How good was he?
Iain Fenlon: Antonio Salieri, 6 July 2000
“... to a three-deck ship on the high seas’. It is no surprise that Berlioz’s full conversion took place after hearing a performance of Iphigénie en Tauride. As John Rice argues here, a number of arias in les Danaïdes are written in a simple and affective melodic style reminiscent of parts of Orfeo and La Rencontre ... ”