Appelfeld 1990
Christopher Ricks, 8 February 1990
“... in company.Whereupon Arnold makes Tennyson’s ‘Dora’ keep company with Wordsworth’s ‘Michael’.There are many moments in For Every Sin when the prose loses its equipoise, and settles as mannerism. Well-managed, and well-mannered, never inept but often unapt. Such lapses, in a novel where the protagonist finally succumbs to the strain of it ... ”