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“... a writer to tolerate even minor flaws.’Annotations to James Joyce’s ‘Ulysses’ by Sam Slote, Marc Mamigonian and John Turner takes on board all the research and scholarship done since Don Gifford’s groundbreaking Notes for Joyce (1974, revised and republished in 1988 as Ulysses Annotated by Don Gifford with Robert J. Seidman). It shows Joyce ...”

“... was given to her artistic struggles by a stroke of good luck. She came to the attention of Sam McClure, the New York editor and reformist publisher, who liked her stories and published her first collection, The Troll Garden. This was the real beginning of her writing career. He employed her directly as well, and assigned her various muck-raking ...”

“... to Toronto, where she is picked up by a sponsoring relative who takes her to a blues party. A white neighbour complains at the din, and the West Indians insult and threaten him with the ‘Untarryo Human Right Commission’. The ‘racialists’, they explain, ‘owe us. And we going to collect.’ Another more spiteful story portrays a black ...”

“... to Madison – but my host Professor D.J. and me. That’s Charlie Feathers, the Memphis musician. Sam Phillips at Sun Studio never knew quite what to do with Charlie; tried to steer him to the country end of things when he was more truly a rockabilly. Too bad for Charlie. Made for a difficult life, or more difficult than it should have been. He’s a better ...”

“... spirits in the form of ectoplasmic structures, or ‘pseudo-pods’. These long viscous skeins of white stuff, which sometimes passed as if miraculously through a gauzy gag tied over Eva C.’s face, were thought to be ‘ideoplasts’ – projections of the medium’s mind. The photographer and impresario of these séances was Mme Juliette Bisson, a rich ...”

“... that patented the walk-and-talk, with characters trading quips at speed as they zipped down the White House corridors. CJ, Josh, Donna, Sam: quick-thinking, smart, hilarious, kind – this was a world you wanted to be in! I wanted to be in Lorrie Moore world, too, even if her characters were stuck in middle ...”

“... topical image of the RAF roundel’. It’s a patriotic emblem, especially when viewed in the red, white and blue of Technicolor, but the Archers was notable for its use of Pressburger’s fellow exiles: the German Alfred Junge, whom Powell called ‘the greatest art director that films have ever known’; the Polish composer Allan Gray (whose real name was ...”

“... sprawl scattered like so much confetti over the gnarly green terrain. In the distance, the tall white cluster of buildings that formed downtown Los Angeles poked through a corona of smog. Coming into view below was my destination: the 480-acre subdivision established in 1887 and named ‘Hollywood’ by a real estate speculator’s wife because, she ...”

“... numerous voice-overs and adverts for car manufacturers. He was also the author of a novel, Man in White (1986), about the life of St Paul, with whom he liked to compare himself: ‘Also interesting, for me at least,’ he writes in Cash (1997), ‘were the parallels between Paul and myself. He went out to conquer the world in the name of Jesus Christ; we in ...”

“... caught, in collusion with the Mafia, plotting to poison Fidel Castro’s cigars. Ronald Reagan’s White House was run to astrological time, and its chief spent his evenings discussing Armageddon theology with strangers. Oliver North recruited convicted narcotics smugglers to run the secret war against Nicaragua. George Bush recruited Manuel Noriega to the ...”

“... to whomever was around or just people-watch. In this millennium, in cafés frequented by young white people, every customer seems to be silently staring at an Apple product, so that the places look and feel like offices. Even this phase may be on the way out. The next phase – of trying to keep customers from sticking around – has arrived. A food ...”

“... Eastwood’s relations with his orang-utang co-star; and his excursions into biography, Bird and White Hunter, Black Heart, are brave if lumbering. But what makes and keeps him a star, as actor and director, is a certain intimacy with screen violence, or with ways of representing violence. His Westerns and his cop movies are what continue to matter, and they ...”

“... giving it the deceptive look of a long poem. The success of this approach, loyally managed by Sam Taylor in his translation, is to make Charlotte read as a series of ticker-tape bulletins, delivered in breathless fits and starts. At the entrance to L’Ermitage, something holds Charlotte back: It is a force behind her. She almost has the impression that ...”

“... pawed hop frog snack play. Come ploughed, she             jumps, ground. Bark tractor, white bitterhead grub and pull scarecrow.                   Me! assents his urine. Based on a tribal oral form, ‘The Buladelah-Taree Holiday Song Cycle’ (1977) is a perfect vehicle for Murray’s zoological, loco-descriptive and narrative ...”

“... downstairs, now comes up and at the sight of a third party he takes fright, retreating to a white van waiting opposite with its engine running which drives off so quickly I fail to get the number. Thinking about it afterwards, where he went wrong was in not being ingratiating enough or trying to explain what the ‘drain problem’ was and graduating ...”