The Knock at the Door
Philip Clark: The Complete Mozart, 8 February 2018
“... mirrors that cultural shift by privileging performances by Brüggen, Gardiner and Pinnock over Karl Böhm, George Szell and Eugen Jochum, pillars of the Austro-German tradition whose interpretations are now discreetly tucked away as ‘supplementary’ performances, historical oddities. Böhm never gets the notes wrong, but his orchestral plod suffocates ... ”