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“... dynastic portraits need big houses. Both need a deferential cast of mind. When, in the Sixties, Philip Johnson built an underground art bunker close by his famous glass house in New Canaan, he dramatised the division which had grown up between the collecting of art and the embellishment of rooms. Art, driven out by ...”

“... to join the silent conspiracy which now unites all the English poets from Robert Graves down to Philip Larkin, and all the critics, editors and publishers too, the conspiracy to pretend that Eliot and Pound never happened. Tomlinson refuses to put the clock back to pretend that after Pound and Eliot, Marianne Moore and Wallace Stevens have written in ...”

“... be accommodated and yet won’t nearly suffice. Amis once proposed ‘never being satisfied’ as Philip Roth’s great theme, but it is the boundless nature of need that he, too, endlessly celebrates and satirises. And if Amis is the poet of profligacy, the expert on excess, it is because he is himself full of what he might call male need-to-tell, what John ...”

“... Dalley’s recent biography of Diana Mosley. You rather imagine her, nose pressed up against the glass, longing to roar along with the Duchess of Devonshire (whom, she informs us, she once met at dinner), but not quite knowing how. Of course, some people miss the joke altogether – posh girls sniggering: what’s funny about that? – or disapprove because ...”

“... same way, editors are often to be found with their favourite children’s authors, trying, over a glass of herbal tea, to persuade them to write something simple but heart-warming that might prove to have ‘crossover appeal’ in the adult market. Britain didn’t grow Elvis or Coca-Cola, but it grew Billy Fury and Irn Bru, and the great new self-help ethos ...”

“... Pico della Mirandola, Leonardo, Milton, Rameau, Sade, Mozart, Balzac, Darwin, Wagner, Rodin, Philip Pullman and a supporting cast of hundreds. A single page, selected at random and by no means the most thickly populated, scatters references to Conrad (Joseph), Hesiod, Rilke, Shakespeare, Plato, Mann, George Eliot, Gide and St John. Quite how much Conrad ...”

“... finesse and a military-trained marksman. He had been at Reed College in Portland with Snyder and Philip Whalen, a formidable Pacific Rim triumvirate of youthful poets and seekers. Heavily dosed on Gertrude Stein, and fired up by a chance encounter with William Carlos Williams, Welch was confirmed in his destiny as an outsider, a casual labourer, cab ...”

“... country, pines for the specious distractions of the big smoke: ‘The whole point,’ the scholar Philip Drew maintained, ‘is that the contrasts drawn by the speaker, with his exaggerated ideas of savoir vivre, are all reversed by the reader.’ But you don’t need independently to know about Browning’s love for a bustling urban scene to realise that ...”

“... Charlus’s mixture of preciousness and pomposity emerges in one word when he is offered a glass of orangeade at the Verdurin salon and expresses a preference for sa voisine, the raspberry cordial. Reading Proust in English, I had frequently gone straight over a scene between Swann and Dr Cottard until I happened to open it at that page in the ...”

“... Girls, which featured an interview with a 21-year-old woman who had had 789 lovers. ‘Prince Philip, Mary Whitehouse, Lord Hailsham and Brigid Brophy were all quoted on what they thought about the subject.’ The only sex-related subject not permitted in the paper was homosexuality. Murdoch was against it: ‘Do you really think the readers are ...”

“... as a reminder of the Kingsley Amis who once unambiguously remarked, in the course of a berating of Philip Roth, that ‘Jewish jokes are not funny.’ Then there is the woman question, which arises in the novel in a fashion which sets us wondering, as in the past and as in the case of the above encounter, which parts of the bad behaviour on display Amis quite ...”

“... underestimate the tenacity of cultural stereotypes and the stale-mindedness of press writers like Philip Hensher (who twice rehashed Leavis’s line that the ‘set’ were not artists but self-publicists) and Waldemar Januszczak (‘Bloomsbury. Just tapping out these ten tedious letters has brought on a severe attack of RSI’). Yet in truth – to throw off ...”

“... of Hever grounds so effectively that it was supposed his middle name was Walled-Off. There was Sir Philip Sassoon, the homosexual politician who added a bachelors’ wing to Port Lympne around a Moorish courtyard which Honor Channon likened to a Moorish brothel. And there was Lord Charles Beresford, on a country-house weekend, bursting into a darkened bedroom ...”

“... of the diary. The scenes of the mathematicians’ conference in Vienna were to be shot through glass, a film technique adapted for tape. After a week’s rehearsal in March 1979 I began to think that this was, potentially at least, a far better play than a short story. It had a resonance and life that had not been present previously. The relationships ...”

“... things to Nature and the whole’, to Peter Stillman, in Paul Auster’s City of Glass, crazedly attempting to re-create prelapsarian speech. Olson, it is often pointed out, is the first poet to have described himself as ‘Post-Modern’. That was in 1952. Five years before that he published his first book, Call Me Ishmael, an ...”