Lacanian Jesuit

David Wootton: Michel de Certeau, 4 October 2001

The Possession at Loudun 
by Michel de Certeau, translated by Michael Smith.
Chicago, 251 pp., £27, August 2000, 0 226 10034 0
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The Certeau Reader 
edited by Graham Ward.
Blackwell, 320 pp., £60, November 1999, 0 631 21278 7
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Michel de Certeau: Cultural Theorist 
by Ian Buchanan.
Sage, 143 pp., £50, July 2000, 0 7619 5897 5
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“... the basis for Ken Russell’s 1971 film of the same name. There is also a more recent account, Robert Rapley’s A Case of Witchcraft (1998). Michel de Certeau’s Possession at Loudun, first published in French in 1970, has been published in English now because Certeau (who died in 1986) is a very fashionable cultural theorist. Six of his many books have ...”

It’s the Oil

Jim Holt: Iraq’s Lucrative Mess, 18 October 2007

“... Green Zone. As for the number of US troops permanently stationed in Iraq, the defence secretary, Robert Gates, told Congress at the end of September that ‘in his head’ he saw the long-term force as consisting of five combat brigades, a quarter of the current number, which, with support personnel, would mean 35,000 troops at the very minimum, probably ...”

Steamy, Seamy

David Margolick: The Mob’s Cuban Kleptocracy, 20 March 2008

The Havana Mob: Gangsters, Gamblers, Showgirls and Revolutionaries in 1950s Cuba 
by T.J. English.
Mainstream, 400 pp., £17.99, September 2007, 978 1 84596 192 3
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“... supposedly irked that Kennedy had failed to provide air cover at the Bay of Pigs or angry that Robert Kennedy was targeting them, figured prominently. Now that Castro’s epic reign is coming to an end, without any help from the US, perhaps the Americans, and the mobsters, will make a return to the ...”

Diary

Fintan O’Toole: The Case of Darren Graham, 6 September 2007

“... or living-rooms. Many, like David McQuillan, Winston McCaughey, Ritchie Latimer, Albert Beacom, Robert Bennett, Thomas Loughran and James McFall were with their children when they were attacked. William Gordon’s 10-year-old-daughter, Lesley, and seven-year-old son, Richard, were beside him in the family car when an IRA booby-trap bomb exploded. He and ...”

Orgasm isn’t my bag

Vivian Gornick: On the ‘Village Voice’, 6 June 2024

The Freaks Came out to Write: The Definitive History of the ‘Village Voice’, the Radical Paper That Changed American Culture 
by Tricia Romano.
Public Affairs, 571 pp., £27.50, February, 978 1 5417 3639 9
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“... had the kind of anger that made abolitionists’ – but she reserved her special fire for Robert Moses. He wanted to put an expressway through Washington Square Park, which would have deformed Greenwich Village. For this she went to war. Her pieces in the Voice mobilised the neighbourhood, defeated the bill and dealt Moses a crippling blow.Newfield ...”

Dangerously Scary

Malcolm Gaskill: ‘Dead of Night’, 4 June 2026

“... to do with this, as did Cavalcanti’s genius and the social comment and psychological depth that Robert Hamer, later known for Kind Hearts and Coronets (1949), brought to the tale of the haunted mirror. Its impact was enhanced by the fact that in 1942 horror films had been banned because of the depressing effect they might have on public morals and ...”

Short Cuts

Kathleen Commons: England’s Birthright Citizenship, 23 July 2026

“... and this was the first test to establish whether a Scottish subject, in this case the young Robert Calvin, had the same rights in England as James’s English subjects. The judges decided – or rather, affirmed – that in English common law, subjecthood was acquired through birth in the country (jus soli), rather than through parental descent (jus ...”

Get a Real Degree

Elif Batuman, 23 September 2010

The Programme Era: Postwar Fiction and the Rise of Creative Writing 
by Mark McGurl.
Harvard, 480 pp., £25.95, April 2009, 978 0 674 03319 1
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“... the plantation in Beloved, the mental ward in One Flew Over the Cuckoo’s Nest and the bus in Robert Olen Butler’s Mr Spaceman all function as metaphors for the creative writing workshop.) McGurl also provides a smart and useful typology of ‘programme’ fiction (defined as the prose work of MFA graduates and/or instructors), divided into three main ...”

