“... The Moon is Down (‘That brainless pamphlet of monosyllables’, Stead called it) and by Simon and Schuster to do something like Gone with the Wind. With writers of Stead’s kind there is often, at least in the short term, a commercial problem in that the work does not only offer treasure, it makes demands. Henry ...”

“... down-home cousin hoodoo, the traditions of the ‘Mardi Gras Indians’, Professor Longhair and James Booker and Sam Cooke and Jelly Roll Morton and a hundred other croaking, squeaking, grunting voices of the bayou, levée and gulf. Animal voices and fish voices and spirit voices: a graveyard full of ghosts, old and young, all trying to make themselves ...”

“... Spectator, once suavely edited, now serves as a fraternity house for Douglas Murray, Toby Young, James Delingpole and Rod Liddle; pummelling Muslims and high-fiving on Brexit, these right-wing bros are to the posh periodicals what Jeremy Clarkson was to the BBC. Murray’s book-length screed, The Strange Death of Europe, is full of Trump-style imaginings of ...”

“... engineers were dispatched to construct a vital military highway across Alaska, Brigadier General Simon Bolivar Buckner Jr warned that they would ‘interbreed’ with the Indigenous population and produce an ‘objectionable race of mongrels’.Delmont shows that from the moment the US entered the war, the treatment of Blacks in the military was a major ...”

“... into the Moonie milieu with his Accuracy in Media movement: among AIM’s patrons were William Simon, the former Treasury Secretary, Joseph Coors, the beer magnate and Reagan confidant, Claire Booth Luce, Jimmy Goldsmith and Richard Mellon-Scaife. Moon now felt confident enough to take on the hated New York Times by launching the New York News World ...”

“... Simon​ de Pury, assisted by ‘a regular contributor to Vanity Fair’, has written a book about his ascent to the top of the art world: the auctions he conducted, the deals he struck, the parties he attended. It resembles a board game, with smaller parts assigned to the ‘hedge fund overlord’, the ‘polo-playing playboy millionaire’, the ‘James Bond of the Russian oligarchy’, the ‘French luxury goods tycoon’ (also appearing as the ‘French luxury titan’), the ‘serial dater of supermodels’, and the ‘leveraged-buyout king ...”

“... there is no likelier a subject of a missing play or plays. We happen to know, from the diary of Simon Forman, that a play acted by that company in 1611 was called, or at least was about, ‘Richard II’. From Forman’s description the play was plainly not Shakespeare’s – or the play performed on 7 February 1601. Do the descriptions of the February ...”

“... Arrigo Boito, librettist of Otello and Falstaff, have thrown much light on his working methods: James Hepokoski’s excellent guides to the two creations of Verdi’s old age owe much to this source.* Others, like his voluminous correspondence with his publisher (not yet in print as a whole, but available to scholars) tell us a good deal about the progress ...”

“... It has received a lot of attention lately, retold vindictively by V.S.Naipaul, operatically by Simon Schama. In this celebration of a possible Good Imperialist (good beyond the inherent virtues of failure), Charles Nicholl unearths more detail and offers more seductive speculation than any previous writer. With the vigorous Return of the Subject that ...”

“... him as ‘modern’ from the start; the greatest work of classical republican theory in English, James Harrington’s The Commonwealth of Oceana (published in 1656), was written as a direct refutation of the ‘modern prudence’ of Leviathan. Hobbes subsequently looms in the emergence of modern scientific and philosophical inquiry – in Susan ...”

“... unable to raise the revenue to pay the crews. After the Restoration in 1660, both Charles II and James II demonstrated enthusiasm and expertise in nurturing naval expansion. But the Royal Navy’s performance in the Second and Third Dutch Wars was uneven, and political and religious divisions among its officers and men enabled William III and the Dutch fleet ...”

“... the places they had seen.Dalrymple calls all this the ‘Indosphere’, attributing the coinage to Simon Sebag Montefiore (elsewhere it is attributed to Professor James Matisoff, a celebrated coiner of neologisms). But however we wish to describe it, the phenomenon is achieved, if not quite without firing a shot, at least ...”

“... knowingly intermeshed, of a considerable critical experience. In this sense he often resembles James Fenton, moving around a fictionalised world without fully revealing the logic of its narratives. Many of its gestures have a melancholy largeness: ‘it seems like all we ever hoped for,’ ‘Our lives were wasted but we never knew,’ ‘there is nothing ...”

“... dead. The sequence takes the form of a series of meetings with ‘familiar ghosts’. There’s Simon Sweeney, ‘an old Sabbath-breaker’ who urges him to ‘Stay clear of all processions!’ Heaney is nonetheless drawn into the trail of pilgrims for the island. On the way he meets the shade of Carleton:‘We are earthworms of the earth, and all thathas ...”

“... have to be junked if it were to be made good. With some obviously difficult writers – Henry James, say, or Geoffrey Hill – one has the sense that a tangled world is being masterfully comprehended. With Paterson (as with Browning, the shadowy double who haunts this volume), it seems rather that simplicity is always just beyond him, whether in Scots, or ...”