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“... unnamed amateurs (as ‘the loam from which great art can grow’, in the words of Ralph Vaughan Williams), only two (named) amateurs have been deemed worthy of representation in the show: John White Abbott, the remarkably faithful imitator of his teacher Francis Towne, and the Reverend William Gilpin, who merits such exceptional treatment solely on account ...”

“... explained in a battery of notes. The most interesting of these comes from the Australian critic Michael Wilding, a distinguished exponent of Marvell, who eliminates some earlier commentary by pointing out that the apples in ll. 23-40 were certainly not pineapples, for pineapples don’t grow on trees. The poem has 40 lines, maybe three hundred words, and ...”

“... taking his first job at Amherst College in 1917. Pound, Eliot, Wallace Stevens, William Carlos Williams, Marianne Moore, Hart Crane all lived by other means; though it’s worth pointing out that the poetry and criticism of Eliot in particular, and to a lesser extent of Pound, played a significant role in shaping the curriculum and methodologies these ...”

“... If​ universities had been an invention of the second half of the 20th century,’ Michael Dummett wondered in his last book, The Nature and Future of Philosophy (2010), ‘would anyone have thought to include philosophy among the subjects that they taught and studied?’ Dummett’s anxiety wasn’t whether philosophy could survive at a time when the value of a university education is gauged in increasingly reductive, economic terms ...”

“... is the new sound – the song is the first on Highway 61 Revisited – of Dylan’s expanded band: Michael Bloomfield’s taut guitar-playing, the easy-going piano, the optimistic warble of the Hammond organ. But Ricks doesn’t write about any of that: instead, he writes about Larkin (‘Home is so sad’). This comes as less of a shock than perhaps it ...”

“... first, the version by Bright in Wheatley’s edition: 5th. I with my Lord Bruncker and Mrs Williams by coach with four horses to London, to my Lord’s house in Covent-Guarden. But, Lord! what staring to see a nobleman’s coach come to town. And porters every where bow to us; and such begging of beggars! And a delightfull thing it is to see the towne ...”

“... Here is the customised red convertible Cadillac Eldorado that belonged to Chuck Berry; here too is Michael Jackson’s fedora, Lightnin’ Hopkins’s guitar, Louis Armstrong’s trumpet. There is a large temporary exhibition about Oprah Winfrey. ‘She has a place in the museum with a long line of women who did extraordinary things in their time – Harriet ...”

“... born in Market Square, slap bang in the middle of Lichfield, in September 1709, the elder son of Michael Johnson and his wife, Sarah, rather old and very proud parents. They had, Johnson recalled, ‘not much happiness from each other’, and immediately deposited their ambitions in him. Michael, the son of a labourer, had ...”

“... through on-the-record interviews much of the history of the rendition programme, particularly Michael Scheuer’s 1995 negotiation of a rendition and torture agreement with Egypt. (At the time, Scheuer was in charge of the Bin Laden unit at the CIA’s Counterterrorism Center.) Margot Williams of the New York Times ...”

“... as ‘the practical expression’ of ‘the spirit of Dunkirk and the Blitz’. (Weight misses Michael Foot’s 1949 pamphlet on domestic reform entitled Who Are the Patriots Now?) A different kind of identity came to fruition during the Attlee Administration: new institutions were called ‘National’ or ‘British’ instead of ‘Royal’ – the ...”

“... here. ‘But,’ piped up the intellectual, ‘of course it’s true that the anti’s, led by Michael Foot, are completely antediluvian.’ Crossman had by this time come to terms with the fact that, as he had noted in 1952, what the Labour Party ‘really can’t abide is thrashing out Socialist policy among themselves. It is this solidarity which keeps ...”

“... 17 more novels; lived to memorialise (in essays in this book) his friends John Kennedy, Tennessee Williams, Italo Calvino, Orson Welles, Eleanor Roosevelt, Anaïs Nin ... In this kind of summary Vidal’s life sounds almost comically glamorous and eventful. One of the secrets of his social and professional success lies in the combination of class ...”

“... was late to take an interest. There are no druids in Shakespeare, not even in Cymbeline. Michael Drayton repeatedly mentions them, but uses both the ‘horrid sacrificer’ and ‘wise philosopher’ images impartially. Milton seems to have first welcomed them as sagacious fellow poets, but then either caught up with Tacitus or had his anti-papal ...”

“... they were willed fabrications, intentional structures made by very discriminating people (Raymond Williams, comparably sophisticated as an analyst, always seemed to be peering into texts from the grand outside). This was what made his late book on Shakespeare’s Language so good; he is not afraid to talk about Shakespeare’s authorial ‘tricks’, for ...”

“... about tax accountants. One, and the most obvious, is a novel about Irish dancers on tour with a Michael Flatley figure whose influence grows more sinister over time. Pounds of verbal oil will be poured into his perm; his bulge will almost rupture his trousers. His backstory – but surely you can picture it. One dancer is addicted to weed, another feels ...”