At the Staatsgalerie
Thomas Meaney: George Grosz, 16 February 2023
“... New York, as he did Berlin. His autobiography had appeared two years before, celebrated by Edmund Wilson in the New Yorker, who compared Grosz’s new Cape Cod paintings to Dürer. German museums were starting to reacquire his older works. But Grosz was already in the midst of his slow American suicide. ‘I’m a poor wretch, that’s the simple exact ... ”