“... century, when the working class was still experiencing its controversial ‘condition’, Sharon Turner (a man, actually) was writing, in one of the half-dozen best-ever books about the Anglo-Saxons: ‘Nothing could be more calculated to produce a very striking dissimilarity, between the Gothic nations and the Oriental States, than this exaltation of the ...”

“... a gale, close-hauled under courses, making her way into a sea as sublime as even Turner could have wished. Then again he cites Falconer’s The Shipwreck as an epic that tries to marry the theories of Addison and Burke (‘agreeable horrour’ in the one, and in the other ‘terror is in all cases whatsoever, either more openly or ...”

“... John Maltby​ , the studio potter and sculptor, used to say that you can’t make a teapot about your father’s death. Grayson Perry’s whole career assumes the opposite, that you can express any amount of personal and social comment through traditional forms of craft, not just pottery but tapestry and textile design: the Tate sells a printed silk headscarf of his that wouldn’t look out of place in a county town on market day, but represents contemporary art as a sort of board game, with arrival at the Bankside holy of holies (above the cheeky caption ‘Tat Moderne’) the winner’s reward ...”

“... Nature by tracing the writings and life of the 19th-century British agrarian working-class poet John Clare,’ but letters to the writer and theorist Peter Wollen, her main married-man lover of the period, show her flailing: ‘I must get there, out of this endless selfishness a problem with always watching oneself … the autocratic autistic world that I ...”

“... fascination with how the past conceived its own past. How did 1930s sensibilities, from John Betjeman to Cecil Beaton, engage with Georgian and Victorian architecture? What of the interwar flirtation with the Baroque, spoken for by Sacheverell Sitwell, or the period’s notions of Neolithic Britain? (Massingham, a long-out-of-print ...”

“... of Modern Art in New York has started to issue a series called Studies in Modern Art, edited by John Elderfield (who was born in Middlesbrough and is another veteran of the Conceptualist/Modernist art school battles of circa 1970). The first of them, American Art of the 1960s, contains seven essays and is like a heavily illustrated, hardback academic ...”

“... English oak [with] a woman’s face on the back’. The lower orders collected possessions too. John Elmesley can’t have earned much as a servant to a wax chandler, but he took in his godson, Robert Sharp, and in his will provided him with all the things a little boy needed: a small featherbed with two pairs of fitted sheets; a dining set marked with the ...”

“... were born the modern – one might also say pre-Post-Modern – masters: Jack Goody (1919), Victor Turner (1920), Mary Douglas (1921), and Marshall Sahlins (1930). Right in the middle came Clifford Geertz, who was born in San Francisco in 1926. In the quarter-century between 1960, when he published his masterly The Religion of Java, and the middle Eighties, he ...”

“... of its maturity’, without trying to find validation for that style in personal tragedy, as John Berger apparently did. For Berger, Hyman writes, ‘the late nudes were the sole redeeming component in an oeuvre otherwise “intimate, contemplative, privileged”; it was the “tragedy” of his relationship with Marthe that “ensured his survival as a ...”

“... to ask Mr MacColl if Mr Steer is a good painter?’ (MacColl was on the staff of the Tate.) The Turner Prize is just one piece of evidence that Sickert had a shrewd sense of where things might be heading. There are still adequate, in some cases excellent, livings being earned from room pictures, but big reputations are made by way of exhibitions and the ...”

“... nurtured; some of these friends, notably the Earl of Oxford and the Queen’s physician, Dr John Arbuthnot, helped protect him from his detractors. After Pope’s death, he found friends among writers who could not have known him. Samuel Johnson’s Life (1781), though often dismissive of poems we now value, strongly countered Warton’s general ...”

“... When John le Carré published A Perfect Spy in 1986, Philip Roth, then spending a lot of time in London, called it ‘the best English novel since the war’. Not being such a fan of A Perfect Spy, I’ve occasionally wondered what Roth’s generous blurb says about the postwar English novel. As a le Carré bore, however, I’ve also wondered how Roth managed to overlook Tinker Tailor Soldier Spy (1974), the central novel in le Carré’s career, in which George Smiley – an outwardly diffident ex-spook with a strenuously unfaithful wife and an interest in 17th-century German literature – comes out of retirement to identify the turncoat in a secret service that’s explicitly presented as a metaphorical ‘vision of the British establishment at play ...”

“... come hell or high water, let our distinctive British identity be lost in a federal Europe.’ John Major’s ringing assurance to last year’s Conservative Party Conference is part of a long tradition whereby Britishness has been defined primarily by reference to a real or an imaginary Other. Understandably so, since defining this entity in its own terms ...”

“... probably set out to write a book about the three dock-strike leaders, Tom Mann, Ben Tillett and John Burns. At some stage, he presumably plumped lor Mann because he is so much more consistent than the other two. Burns ended up in the Liberal Government and Tillett became a TUC mandarin and a shameless spokesman for the collaborationist Mond-...”

“... method will be familiar, at least in principle, to readers of Dava Sobel’s Longitude, in which John Harrison the clockmaker is the hero of the urgent but endlessly protracted quest for a method of accurately determining longitude (essential to expanding maritime power). Sobel casts the Astronomer Royal, Nevil Maskelyne, firm believer in the lunar ...”