Disaffiliate, Reaffiliate, Kill Again

Jeremy Harding: Régis Debray, 7 February 2008

Praised Be Our Lords: The Autobiography 
by Régis Debray, translated by John Howe.
Verso, 328 pp., £19.99, April 2007, 978 1 84467 140 3
Show More
Show More
... job and that every intervention by an editor involves a small surrender of the soul.’ He had the self-regard of the incorrigible scribbler, then, but not much else, and it was Althusser, apparently, who dissuaded him from a purely literary career. Yet Praised Be Our Lords, volume two of the memoir, is a great book. Fluent, witty, argumentative for ...

Mrs Shakespeare

Barbara Everett, 18 December 1986

William Shakespeare: The Sonnets and ‘A Lover’s Complaint’ 
edited by John Kerrigan.
Viking, 458 pp., £14.95, September 1986, 0 670 81466 0
Show More
Show More
... will so govern contrasting predicates as to reflect the tragi-comedy of the human condition. Thus Robert Burton (‘Democritus Junior’), the sad creator of the great Anatomy of Melancholy, is commemorated (1639) in the Cathedral at Christ Church, Oxford:         PAUCIS NOTUS   PAUCIORIBUS IGNOTUS                HIC JACET ...

What’s It All About?

Tom Lubbock, 6 April 1995

Shark-Infested Waters: The Saatchi Collection of British Art in the Nineties 
by Sarah Kent.
Zwemmer, 270 pp., £19.95, November 1994, 0 302 00648 6
Show More
The Reviews that Caused the Rumpus, and Other Pieces 
by Brian Sewell.
Bloomsbury, 365 pp., £12.99, November 1994, 0 7475 1872 6
Show More
Show More
... were often strong, his taste, whenever it took off on its own – the early enthusiasms for Robert Natkin, the later advocacy of Arthur Boyd – was unerringly awful. Either way, it hardly strengthened his cause. Take another critical position, more independent but more desperate. This critic is not encamped. There is one sort of art to which he ...

Half-Fox

Seamus Perry: Ted Hughes, 29 August 2013

Poet and Critic: The Letters of Ted Hughes and Keith Sagar 
edited by Keith Sagar.
British Library, 340 pp., £25, May 2013, 978 0 7123 5862 0
Show More
Ted and I: A Brother’s Memoir 
by Gerald Hughes.
Robson, 240 pp., £16.99, October 2012, 978 1 84954 389 7
Show More
Show More
... of life found themselves under attack from the barren counter-energies of rationalism. His poetry self-consciously opposes what he once called, sounding just like Lawrence, ‘this rotten English civilisation’. In his most revealing interviews, conducted by the critic Ekbert Faas in the 1970s, he spoke with an angry prophetic vehemence about ‘the ...

Cute, My Arse

Seamus Perry: Geoffrey Hill, 12 September 2019

The Book of Baruch by the Gnostic Justin 
by Geoffrey Hill.
Oxford, 148 pp., £20, April 2019, 978 0 19 882952 2
Show More
Show More
... and flighty (‘Poem as equity release – whatever that is’), as well as frequent notes to self about this poem in particular, as in its opening line: ‘Rehearse the autopsy. Psyche cut as ever. Not clever. Cute, my arse.’ That opening line is a crash course in a voice the reader is going to have to get used to (I was about to write ‘going to have ...

Bastard Foreigners

Michael Dobson: Shakespeare v. the English, 2 July 2020

Shakespeare’s Englishes: Against Englishness 
by Margaret Tudeau-Clayton.
Cambridge, 245 pp., £75, October 2019, 978 1 108 49373 4
Show More
Show More
... especially its last two decades, has usually been remembered as an idyllic apogee of national self-definition. By the time Shakespeare and his apprentice John Fletcher co-wrote All Is True (printed as Henry VIII) in 1613, wistfulness for the previous reign was already growing, despite what the playwrights and others may have recalled about Tudor ...

North and South

Raphael Samuel, 22 June 1995

Coming Back Brockens: A Year in a Mining Village 
by Mark Hudson.
Cape, 320 pp., £16.99, October 1994, 0 224 04170 3
Show More
Show More
... investigative gaze; incidents lose their epic character; idols turn out to have feet of clay. The self-improving ethos, and with it the grand narrative of what Hudson refers to insistently as ‘the raising of the Working Class’, has disappeared without a trace (we are twice told that there is not a single bookshop in East Durham, only the paperback shelf ...

