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“... units, Ian Bremner writes in the Introduction to the very useful collection he has edited with Ray Taras, institutions were set up identically, with replications of not only party but also cultural, scientific and educational facilities. Economic policy also appeared egalitarian in structure, based on the premise of giving to each according to his needs ...”

“... more pronounced when the book became a successful TV series in 1988. Harry Perkins was played by Ray McAnally, who seemed entirely plausible as a man swept to office on a wave of popular affection, notwithstanding his radical programme (quit Nato, dismantle Trident, take down the press barons). The trouble was no one in ...”

“... my success were equal to my energy,’ he remarked at the age of 55, ‘I should be a great man.’ He was also a compulsive writer. Ten years later, aware of advancing age, he told his son: ‘I finished on Thursday the novel I was writing, and on Friday I began another. Nothing really frightens me but the idea of enforced idleness. As long as I can ...”

“... moving car from the front, outside the windscreen, the camera slightly off to the driver’s left. Ray Liotta, looking young and spruce but tired, is at the wheel, his face well lit. Robert de Niro, in the passenger seat, is asleep. Joe Pesci, in the back seat, is nodding off. A thumping noise is heard, and Liotta says, ‘Jimmy.’ De Niro wakes up. Liotta ...”

“... are no places left. Come back next month …’ When I was eight, I went to a school run by a man from Chad. He taught anyone who couldn’t go to a Saudi school. I was there four years until my father got ill. Then my brother and I, we had to start working. We washed cars and sold in the street cold water, prayer mats and beads – you can make good ...”

“... all good biographies, it conveys as much or more about the world the subject lived in as about the man himself. In that respect, it reminded me of Rupert Hart-Davis’s biography of Hugh Walpole, which can be read with pleasure and profit again and again though it is not entirely easy to see why. Neither Hugh Walpole nor Duff Cooper (who turns out to have been ...”

“... parlours, that’s why. You listen to those buildings sometime. You can almost hear them chewing, man. Jed duly joins up with ‘the womb gang’, to make war on death. Again, the novel’s message is written in letters a foot high, like a Brechtian slogan. As Evelyn Waugh observed fifty years ago, the only problem the Americans haven’t been able to solve ...”

“... trousers.’ The jester here was Ian St John, who from the very start has worn the air of a man who has been given a bum posting – his Group having, in the main, gone in for timid goalless draws. Sad, this, because St John is one of the few ‘experts’ who really does seem to have some expertise, who now and then sees things we don’t see, spots ...”

“... on both jaws there is potential for deeper damage. As Schutt’s dentist puts it, pointing at an X-ray of one of his upper molars, ‘on the other side of that sinus is your brain.’ In the lower jaw, infections offer a route for bacteria to be transmitted from an abscessed tooth to the floor of the mouth. From there, they can speed through the ...”

“... a 29-year-old stripper and single mother who has been given a double life sentence for murdering a man who stalked her. The year is 2003. Her first parole hearing will be in 37 years’ time. She has been in jail for two years already, long enough to learn not to say much and not to complain. She has also learned not to cry, a lesson she received on the night ...”

“... They exchanged vows on the brink of a cliff: ‘Prophetically,’ says the author. He is not a man to let a symbol give him the slip. The unblushing bride was born in 1958. Her mother, also called Madonna, was a French-Canadian X-ray technician; her father, the son of Italian immigrants, was an engineer. The family was ...”

“... lesser Thackeray’ – Trollope. He refines an argument originally put forward by Gordon Ray: that Thackeray’s great project in fiction was to ‘redefine’ the gentlemanly ideal for a middle-class Victorian ethos. Historically, Gilmour sees the Victorian preoccupation with gentlemanliness (and its derivative, ‘manliness’) as signalling the ...”

“... past ... remains a massive justification’ – is reluctantly given. The author is a fastidious man, morally and aesthetically, and a natural dove. But in addition to his scruples – alluded to but never defined – about Israel’s policy and moral tone, there is a further disappointment. Zionists believed that, by becoming a nation like any other, the ...”

“... with saliva, sweat and a deluge of fucks, cunts and bastards (flat ‘a’ – bas-tards!). A big man who can move like lightning; a pathologically aggrieved pub lout who’s read some books; a ‘cheeky monkey’ from the Kop. Sayle’s posture is manically contemptuous, his rhythm a hysterical crescendo of obscenity with spat-out satirical asides. Both the ...”

“... were obviously the Mojave, peopled by tribes lifted straight from Doughty, but re-equipped with ray-guns. And the ultimate classic of desert SF, Frank Herbert’s Dune, even echoes Doughty in its format, with an apparatus of appendices and a map. But is that tribute paid to the book or the legend? Even among the canon of Great Unread Masterpieces, Travels ...”