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“... a British citizen and joined up without delay. His letters slip into American spellings – ‘gray flannels’ – but are also exemplars of British understatement, and peppered with English schoolboy slang: ‘awfully’, ‘topping’, ‘top hole’. He was born in San Francisco on 2 August 1897; his parents were Josephine Harker Fernald and Chester ...”

“... Ariosto’s Orlando Furioso, in an episode where the knight Astolfo is brought to the moon by St John the Evangelist; they travel in Elijah’s chariot. Tasso’s Gerusalemme Liberata includes a scene closely modelled on the ‘Somnium’. Paradise Lost is full of journeys up and views down; its closest imitation of the classical view from above comes near ...”

“... cannot think already to keep them from thinking’. Moore was echoed by the Superior Court judge John Fauntleroy, one of DC’s first black justices, and by Andrew Fowler, an influential black pastor. That Clarke was white made the policy of decriminalisation particularly susceptible to attack. Some, like Moore, suspected a plot to weaken blacks (he would ...”

“... would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. She shared with Hemingway a fierce simplicity, a use of words in which the emotion appears to be hidden, to lurk mysteriously in the space between the words. The search for pure accuracy in her poems forced her to watch the world helplessly, as ...”

“... meant ‘the Whole Expedition … the War … this shit’. A Marine he knew called it ‘Captain Gray Rat’. Stone himself thought of it as ‘the war’s infernal, antic spirit’. These attempts all get close, but they all miss the finality of ‘There it is’ – recognition that a limit has been reached, a thing like a wall, the point where human ...”

“... and newspaper headline, impression and chronicle. For the middlebrow modernism of U.S.A., John Dos Passos shrewdly kept those registers apart, offering them separately on the page under the headings camera eye and newsreel. Here they are mashed together, and the effect is distinctly lumpy. There’s a reference to Firbank late in the book and perhaps ...”

“... of Madras – was in some ways a flight from bad times at home. Their Glaswegian father John’s business putting up electric party illuminations in the gardens of the West London gentry never recovered from the blackouts after the zeppelin raids, and the financial help the family got from his wife’s father, a one-time miner turned wealthy ...”

“... Boston . . . Portland . . . Bangor . . . Meductic . . . Sydney, Nova Scotia . . . St John’s, Newfoundland. Then the trail goes cold: it is said he enlisted in the crew of a Danish fishing boat. It was probably during this journey that Cravan’s last extant literary text was written. A sheaf of what might be called ‘automatic writings’, it ...”

“... stripes. The bands of pigment were usually matt white or off-white, sometimes tinted a pale gray or yellow. Later in her career she added a nearly invisible coral pink and a faint blue pastel to her palette. And that, kids, was that.It is impossible to overstate their self-effacing beauty. Martin herself wrote that she believed the function of art to be ...”

“... punishment in the United States subsists – inescapably – in a miasma of race. The Honorable John H. Land in 1977 presided over the trial of a black man called William Brooks, whose case McFeely follows. Land is the son of a prominent local dignitary who had seen to the lynching of an adolescent boy 65 years earlier. The barefoot ‘little black ...”

“... and reads like a Fifties novel of provincial life, though not one written by him so much as by John Wain or Keith Waterhouse. Indeed Ruth sounds (or Larkin makes her sound) like Billy Liar’s unsatisfactory girlfriend, whose snog-inhibiting Jaffa Billy hurls to the other end of the cemetery. Having laid out a grand total of 15s. 7d. on an evening with ...”

“... vides was published in 1974, which is late for the scholarship pupil plot in Britain and Ireland. John McGahern, Edna O’Brien, Richard Hoggart, Raymond Williams: they were all born between the end of the First World War and the early 1930s, and published their stories of class alienation in the late 1950s and early 1960s. It’s a bit late, too, for the ...”