“... remember all of them. He had many pseudonyms, dating back to the time when he was starting out as a hyper-prolific hack in his Belgian youth. To complicate things further, many of his books were published serially and are of a length somewhere between longish short story and shortish novella, so people of good faith ...”

“... Neville Brody is advertised as the most influential graphic designer of his generation, which means something in a Britain where we have at last found what we are really good at: charming money out of each other ...”

“... As Amersham achieves Privatisation And sells the way hot cakes do when dirt cheap We realise with a sickening sensation, As of a skier on a slope too steep, That if the soundest firms owned by the nation Are flogged, the duds are all we’ll get to keep – And when the auction ends they’ll sell the hammer ...”

“... All literary works are anonymous, but some are more anonymous than others. It is in the nature of a piece of writing that it is able to stand free of its begetter, and can dispense with his or her physical presence. In this sense, writing is more like an adolescent than a toddler ...”

“... countries where it occurs naturally, and where it isn’t difficult to get live material to start a culture. The notion that you need to be trained in biological warfare to grow it is ludicrous. In principle, any doctor, dentist, vet, microbiology graduate or hospital bacteriology lab technologist could produce it. In Britain, ...”

“... At 8 o’clock on the night of 30 October 1938, listeners to Orson Welles’s Mercury Theater on the Air might have noticed a short announcement: the show that evening was going to be an adaptation of H.G. Wells’s War of the Worlds. A lead-in paragraph followed: ‘We know now that in the early years of the 20th century, this world was being watched closely by intelligences greater than man’s and yet as mortal as his own ...”

“... ago. Apart from scraps of celebrity anecdote, what I remember of it now is something more diffuse, a mood associated with the mysterious figures of the producers: an impression of flared trousers and shirts with the two top buttons undone, collar points two feet apart, of tanned white skin, gold, nice teeth, the smell of ...”

“... One need not be a Chamber – to be Haunted – One need not be a House – The Brain has Corridors – surpassing Material Place – ‘All men say “What” to me,’ Emily Dickinson wrote in a letter to Thomas Wentworth Higginson. She certainly mystified Higginson ...”

“... had room for two such opposite productions, could accommodate two very different bad books. A gay cultural presence is now taken for granted, despite several decades of viral decimation, with breakthroughs commercial and institutional (or both, in the case of Alan Hollinghurst’s The Line of Beauty, which won the Booker Prize). ...”

“... their own language. Sign languages are now known not to be parasitic on spoken ones, and not to be a form of pantomime, a kind of charades. They do not have anything much like the structure of any spoken language, but they have comparable expressive power. Nor has the breakthrough been the invention of some new and better ...”

“... He died, one Jesuit said, ‘like a flower in the field that closes at night’. Some time in the evening of 28 September 1978 Albino Luciani, Pope John Paul I, abandoned his tenure of the throne of St Peter. He had been Pope for only 33 days. The news was entirely unexpected. Unlike his predecessor, John Paul had shown no signs of ill-health during his brief reign, and very soon it began to be rumoured that he had been poisoned ...”

“... the printer’s name. No such rigorous obligation attaches to statements of authorship. It is a licence that fiction, in particular, has richly exploited. Ever since its rise the novel has flirted with authorial anonymity and pseudonymity. Great unknowns, pen names and spoof attributions figure centrally in the genre’s history, from Scott, to George ...”

“... by bones and skeletons since childhood’. His first experience of film involved watching a flying skeleton horse pull a bewitched carriage across the sky, in Georges Méliès’s Les 400 Farces du diable. It was skeletons, he says, that made him go to Mexico: I remember holding a ...”

“... When​ I was young I thought poetry and poetry anthologies could change the world. ‘If a man were permitted to make all the ballads,’ Andrew Fletcher of Saltoun wrote, ‘he need not care who should make the laws of a nation.’ But nationality still mattered: Seamus Heaney’s reaction to his inclusion in Blake Morrison and Andrew Motion’s 1982 Penguin Book of Contemporary British Poetry was ‘My passport’s green ...”

“... That the English have been slow to recognise James Merrill as the best poet in the language after Elizabeth Bishop has long seemed strange to Americans. Come to think of it, British recognition of Bishop herself was belated; for decades she was upstaged by Robert Lowell, probably because he lived in England and behaved in a way that seemed more certifiably poetic ...”