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“... best we have.’ And there they were, Tom Raworth and Lee Harwood, linked in a Penguin, like Ted Hughes and Thom Gunn before them, markers for a generation. So where did it all go wrong? (Not for the poets, for us.) Raworth’s first proper book, The Relation Ship, was published by his own Goliard Press in 1967. Three illustrations by Barry Hall. ‘Off-set ...”

“... them in the Herald Tribune. Richard Wright remained in Paris. Neither Ralph Ellison nor Langston Hughes took part in the Civil Rights Movement (and Ellison took a dim view of Baldwin’s involvement), just as writers like Brian Friel and Seamus Heaney avoided active involvement in the public life of Northern Ireland after 1972. (‘Forgive my ...”

“... England’, and the town earned a chapter to itself in an 1897 book on women’s sweated labour, Robert Harborough Sherard’s White Slaves of England. In the 19th and early 20th centuries, Cradley Heath was known as the world’s capital of hand-hammered chain-making, and boasted, somewhat weirdly, that the anchor chain of the Titanic had been manufactured ...”

“... too.’ Even his admirers could find it a strain: ‘He is not an easy man to be yourself with,’ Robert Louis Stevenson confessed to Henry James, ‘there is so much of him, and the veracity and the high athletic intellectual humbug are so intermixed.’ Hardy wrote loyally after Meredith’s death that ‘His words wing on – as live words will,’ but ...”

“... Laura was a Provençal woman called Laure de Noves, born in about 1310. She married Hugo or Hughes de Sade, of a landed family from Le Thor, a few miles south-east of Avignon. The marriage contract is dated 6 January 1325. They had at least 11 children. Correlated with Petrarch’s datings this would make her a married woman in her later teens, possibly ...”

“... lift each other in a tentative balance, was advanced both in Heaney’s contribution to Homage to Robert Frost (which he published in 1997 with Joseph Brodsky and Derek Walcott) and in such poems as ‘Weighing In’ and ‘The Swing’ (an Ulster version of Frost’s ‘Birches’) in The Spirit Level (1996), the most recent book of his excerpted for Opened ...”

“... and his wife, the poet Ruth Fainlight, Arnold Wesker and his wife Dusty. Naomi Mitchison. Ted Hughes, Christopher Logue (whose recording of poetry and jazz, Red Bird, I’d bought with my pocket money at St Christopher’s), Lindsay Anderson, Fenella Fielding. A Portuguese couple, described to me as ‘a poet in exile and his glamorous wife’, would ...”

“... is the tree of life.’ Carey sometimes takes this line: it lies behind his admiration for Ted Hughes, for instance, whose poetry exposes ‘the fragility and misplaced pride of the human intellect’. But, as Stefan Collini has observed, what really gets under his skin is intellectuals being snobby and condescending, and in his impressively disgusted book ...”

“... consequences of large families for poor households. In lines borrowed from the social campaigner Robert Dale Owen, she asked: ‘Is it desirable then, is it moral, for parents to increase their families regardless of the consequences to themselves or the wellbeing to their offspring when a simple, easy, healthy and CERTAIN remedy is within our control?’By ...”

“... between them. When you read the conversation that ensued you find that they end up agreeing over a Robert Lowell poem, ‘For the Union Dead’. It was agreed by both to have emotional content but also to have a sort of marmoreal shapeliness.Well, it is one of Lowell’s best poems. Was the dialogue edited much?No, we let them be as they were. And I think ...”

“... glory of the century of progress. A White Star Line poster reproduced in Michael Wilkinson and Robert Hamilton’s collection shows the great hulk of the ship, sunlit, belching smoke out of three of its four funnels – the fourth was there only for effect – and cutting a swathe between a small sailing ship and a three-masted square rigger. A sliver of ...”

“... Depestre; the Cuban artist Wifredo Lam; the French poet Louis Aragon; the French photographer Robert Doisneau; the Russian-Mexican painter Vlady Rusakov and his father, Victor Serge, hero of the anti-Stalinist left. Several of her works are lost, including The Commune, Louise Michel and Us, a film she worked on in the early 1970s and ‘Guns for ...”

“... were organised into parties with uniformed paramilitary wings. They operated in what the historian Robert Paxton has called an ‘uneasy but effective collaboration’ with traditional elites, which wanted to maintain order and crush the left. Fascism, from this perspective, was born of particular social conditions that are unlikely to recur in the same ...”

“... the book has had its admirers – my battered 1970s paperback carries endorsements from Richard Hughes, Naomi Mitchison and C.S. Lewis, and Auden was an early fan. (Auden was a patron saint of lost causes. He was also the only major writer to stand up for Laura Riding.) But mostly, the sort of people who get their opinions published have lashed it with ...”

“... to them, but she had met T.S. Eliot, too, and there was Priestley and Philip Larkin and even Ted Hughes, to whom she’d taken a bit of a shine but who remained nonplussed in her presence. And it was because she had at that time read so little of what they had written that she could not find anything to say and they, of course, had not said much of interest ...”