At Tate Britain
Peter Campbell: Henry Moore, 25 March 2010
“... the grain follows the form as contours follow the slope of a hill – and led to analyses such as David Sylvester’s of the 1945-46 Reclining Figure: ‘the sacrificed and resurrected god of a fertility rite … at once skeletal and alive, prone in burial and flowering into new life’. The carvings in this room provide a formidable example of sustained ... ”