1984 and ‘1984’

Randolph Quirk, 16 February 1984

“... which people were ever liable to be moved by words themselves without thought to what ‘weight of matter’ they connoted. It became indeed commonplace in the 17th and 18th centuries to speak (as Locke did) of people supposing ‘Words to stand also for the reality of Things’. It is a theme which reaches an intellectual climax in Jeremy Bentham (Theory of ...”

Hauteur

Adam Phillips: ‘Paranoid Modernism’, 22 May 2003

The Short Sharp Life of T.E. Hulme 
by Robert Ferguson.
Allen Lane, 314 pp., £20, November 2002, 0 7139 9490 8
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Paranoid Modernism: Literary Experiment, Psychosis and the Professionalisation of English Society 
by David Trotter.
Oxford, 358 pp., £35, September 2001, 0 19 818755 6
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“... fact of life that we can be horrified by things that we don’t find meaningful; that don’t matter to us despite our wish for them to matter (and with so much horror around not caring becomes a kind of forbidden pleasure). The appetite for inevitability or a sense of inevitability – for the idea of things having to ...”

Knights of the Road

Tom Clark: The Beat generation, 6 July 2000

This is the Beat Generation: New York, San Francisco, Paris 
by James Campbell.
Vintage, 320 pp., £7.99, May 2000, 0 09 928269 0
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“... process of a profound change in his attitude towards his own experience’. The change was a matter of learning how to blow up real events and people to mythic proportions. It was Cassady who taught him this: the tear-away adventurer who stole cars and carried off women at a dizzying pace appeared to be more than human. The poetic tropes with which ...”

Outside the text

Marilyn Butler, 19 December 1985

The Beauty of Inflections: Literary Investigations in Historical Method and Theory 
by Jerome McGann.
Oxford, 352 pp., £19.50, May 1985, 0 19 811730 2
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The Politics of Language: 1791-1819 
by Olivia Smith.
Oxford, 269 pp., £19.50, December 1984, 0 19 812817 7
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“... tackle In Memoriam. O-Levellers could be confronting Romeo and Juliet and A-Levellers the poems of Herbert. The central question all of them ask of a work is what it means, and answering this question requires practice, effort, and the knowledge of more than the book alone. The last point is oddly controversial. Facts about how the books originated are given ...”

Kipling in South Africa

Dan Jacobson: Rudyard Kipling and Cecil Rhodes, 7 June 2007

“... to his house and estate outside Cape Town, and immediately commissioned his favourite architect, Herbert Baker, to find a prominent site in Kimberley and to design for it a memorial to the imperial troops and local militiamen who had died defending the city. Built out of ruddy-yellow granite brought down from Rhodesia, and complete with a massive cannon ...”

Biff-Bang

Ferdinand Mount: Tariffs before Trump, 14 August 2025

Exile Economics: If Globalisation Fails 
by Ben Chu.
Basic Books, 310 pp., £25, May, 978 1 3998 1716 5
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No Trade Is Free: Changing Course, Taking on China and Helping America’s Workers 
by Robert Lighthizer.
Broadside, 384 pp., £25, August 2023, 978 0 06 328213 1
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“... million Mexicans (half of whom were US citizens). The president that Chu is quoting was of course Herbert Hoover in 1932. Very little that Trump has actually done is without parallel in the Hoover years, and neither is the reaction from mainstream economic theory. A thousand economists delivered exactly the same message to Trump in 2018, making just as little ...”

Best Known for His Guzzleosity

Helen Hackett: Shakespeare’s Authors, 11 March 2010

Contested Will: Who Wrote Shakespeare? 
by James Shapiro.
Faber, 367 pp., £20, April 2010, 978 0 571 23576 6
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“... the world at large will obey this call to give up looking for the life in the work is another matter. Some, of course, are already persuaded. Colin Burrow scrupulously resisted biographical readings in his 2002 edition of Shakespeare’s poems, and, reviewing Stephen Greenblatt’s Will in the World: How Shakespeare Became Shakespeare (2004) in the ...”

