“... of working-class housing, or on the conservative culture of the London working class. The author may feel that it is up to his readers to contextualise and evaluate this material, to provide their own framework within which to assess its novelty and significance: but he is surely the best qualified person to do this, and it is much to be regretted that he ...”

“... river, as if he had sometimes been unsure of where he was going, undistracted by ambition. Boorman may be the most inspired and wayward of English directors since Michael Powell.Not that Powell would have attempted Point Blank. Not that anyone in 1967 had reason to think that a young Englishman raised on the leafy edges of south London (Carshalton, and later ...”

“... at the Royal Academy, only a few years after its founding in 1768; and it was there that he may have met Thomas Rowlandson, the other outstanding caricaturist of his generation.Alice Loxton spins her exuberant popular history around that friendship, and calls on their mutual friend Henry Angelo for testimony on Gillray’s early mastery: ‘The facility ...”

“... would not occur to most viewers today, yet there was a streak of lewdness in Rembrandt which may make us hesitate to reject it. Velásquez’s woman may not be a goddess, but she is nude, not naked. Her pose is irreconcilable with the efficient performance of the act in question and her grace is hardly compatible with ...”

“... Fifty-eight years ago the man we now know as Sir David McNee was born in dire poverty in a Glasgow tenement. His father was a railwayman, and a staunch tradeunionist who rose ‘through a variety of jobs’ to be driver of many famous trains, including the ‘Royal Scot’. His mother was the daughter of a railwayman ...”

“... In late​ 2016, David Sedaris attended a piano recital delivered by his longtime partner, Hugh. Hugh had practised with obsessive intensity for many hours a day, but ultimately performed poorly, disappointing himself in front of a room full of his fellow students and their parents. ‘I’ve never seen him so vulnerable,’ Sedaris wrote that night in his diary, excerpted here in a second curated volume of entries, which he has said are a small fraction of the nearly ten million words he has ‘handwritten or typed’ as part of this project since 1977 ...”

“... It would be an exaggeration to say that when David Hume, at the age of 26, came back to London after his retreat at La Flèche, he had already thought all the thoughts he was going to think. On the other hand, there is a sense in which the famous Hume, who lived among the learned and judicious in Edinburgh so comfortably and, one might say, so smugly in his 18th-century way, was a superfluity ...”

“... what the term actually means. Instead, we try to make sense of it in conjunction with words that may come with it, and which we can understand well enough on their own – words like ‘welfare’, ‘intervention’, ‘sanction’, ‘control’, ‘security’. During the Eighties the key words were ...”

“... an extended consciousness of one’s fate and the ability to articulate it for others. So tragedy may seem, to some of the critics Eagleton takes to task, the wrong word for the experience of those who died. But this must surely be false. While some will have died instantly others must have had time for conscious reflection. Certainly, most of those in the ...”

“... the media and the political interests that so often govern them. Evidence of death and destruction may be immediate, flashed across the world in real time by the major networks as on 11 September 2001, or it may take time to be sifted through alternative websites and sources (easier to access in some places than ...”

“... the Communist Party as a career move: ‘You will meet big people.’ By the end of that year, David Platt, the Daily Worker’s movie reviewer (a witness frequently summoned by Hoberman for counterpoint), announced that ‘never before in the history of the screen have there been so many forward-looking people in positions of responsibility as in ...”

“... Normandy with a dream of being brave, a smart looker on his arm. Rewatching these films today, we may wonder how aware Bogart and Bacall were of what they were up to. Call it art or propaganda – but for a time the two of them fell for it, as if they were watching their own movie. The best film stars are so often their first audiences. So it was with these ...”

“... Gypsy curses and bolts of lightning, and no one for a moment can have believed it to be true. ‘I may observe,’ Ainsworth wrote in the preface to the fourth edition (the one I have used), ‘that I have not, as yet, been able to obtain satisfactory evidence that the extraordinary equestrian feat, attributed to him by oral tradition, and detailed in this ...”

“... of ‘quasi self-defence’ (with the doctors acting on Gracie’s behalf). Rosie, he wrote, ‘may have a right to life, but she has little right to be alive. She is alive because and only because, to put it bluntly, but nonetheless accurately, she sucks the lifeblood of [Gracie] and she sucks the lifeblood out of [Gracie] . . . If [Gracie] could speak she ...”

“... result: self-censorship. We stay out of trouble by gagging ourselves. Among the few motives that may strengthen the power of resistance is the consciousness of having been deeply wrong oneself, either regarding some abstract question or in personal or public life. Another motive of resistance occasionally pitches in: a radical, quasi-physical horror of ...”