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“... also had two children). Di Prima wrote plays, acted, directed and produced. They put on dramas by Frank O’Hara and Robert Duncan at various downtown venues and broadcast Antonin Artaud’s radio piece ‘To Have Done with the Judgment of God’, complete with ‘gongs and blood-curdling screams’, to the whole of Bleecker Street. In 1965 di Prima founded ...”

“... Sidney’s Arcadia was now judged frivolous, and its political content was lost to view. Dr Johnson, on reading Lycidas, was shocked to find ‘trifling fictions mingled with the most sacred and awful truths.’ The word ‘truth’ was in any case changing in usage. Renaissance poets had promised ‘truth’, but now it was widely understood to be the ...”

“... version from a publishing house in Casablanca. The censor’s objections were predictable: its frank, neutral descriptions of homosexuality and masturbation were deemed to offend local sensitivities. But Ibrahim’s own view was that the censors were using ‘the sexual references … as a cover to forbid anyone talking about imprisonment and ...”

“... the Memoirs as a remarkable hybrid: as innovatively mock heroic as the Dunciad; as winningly frank and ramblingly anecdotal as the autobiography of her patron, the comic actor and poet laureate Colley Cibber; as dizzying in its inversion of perspective as Gulliver’s Travels; and as sentimental as the novels of Samuel Richardson, a patron for whom ...”

“... a day. He seems to have suffered from anxiety and depression throughout his life and was quite frank about it in public, explaining that mental illness was like any other kind of illness and that those who suffered from it shouldn’t be ostracised. He seems never to have suffered another major episode. The most fascinating sections of Guralnick’s book ...”

“... In Britain, Margaret Thatcher, a scientist, was a rare exception; far more typical is Boris Johnson, who likes to quote great chunks of Ancient Greek from memory.In his original and engrossing book, the Oxford historian Paul Betts, an American who experienced ‘Western Civ’ at first hand, perhaps underplays the classical origins of the ...”

“... Williams, who knew Orwell and later wrote of him much more resentfully, he was ‘brave, generous, frank and good’. Despite being chronically sick and temperamentally standoffish, he was astonishingly engaged and industrious; in one year he produced an article every two or three days, and Taylor provides us with the surreally useless bit of information that ...”

“... a thief called Benny Barnett, who taught him to steal cars and introduced him to Jean Lucinda Johnson, a precocious 16-year-old whose ‘skin was the warm reddish brown of a perfectly roasted turkey breast the moment it comes from the oven’. She would become his first wife. Himes quit college at 17, and began to pack a .44 calibre Colt. ‘It was much ...”

“... and ‘barbarous’. Garrick was still arousing gasps of awe as the prince, and Samuel Johnson loved the play. But neoclassical principles generally demand clear form and order, and a self-evident morality, and these are choices that Hamlet has always been able to frustrate or violate. This restricted sense of the civilised re-emerged last century ...”

“... of sex. The process culminated in Havelock Ellis and Freud in the 19th century, and in Masters and Johnson and their imitators in the 20th. Foucault was a philosopher who knew little history, so he read scientific texts and paid scant attention to the enormous weight of evidence supporting the theory that a suffocating blanket of prudery had for nearly a ...”

“... but that the few English critics who bother with theory are tourists: mid-Atlantic figures like Frank Kermode and Tony Tanner, or Francophiles like Stephen Heath and Stephen Bann. Samuel Johnson had moral principles, but nothing like a theory of literature: he didn’t need one. The force of English common sense is that ...”

“... Divine Comedy, for example). And the case for imitation is made forcibly by Johnson’s ‘Vanity of Human Wishes’, where Johnson collaborates with Juvenal to create a poem which is modern and therefore original, as well as being part of Classical tradition. Nowadays, some poets feel a slight ...”

“... and overwritings which, while visually creating a symbol of aesthetic tussle not unlike a Frank Auerbach drawing and securing the myth of Beethoven as a heroically patient grappler with crude ideas, in strictly musical terms often amount to a radical recasting of the music, a decisive continuation of composition at ‘fair copy’ or autograph ...”

“... composers in the American maverick tradition, from Charles Ives, Cage and Morton Feldman to Robert Johnson, Jimi Hendrix and Sun Ra.The revolution that began at the Five Spot was part of the wider black freedom struggle, as well as an extension of an American philosophy of self-reliance and artistic emancipation that runs from Emerson to Whitman to Allen ...”

“... been dubbed “barcode façades”’; and finally the ‘iconic’ works of the starchitects – Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind et al – who, Hatherley sneers, ‘manage to combine formal spectacle and moralistic sobriety’. Such is the bagginess of pseudomodernism that there’s room not only for former ...”