Dogface

Ian Hamilton, 28 September 1989

Wartime: Understanding and Behaviour in the Second World War 
by Paul Fussell.
Oxford, 330 pp., £15, September 1989, 0 19 503797 9
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War like a Wasp: The Lost Decade of the Forties 
by Andrew Sinclair.
Hamish Hamilton, 312 pp., £17.95, October 1989, 0 241 12531 6
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“... of colour when heard against a background of gunfire. Fussell is sourly entertaining also on the matter of army and government incompetence: huge military fuck-ups that have been played down or suppressed, boastful predictions (about tank-power and ‘precision’ bombing) that turned out to be grotesquely wrong. Whenever possible, he indicates that the Huns ...”

The Court

Richard Eyre, 23 September 1993

The Long Distance Runner 
by Tony Richardson.
Faber, 277 pp., £17.50, September 1993, 0 571 16852 3
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“... his ‘arcadian’ period closed with his production of The Seagull. It was designed by Jocelyn Herbert, who had defined their visual idiom; Peggy Ashcroft, a founder council member of the ESC, played Arkadina, George Devine played Dr Dorn, and Vanessa Redgrave – by then Richardson’s wife – played Nina. His account of The Seagull at the Queen’s ...”

Up against the wall

Neal Ascherson, 25 June 1992

My Life in Politics 
by Willy Brandt.
Hamish Hamilton, 498 pp., £20, April 1992, 0 241 13073 5
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“... named John Möller, but characteristically kept the fact to himself. Born in Lübeck and named Herbert Frahm, after his mother, the boy was introduced by his grandfather Ludwig Frahm to the elaborate world of working-class culture which the Social Democrats had constructed. It was not enough for him. He broke with the SPD’s stolid complacency in ...”

A Proper Stoic

John Bayley, 8 May 1986

Duff Cooper: The Authorised Biography 
by John Charmley.
Weidenfeld, 265 pp., £12.95, April 1986, 0 297 78857 4
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“... to do so in such a way that the people he came in contact with enjoyed it too. This was not a matter of sympathy, or having the gift of intimacy, but more a sort of ‘ray’, like Stiva Oblonsky’s in Anna Karenina. Yet obviously Duff Cooper was no more like Stiva than like Stendhal’s hero. His biographer, who does not sound as if he would be much ...”

Unaccountables

Donald Davie, 7 March 1985

The Letters of Hugh MacDiarmid 
edited by Alan Bold.
Hamish Hamilton, 910 pp., £20, August 1984, 0 241 11220 6
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Between Moon and Moon: Selected Letters of Robert Graves 1946-1972 
edited by Paul O’Prey.
Hutchinson, 323 pp., £14.95, November 1984, 9780091557508
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“... whole of history. It is that minority with which I am concerned. The opinions of the others do not matter a rap to me. There speaks a man who had no formal education beyond secondary school, who survived into the age of the computer when school-children are lucky to learn even a little about any of ‘the great figures in literature’. No modern British ...”

Sweet Home

Susannah Clapp, 19 May 1983

Elizabeth Bishop: The Complete Poems 1927-1979 
Chatto/Hogarth, 287 pp., £10.95, April 1983, 0 7011 2694 9Show More
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“... issue to have an affinity with Donne: Bishop’s contemplative clarity has the cunning of George Herbert. Bishop’s poems start most often in calm, with unchallengeable announcements of time, position or attitude, then slide into qualifications and inquiries. The difference between statement and reservation may be no more than a syllable, so that error or ...”

Looking for a Way Up

Rosemary Hill: Roy Strong’s Vanities, 25 April 2013

Self-Portrait as a Young Man 
by Roy Strong.
Bodleian, 286 pp., £25, March 2013, 978 1 85124 282 5
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“... picture of a life and a time. The position of the author in an autobiography is an interesting matter, to which Strong has clearly given no thought at all. He is the hero of his own life and all people and events are assessed in terms of their importance to him. From his birth weight (just over eight pounds) to his hair, which is still ‘abundant’ at ...”

Ranting Cassandras

Jonathan Meades: Refugee Artists, 26 June 2025

The Alienation Effect: How Central European Émigrés Transformed the British 20th Century 
by Owen Hatherley.
Allen Lane, 596 pp., £35, March, 978 0 241 37820 5
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“... was the rejection of orthogonal geometry and of symmetry, which are authoritarian properties no matter what idiom or polity incorporates them: the cathedrals of Strasbourg and Sens, Beauvais and Troyes are doucer than they would be if whole. They carry the germ of ruination and, hence, of the picturesque, a deathless mode which the cravenly francophile ...”