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“... biographies of Keats appeared within a short time: W.J. Bate’s and Aileen Ward’s in 1963, Robert Gittings’s in 1968. Each is still very useful; all were admirable, if in different ways. W.J. Bate, who had been interested in Keats ever since he wrote his undergraduate thesis on the poet in 1939, paid special attention to Keats’s stylistic ...”

“... Keats walked this coast he felt it followed him,’ I said. But our plans involved Robert Burns. Karl, since he first began publishing Seamus in the New Statesman in the 1960s, always felt there was a clear affinity between Burns and Heaney. They were both the sons of farmers and they both allowed nature to oxygenate the mind and inflect the ...”

“... Jonathan Barker’s Art of Edward Thomas – seems more fortuitous than co-ordinated. Thomas, as Robert Frost reminded him, ‘knew the worth of [his] bays’. However, it is unwise to die in war when a hegemonic project like Modernism is getting under way. Frost’s reputation survived because, feigning simplicity, he appealed to the people, to ...”

“... Thomas Hardy once told Robert Graves how he had gone to the Oxford English Dictionary to confirm the existence of a dialect word he proposed to use in a poem, and came to a standstill because the only authority quoted for it was his own Under the Greenwood Tree. This is an acute case of our dependence on dictionaries, and illustrates the commonest reason for resorting to them ...”

“... removal centre at Gatwick, then to Brighton, then to Suffolk. Grace and her children, Sacha and Robert, get swept along in the car after one of Smith’s characteristic accidental encounters, on Brighton beach. A long central section, a third of the novel, takes place in the past, where we return with Daniel to his wartime internment as an enemy alien on ...”

“... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...”

“... that Darling seems most alive. ‘When Darling entered a room, men stood,’ the playwright Robert Patrick said. ‘They instinctively stood in the presence of the goddess. Before she opened her mouth and started the Candy craziness, she projected a real movie star effect. Aristocratic. Ladylike.’ It would be naive to think that a woman who spent time ...”

“... Queens, a plain middle-class house where he lived with his widowed mother and his younger brother Robert, who suffered from cerebral palsy. He was known in the neighbourhood as a loner who collected odds and ends, as a silent member of the Christian Science Church, as a ‘scary kook’, as a haunted-looking man who was friendly to children. One visitor to ...”

“... Britain ‘will still be the country of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and pools fillers’. Still? That suggests these properties were extant in 1993. And maybe they were, somewhere. The optimist premier equated country with county, with his native patch, Surrey, where the past is never dead but constantly ...”

“... the radical Whig or “real Whig”’ of the 1690s.This enduring deception would appeal to Robert Harris, whose Selling Hitler: The Story of the Hitler Diaries (1986) laid bare the combination of hubris and greed that prompted the premature newspaper publication in 1983 of extracts from sixty purported ‘diaries’ by Adolf Hitler – though that ...”

“... and in this she is following a tradition that runs from Djuna Barnes and Joyce, say, through Henry Green and Beckett and Robbe-Grillet to Burroughs and Christine Brooke-Rose. The dust jacket flaps of novels published by Calder and Boyars between 1966 and 1972 list their books under the varying heads of ‘Contemporary Fiction’, ‘Fiction’, ‘Modern ...”

“... Scottish Renaissance into the Beatnik era, establishing important transatlantic connections with Robert Creeley, Jonathan Williams, Lorine Niedecker and others. The break-up of his first marriage in 1964 terminated this period of relative stability, initiating the chapter of uncertainty that coincided with his first letters to Stephen Bann. At no stage in ...”

“... and taste a sort of comprehensive ur-flavour of the inter-war novel, from Graham Greene to Henry Green. And yet his words and sentences, unlike theirs, are never quite in place, never quite add up to a novelist’s ‘world’, the sort that has a good chance of standing outside time. But Gerhardie had an absolutely natural sense of the new incongruity ...”

“... were resettled in a ‘model’ village along with their forebears’ gravestones. By contrast Robert Macfarlane’s accounts are nothing if not first-hand. He is a literary scholar who has spent many hundreds of hours walking in England and the Scottish Highlands, in Spain, Palestine and Tibet. His aim here is to describe some of his most memorable ...”

“... always dresses up in her best clothes. Their sex life, such as it ever was, is faltering badly. Robert, their 18-year-old son (Charlie is in his late forties, Maureen ten years younger), is unemployed, and Charlie disapproves of him, calls him a ‘layabout’. It breaks his mother’s heart when he leaves home and moves into a squat. Charlie has a younger ...”