Life Pushed Aside

Clair Wills: The Last Asylums, 18 November 2021

... like the gallery, is devoted to Art Brut, a movement that insists on the value of art made by self-taught artists, including patients in psychiatric hospitals. I visited the exhibition by accident, wandering in during a weekend in Paris, and found pictures of tree roots made up of twisted and tortured bodies; of Adam and Eve stripped of their skin, so ...

Last Night Fever

David Cannadine: The Proms, 6 September 2007

... for them, must be set in a broader historical and geographical context: namely the state and self-image of the nation in which the concerts have taken place almost uninterruptedly for a century and more. For the imperial Britain in which Henry Wood’s Proms began in the summer of 1895 was a very different place from the post-imperial Britain in which ...

For Every Winner a Loser

John Lanchester: What is finance for?, 12 September 2024

The Fund: Ray Dalio, Bridgewater Associates and the Unravelling of a Wall Street Legend 
by Rob Copeland.
Macmillan, 352 pp., £22, August, 978 1 5290 7560 1
Show More
The Trading Game: A Confession 
by Gary Stevenson.
Allen Lane, 432 pp., £25, March, 978 0 241 63660 2
Show More
Show More
... on their direction. Here’s a way to think about it: you live in a community that is entirely self-sufficient but produces one cash crop a year, consisting of a hundred crates of mangoes. In advance of the harvest, because it’s helpful for you to get the money now and not later, you sell the future ownership of the mango crop to a broker, for a dollar a ...

Real Busters

Tom Crewe: Sickert Grows Up, 18 August 2022

Walter Sickert 
Tate Britain, until 18 September 2022Show More
Walter Sickert: The Theatre of Life 
edited by Matthew Travers.
Piano Nobile, 184 pp., £60, October 2021, 978 1 901192 59 9
Show More
Sickert: A Life in Art 
by Charlotte Keenan McDonald.
National Museums Liverpool, 104 pp., £14.99, September 2021, 978 1 902700 63 2
Show More
Show More
... decided he didn’t like standing out in the cold? His first biographer (and former student), Robert Emmons, insisted that ‘SICKERT IS ONE OF THE IMPRESSIONISTS’ on the grounds that, though not an original member, he was ‘so closely allied to them both in method and sentiment, as to take his place, naturally and inevitably, within the innermost ...

Erasures

Colm Tóibín: The Great Irish Famine, 30 July 1998

... and, as Taoiseach, he decided to make public money available for this. The project was taken on by Robert Dudley Edwards from University College Dublin, who promised that a book, one thousand pages long, made up of essays by various experts, would be in print by 1946. The Government released a grant of £1500. Over the next few years Edwards worked with a ...

The Stuntman

David Runciman: Richard Branson, 20 March 2014

Branson: Behind the Mask 
by Tom Bower.
Faber, 368 pp., £20, February 2014, 978 0 571 29710 8
Show More
Show More
... of utter ruin. Branson’s line on Bower is that he got lucky a while back exposing the monstrous Robert Maxwell and is now trying the same trick on other prominent figures in the hope that lightning will strike twice. But Bower doesn’t portray Branson as another Maxwell. He never suggests he is a crook and he is almost admiring of the skill with which he ...

What is rude?

Thomas Nagel: Midgley, Murdoch, Anscombe, Foot, 10 February 2022

The Women Are up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley and Iris Murdoch Revolutionised Ethics 
by Benjamin J.B. Lipscomb.
Oxford, 326 pp., £20, November 2021, 978 0 19 754107 4
Show More
Metaphysical Animals: How Four Women Brought Philosophy Back to Life 
by Clare Mac Cumhaill and Rachael Wiseman.
Chatto, 398 pp., £25, February, 978 1 78474 328 4
Show More
Show More
... that we are whatever we summon the will to do.’ But Murdoch was scornful of this heroic self-image, writing that the gloom characteristic of existentialist writing ‘is superficial and conceals elation’. She had no use for voluntarism about value in either its French or British form: value requires us to turn our attention away from ...

The Reviewer’s Song

Andrew O’Hagan: Mailer’s Last Punch, 7 November 2013

Norman Mailer: A Double Life 
by J. Michael Lennon.
Simon and Schuster, 947 pp., £30, November 2013, 978 1 84737 672 5
Show More
Show More
... Henry St George, the older novelist, offers the young writer Paul Overt a demonstration in self-sufficiency. He tells him a writer would do better not to marry, to put his passion into his work. Then marries the girl they both admire. That doesn’t stop Paul Overt offering an encomium to his elder and better. ‘Your talent’s so great that it’s ...