At Tate Britain
Inigo Thomas: Frederick Swynnerton, 21 January 2016
“... to the antique remains of Rome, or the heroic history paintings epitomising la gloire of imperial France, the visual language of the British Empire was rarely grand or public.’ Pictures never expressed the idea of the imperial as forcefully as railways, harbours or cities, and the architecture associated with them – Lutyens’s Delhi is not modest. There ... ”