“... John Maltby​ , the studio potter and sculptor, used to say that you can’t make a teapot about your father’s death. Grayson Perry’s whole career assumes the opposite, that you can express any amount of personal and social comment through traditional forms of craft, not just pottery but tapestry and textile design: the Tate sells a printed silk headscarf of his that wouldn’t look out of place in a county town on market day, but represents contemporary art as a sort of board game, with arrival at the Bankside holy of holies (above the cheeky caption ‘Tat Moderne’) the winner’s reward ...”

“... a gale, close-hauled under courses, making her way into a sea as sublime as even Turner could have wished. Then again he cites Falconer’s The Shipwreck as an epic that tries to marry the theories of Addison and Burke (‘agreeable horrour’ in the one, and in the other ‘terror is in all cases whatsoever, either more openly or ...”

“... century, when the working class was still experiencing its controversial ‘condition’, Sharon Turner (a man, actually) was writing, in one of the half-dozen best-ever books about the Anglo-Saxons: ‘Nothing could be more calculated to produce a very striking dissimilarity, between the Gothic nations and the Oriental States, than this exaltation of the ...”

“... But is it any more startling than to find Aneurin Bevan willing (as I have just learned from John Campbell’s Nye Bevan and the Mirage of British Socialism) to see force used in 1948 against dockers seeking to defy Cripps’s wage freeze? Even the most right-wing employer cannot risk industrial relations being made unworkable. Even the most left-wing ...”

“... enthusiasms of a slightly older painter friend called Tom Phillips: the mind-expanding work of John Cage and Cornelius Cardew was followed by Morton Feldman and La Monte Young, Steve Reich and Terry Riley. Phillips also alerted Eno to the untapped potential of tape recorders, and impressed him with a lecture using random cards and slides.All these things ...”

“... the three leading characters, Rube (Geraldine Sherman), Sylvie (Carol White) and Eileen (Vickery Turner), by means of a pan down from a sign for Clapham Junction station which fits them exactly to a place and time. The play’s loose, episodic structure allows for improvisation. What Loach was to call a ‘go-in-and-grab-it type of filmmaking’ follows the ...”

“... Nature by tracing the writings and life of the 19th-century British agrarian working-class poet John Clare,’ but letters to the writer and theorist Peter Wollen, her main married-man lover of the period, show her flailing: ‘I must get there, out of this endless selfishness a problem with always watching oneself … the autocratic autistic world that I ...”

“... fascination with how the past conceived its own past. How did 1930s sensibilities, from John Betjeman to Cecil Beaton, engage with Georgian and Victorian architecture? What of the interwar flirtation with the Baroque, spoken for by Sacheverell Sitwell, or the period’s notions of Neolithic Britain? (Massingham, a long-out-of-print ...”

“... English oak [with] a woman’s face on the back’. The lower orders collected possessions too. John Elmesley can’t have earned much as a servant to a wax chandler, but he took in his godson, Robert Sharp, and in his will provided him with all the things a little boy needed: a small featherbed with two pairs of fitted sheets; a dining set marked with the ...”

“... of Modern Art in New York has started to issue a series called Studies in Modern Art, edited by John Elderfield (who was born in Middlesbrough and is another veteran of the Conceptualist/Modernist art school battles of circa 1970). The first of them, American Art of the 1960s, contains seven essays and is like a heavily illustrated, hardback academic ...”

“... were born the modern – one might also say pre-Post-Modern – masters: Jack Goody (1919), Victor Turner (1920), Mary Douglas (1921), and Marshall Sahlins (1930). Right in the middle came Clifford Geertz, who was born in San Francisco in 1926. In the quarter-century between 1960, when he published his masterly The Religion of Java, and the middle Eighties, he ...”

“... to ask Mr MacColl if Mr Steer is a good painter?’ (MacColl was on the staff of the Tate.) The Turner Prize is just one piece of evidence that Sickert had a shrewd sense of where things might be heading. There are still adequate, in some cases excellent, livings being earned from room pictures, but big reputations are made by way of exhibitions and the ...”

“... of its maturity’, without trying to find validation for that style in personal tragedy, as John Berger apparently did. For Berger, Hyman writes, ‘the late nudes were the sole redeeming component in an oeuvre otherwise “intimate, contemplative, privileged”; it was the “tragedy” of his relationship with Marthe that “ensured his survival as a ...”

“... come hell or high water, let our distinctive British identity be lost in a federal Europe.’ John Major’s ringing assurance to last year’s Conservative Party Conference is part of a long tradition whereby Britishness has been defined primarily by reference to a real or an imaginary Other. Understandably so, since defining this entity in its own terms ...”

“... nurtured; some of these friends, notably the Earl of Oxford and the Queen’s physician, Dr John Arbuthnot, helped protect him from his detractors. After Pope’s death, he found friends among writers who could not have known him. Samuel Johnson’s Life (1781), though often dismissive of poems we now value, strongly countered Warton’s general ...”