it is a feat to be without spite is coincidentally manifested by the appearance of Geoffrey Grigson’s Recollections. Grigson’s jacket proffers, as a representative gnome: ‘I never heard ...”

“... will wish to have this edition. By contrast, Mark Musa’s rendering has something in common with Robert Fitzgerald’s new version of the Aeneid, following his similar productions of the Iliad and Odyssey. Here again the achievement is to involve the common reader in the whole scope and meaning of a poem which has usually been presented to him through the ...”

“... in a school-yard, remembering taunts of long ago. (One of his cleverest poems, ‘Quintets for Robert Morley’, is a tribute to the skills, social, psychological and physical, developed by the world’s heavyweights.) At school, works by Australian writers disappeared from the curriculum once senior classes were reached and the study became ...”

“... biographies of Keats appeared within a short time: W.J. Bate’s and Aileen Ward’s in 1963, Robert Gittings’s in 1968. Each is still very useful; all were admirable, if in different ways. W.J. Bate, who had been interested in Keats ever since he wrote his undergraduate thesis on the poet in 1939, paid special attention to Keats’s stylistic ...”

“... that she must be its real author, and that if she wasn’t then she’d finally met her match. Robert Elsmere (1888) set Mrs Humphry Ward on Eliot’s vacant throne, and ten years later The Sorrows of Satan (1895) established Marie Corelli as heir apparent. Trollope would have been provoked by Woolf’s celebrated requirement for women writers. A room of ...”