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“... This is the first of two volumes designed to describe the British press and its connection with politics and politicians from 1850 to 1951. It is a formidable task, and one cannot be surprised that it has never hitherto been successfully achieved, though many attempts have been made. Such success as can be found in press historiography during these years lies more in studies of individual newspapers or particular editors than in any synthesis of the whole story ...”

“... In this unique fiction,’ say the publishers, ‘word and image meet with a richness scarcely seen since Blake.’ Certainly A Humument is no ordinary novel: but nor is it much like Blake’s engravings, ‘Word and image’ meet in these pages more as they do in a comic strip – in particular, the comic strip as it has entered Pop Art – or as in the single words of type in a Cubist painting ...”

“... In the preface to Days of Contempt, André Malraux alerted his readers to the fact that ‘it is the concentration camps that are dealt with here.’ This was in 1935, and the first of Hitler’s concentration camps had been established only two years earlier. But this preface is misleading, for the novel is neither informative nor prophetic about the concentration camps – what it mainly reveals is the conditioning power of the historical imagination ...”

“... Twenty years ago I was about to leave the English Department at Columbia University to spend a year at the Institute for Advanced Study in Princeton: my project was a biography of J.G. Frazer. At Columbia I had written a dissertation on the literary-critical legacy of the ‘Cambridge Ritualists’ (Jane Ellen Harrison, F.M. Cornford, Gilbert Murray and A ...”

“... The dust-jacket of this handsome book reproduces a medieval manuscript miniature of mounted Arabs beating drums and blowing what are probably mizmars (woodwind instruments). According to the caption, this is a ‘Celebration of Ramadan, from “The Meetings” illustrated by al-Hariri, 13th century’. Oh no it isn’t. Al-Hariri, author of the Maqamat (literally ‘Standings’, but more usually translated as ‘Sessions’) died in 1122 ...”

“... Age: 22. Time: after 2. RumblingOn western skyline, barrage, tangled tracks, trucks,Jeeps, flags, signposts, dust, oily rags, lorries tumblingOver dark crests, pulverised surface almost liquid, like sticky,Gritty faeces. Men knee-deep in it, goggled facesLost under thick, off-white masks, swigging from hip flasks.animula blandula vagulaInside a wide, bucking two-ton, we’re thrownAgainst our own cab’s sides and roof ...”

“... Thomas Mann wrote this engaging novella in a few weeks in 1943. (The new translation by Marion Faber and Stephen Lehmann, which is brisk and direct, is a welcome replacement of the fussier and less accurate English version done by Helen Lowe-Porter for the original publication.) The novella was written after Mann helped pitch a film on the Ten Commandments to MGM ...”

“... In 1905 a British journalist called James Dodds Henry travelled to Baku, an enclave on the southern frontier of the Russian Empire that had recently become the centre of the world oil industry. ‘If oil is king, Baku is its throne,’ he wrote in Baku: An Eventful History. But the Russian industry was even then beginning a precipitous decline following a series of crippling strikes in the oilfields led by a young Joseph Stalin, and rebellion was spreading across the Caucasus ...”

“... Some years ago I wrote an account of the sanguinary career of Tamerlane for the Time-Life History of the World. After my editor, Charles Boyle, had read the first draft, he went home and dreamed a strange dream in which ‘Old Hoppity’ turned up at Time-Life’s London offices. The dream, in time, metamorphosed into a poem, which he included in his collection The Very Man (1993 ...”

“... Gamal Abdul Nasser was inspired in his youth by ‘Awdat al-ruh (literally ‘Return of the Spirit’), a novel by one of the grand figures in Egyptian literature, Tawfiq al-Hakim (1898-1987). Published in 1933, it chronicles the tribulations of the urban poor and ends on a triumphant note, with the nationalist demonstrations of 1919. In its simple way it was an inspiring document written in days of hope, before cynicism and despair found their way into Arab fiction ...”

“... At the end of the 18th century the main threat to British possession of India seemed to come from France. In Egypt in 1798, Bonaparte studied the campaigns of Alexander the Great. He had corresponded with Tippoo Sahib, the Sultan of Mysore, and talked of leading the French expeditionary force on to conquer the British possessions in India. In 1800, the Russian Empire’s frontier was still a long way from that of British India and the two were separated by a (not particularly sanitary) cordon: thousands of miles of mountains and deserts populated by fiercely independent khans and tribal warriors ...”

“... David Means​ wrote a novel. David Means wrote a novel! Reading the hype around Hystopia – the new novel, the first novel, so far the only novel by the American writer David Means – you have to wonder how much pressure Means resisted from his publishers to forswear the pleasures of the customary gnomic cipher (American Enchiridion, The Accidental Occidental) and just call the book that: David Means Wrote a Novel: A Novel Written by David Means ...”

“... Kahlil Gibran was born in Lebanon. His father was a wealthy and aristocratic Arab, and his grandfather owned a palatial mansion guarded by lions. The child rode out hunting with his attendants and met the Kaiser on the latter’s Middle Eastern tour. Only after his imperious and incorruptible father had been brought low by the intrigues of his enemies did the family emigrate to Boston ...”

“... In contemplating the psychology of a dead artist, referring to the only sure thing we have to go on – his work – can be tricky: we are tempted into making the evidence conform to our theories, Freudian or other. Maynard Solomon recognises this danger, but is not altogether saved from rashness. An example is his chapter on the four dreams that Beethoven happened to describe (very briefly and sketchily) in letters ...”

“... Americans struggle to come to terms with the Vietnam War. The country’s longest and only losing conflict invokes painful memories of wanton killing, government lying and moral degeneration that seem for removed from the nation’s other 20th-century wars. The films Apocalypse Now, Platoon, Full Metal Jacket, Hamburger Hill and Casualties of War present images of brave Americans overwhelmed by the brutality and senselessness of the struggle ...”