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“... David Abulafia ends his engaging survey of the first encounters between Europeans and the indigenous peoples of the New World with the words of the prophet Malachi: ‘Have we not all one father? Has not one God created us?’ This question, with its corollary, ‘Why do we deal treacherously, every man against his brother, profaning the covenant of our forefathers?’ looms large in his book, just as it did in the minds of more thoughtful 16th-century Europeans as they became aware that the world was more diverse and more crowded than their forefathers could ever have imagined ...”

“... radio, time-saving and sometimes life-saving conveniences which he disdained. In the words of David Grann, whose compelling new book, The Lost City of Z, tries to make sense of the man and his last mission, Fawcett ‘ventured into blank spots on the map with little more than a machete, a compass and an almost divine sense of purpose’. He was an ...”

“... possible personal embarrassment. But here was something different. In place of the revelation of David Mellor’s bedroom attire came a drip-drip of inane yet telling details of purchases from John Lewis, which didn’t interrupt politics as usual so much as reconfigure it altogether. That Ed Miliband was revealed as the most frugal member of the ...”

“... days after the birth of their daughter, the future Mary Shelley.Wollstonecraft was described by David Bromwich as ‘the first modern theorist of an idea of individuality’. She strove to effect change not only in the structures of male domination, suggesting, for example, that women should be represented in Parliament, but in the social and psychological ...”

“... the whole world more barbarous than that custom of these coasters in the west of England.’David Cressy, a historian of early modern Britain, wants to rescue these customs from such condescension. Coastal folk were not the immoral ‘wreckers’ of 18th-century myths, luring ships onto rocks with false lights; nor were they the proletarian heroes of ...”

“... Who shall paint the chameleon, who can tether a broomstick?’ wrote J.M. Keynes of David Lloyd George in 1919. ‘How can I convey to the reader ... any just impression of this extraordinary figure of our time, this syren, this goat-footed bard, this half-human visitor to our age from the hag-ridden magic and enchanted woods of Celtic antiquity?’ This passage was left out of the original text of The Economic Consequences of the Peace, because Keynes felt that he had tried and failed to do justice to the British prime minister’s baffling complexity of character ...”

“... In March​ 1960, Konrad Adenauer, the chancellor of West Germany, met his Israeli counterpart, David Ben-Gurion, in New York. Eight years earlier, Germany had agreed to pay millions of marks in reparations to Israel, but the two countries had yet to establish diplomatic relations. Adenauer’s language at their meeting was unambiguous: Israel, he said, is a ‘fortress of the West’ and ‘I can already now tell you that we will help you, we will not leave you alone ...”

“... force.The painting left unfinished on the easel at Lucian’s death in 2011 was of his assistant David Dawson. David’s dog, Eli, is sleeping faithfully at his side. During the last months of his life, Freud didn’t have the stamina he once did. He would work on the painting of ...”

“... is on his wholeness. In the annotated biography which they bring out in two-yearly instalments, David and Sheila Latham ‘resist categorising under such subjects as poetry and politics because we believe that each of Morris’s interests is best understood in the context of his whole life’s work.’ Joyce Tompkins, also, wants to see Morris whole. ‘The ...”

“... The story runs that the reason Tito lived so long in his last illness was that no one in the Presidential Council dared be the first to suggest that the various life-supporting machines should be switched off. Maybe in the end someone dared. Or maybe Tito, whose body in life had done so much to reconcile the politically irreconcilable in Yugoslavia, performed its final patriotic service in death ...”

“... This is the first full-scale study of literacy in 16th and 17th-century England. Dr Cressy has long been known to scholars for his work on the subject: here he gives us his conclusions. For the whole of his period, he thinks, about two out of three adult males, and about 90 per cent of women, were illiterate. Proportions varied from region to region ...”

“... Small World is in the author’s words ‘a kind of sequel’ to Changing Places, published nine years ago. The place-changers, Zapp and Swallow, are again central characters; the dreadful Ringbaum, whose competitiveness enabled him to win a famous game of Humiliation, though at the cost of his job, now turns up again in even more bizarre predicaments, urging his wife to have sex under blankets in a jumbo jet so that he can apply for membership of ‘an exclusive fraternity of men who have achieved sexual congress while airborne’, and which he hopes will allow sexual congress with wives to count ...”

“... acquaintances, some of them prominent, such as the jurist George Joseph Bell and the scientist Sir David Brewster, and some of them obscure. Close friends used to forgather with him at the house of Woodhall in the lea of the Pentland Hills, where the letter was written. The house was that of the philanthropic Miss Hills, and its frequenters made up a circle of ...”

“... their meaning. ‘My reason for pulling out of DJing,’ Marclay said in an interview with David Toop at around the time The Clock went crazy, ‘is that I feel that records have lost their meaning in a strange way. They’re not the objects that we all used to interact with and that brought us all the music we enjoyed.’ The Clock was a way of DJing ...”

“... made a Royal Academician in 2005 but he has remained a quiet man of British art in comparison with David Hockney or R.B. Kitaj, his contemporaries at the Royal College of Art in the early 1960s. ‘Swan i’ (1964) The exhibition shows how decisively he transcends the well-worn term ‘postwar British artist’: Bowling is diasporic, resisting easy ...”