Irangate

Edward Said, 7 May 1987

The Jaguar Smile: A Nicaraguan Journey 
by Salman Rushdie.
Picador, 171 pp., £2.95, January 1987, 0 330 29990 5
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Turning the Tide: US Intervention in Central America and the Struggle for Peace 
by Noam Chomsky.
Pluto, 298 pp., £5.95, September 1986, 0 7453 0184 3
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“... in Lebanon. The argument given in defence of what was done has been, from the start, that sending Robert McFarlane to Teheran was an attempt to exploit a ‘geopolitical opening’. Both versions of the same series of events have been criticised as an affront to the stated US policy of not dealing with terrorists or terrorist states. According to the ...”

Spaces between the Stars

David Bromwich: Kubrick Does It Himself, 26 September 2024

Kubrick: An Odyssey 
by Robert P. Kolker and Nathan Abrams.
Faber, 649 pp., £25, January, 978 0 571 37036 8
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“... to failure and the posthumous honour of indie renown. The largest exception to the rule, as Robert Kolker and Nathan Abrams show in Kubrick: An Odyssey, owed his escape to a coalescence of luck and preternatural self-confidence.Kubrick is a comprehensive Life. It yields, in orderly procession, almost every fact a scholar or a fan might want; and a fair ...”

The Reptile Oculist

John Barrell, 1 April 2004

“... There were fellow poets such as Felicia Hemans, Tom Moore, Samuel Rogers, Sir Walter Scott and Robert Southey; artists of various kinds including the gifted amateur Sir George Beaumont, Francis Chantry, John Constable, Thomas Lawrence, James Northcote and John Soane; and from the theatre, Jack Bannister, George Colman the younger, various Kembles, the ...”

Diary

Alan Bennett: What I Didn’t Do in 2007, 3 January 2008

“... young man’s name is Chevalier, which was the name of the man friendship with whom helped to ruin Robert Oppenheimer’s career. Chevalier was not gay but equally reprehensibly a Communist. 11 May, Long Crichel. Yesterday as I was driving down to Dorset (with no radio) the prime minister had gone up to Trimdon and his constituency of Sedgefield in order to ...”

Book of Bad Ends

Paul Keegan: French Short Stories, 7 September 2023

The Penguin Book of French Short Stories: Vol I 
edited by Patrick McGuinness.
Penguin Classics, 483 pp., £30, October 2022, 978 0 241 46199 0
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The Penguin Book of French Short Stories: Vol II 
edited by Patrick McGuinness.
Penguin Classics, 352 pp., £30, October 2022, 978 0 241 46205 8
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“... periodically reverts to a hirsute beast in Virginie Despentes’s torrid first-person rewrite of Robert Louis Stevenson (its title winningly translated as ‘Hairs on Me’). The creatures are present because short stories make it their business to speculate about an otherness they do not have time to investigate, and animals are far-reaching analogies. They ...”

Kick over the Scenery

Stephanie Burt: Philip K. Dick, 3 July 2008

Four Novels of the 1960s: ‘The Man in the High Castle’, ‘The Three Stigmata of Palmer Eldritch’, ‘Do Androids Dream of Electric Sheep?’, ‘Ubik’ 
by Philip K. Dick.
Library of America, 830 pp., $35, May 2008, 978 1 59853 009 4
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Five Novels of the 1960s and 1970s: ‘Martian Time-Slip’, ‘Dr Bloodmoney’, ‘Now Wait for Last Year’, ‘Flow My Tears, the Policeman Said’, ‘A Scanner Darkly’ 
by Philip K. Dick.
Library of America, 1128 pp., $40, August 2008, 978 1 59853 025 4
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“... into a flat with other young littérateurs, including the future avant-garde poets Jack Spicer and Robert Duncan. He also took a job in a record store, where he met his first wife (they split up after six months) and then his second, Kleo, who introduced him to Bay Area hard-left politics and became his first willing muse. Throughout the 1950s, Dick worked on ...”

It isn’t the lines

Bee Wilson: Paul Newman’s Looks, 16 February 2023

Paul Newman: The Extraordinary Life of an Ordinary Man 
by Paul Newman, edited by David Rosenthal.
Century, 320 pp., £25, October 2022, 978 1 5291 9706 8
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The Last Movie Stars 
directed by Ethan Hawke.
HBO/CNN
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“... would often delay the shooting of a scene because he wanted to discuss every element in detail (Robert Redford, who played the Sundance Kid, just wanted to hurry up and finish). ‘Then what Paul would do with the scene would have no relationship to what we’d been talking about for the last half-hour.’ He put far more agony and effort into his ...”