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Cold Feet

Frank Kermode, 22 July 1993

Essays on Renaissance Literature. Vol. I: Donne and the New Philosophy 
by William Empson, edited by John Haffenden.
Cambridge, 296 pp., £35, March 1993, 0 521 44043 2
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William Empson: The Critical Achievement 
edited by Chistopher Norris and Nigel Mapp.
Cambridge, 319 pp., £35, March 1993, 0 521 35386 6
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... the New Philosophy of the time. Empson believed that Donne imagined lovers rejoicing in a liberty unknown under the political circumstances of the time, but available in America, and conceivably on some inhabitable planet in the newly opened-up universe. Though nobody had taken quite this line before, Donne and the New Philosophy has long been a stock ...

My Mad Captains

Frank Kermode, 30 November 1995

... of amends. The party continued in his hotel room, where we were joined by some girls, provenance unknown – he had a knack of surrounding himself with young women, not whores, but willing on terms to go to bed even with this hideous old man (for so he appeared to me). I went off to my room and was just going to bed when he burst in, collarless, fly ...
Congo Journey 
by Redmond O’Hanlon.
Hamish Hamilton, 480 pp., £18, October 1996, 0 241 12768 8
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... she said slowly in French, “is very ill, right now.” ’ And she is perfectly correct. For, unknown to O’Hanlon, his companion, Lary Shaffer, professor of psychology at the State University of Plattsburgh, author of a doctoral thesis on ‘The Predation of Crabs by Lesser Black-Backed Gulls’, has multiple sclerosis. Not only that, he has recovered ...

Loose Canons

Edward Mendelson, 23 June 1988

History and Value: The Clarendon Lectures and the Northcliffe Lectures 1987 
by Frank Kermode.
Oxford, 160 pp., £15, June 1988, 0 19 812381 7
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Nya 
by Stephen Haggard and Frank Kermode.
Oxford, 475 pp., £5.95, June 1988, 0 19 282135 0
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British Writers of the Thirties 
by Valentine Cunningham.
Oxford, 530 pp., £30, February 1988, 0 19 212267 3
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... of awe and wonder. His authors began with a generous wish ‘to learn about and possibly love the unknown, the Other’; the consequence, more passionate than they had hoped, was a literature ‘splendid in the moment of its enforced engagement with the almost unthinkable Other’ – and ‘capable of fineness even in its moment of withdrawal’. The love ...

Like a Dog

Elizabeth Lowry: J.M. Coetzee, 14 October 1999

Disgrace 
by J.M. Coetzee.
Secker, 220 pp., £14.99, July 1999, 0 436 20489 4
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The Lives of Animals 
by J.M. Coetzee.
Princeton, 127 pp., £12.50, May 1999, 0 691 00443 9
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... of authorship are spelt out very clearly: we are shown a writer at work, trying to re-create the unknown inner life of his son, and betraying him through misrepresentation. Similarly, Susan Barton approaches Daniel Foe believing that he will set down her account of life on the island as accurately as possible, only to find that he rewrites it as a myth of ...

D.H. Lawrence and Gilbert Noon

Michael Black, 4 October 1984

... von Richthofen. On the train which brought her to Munich Johanna had had a flirtation with an unknown passenger; and on her first meeting with Noon she invites him to bed with her. ‘ “Yes,” he said, and was surprised that his lungs had no breath.’ Noon comes quickly to feel that he is totally committed to her. It is some time before she feels an ...

Homage to Rabelais

M.A. Screech, 20 September 1984

... and phrases which are anchored in worlds we have lost. Rabelais uses more words, more new words, unknown words, words that have changed their meanings, than any other French writer. He uses these words with precision – or else in a kaleidoscope of punning imprecision. He can make you think of James Joyce – who came late to Rabelais and often uses similar ...

Francis and Vanessa

Peter Campbell, 15 March 1984

Francis Bacon 
by Michel Leiris, translated by John Weightman.
Phaidon, 271 pp., £50, September 1983, 0 7148 2218 3
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Vanessa Bell 
by Frances Spalding.
Weidenfeld, 399 pp., £12.95, August 1983, 0 297 78162 6
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The Omega Workshops 
by Judith Collins.
Secker, 310 pp., £15.95, January 1984, 0 436 10562 4
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The Omega Workshops 1913-1919: Decorative Arts of Bloomsbury 
Crafts Council, 96 pp., £6.95, March 1984, 0 903798 72 7Show More
The Omega Workshops: Alliance and Enmity in English Art 1911-1920 
Anthony d’Offay Gallery, 80 pp., £4.95, February 1984, 0 947564 00 4Show More
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... unwilling subject. The tone of the letters and memoirs she left do not suggest complicity with an unknown reader, and when, in phases of her life which leave nothing to be recorded except externals, the biography becomes overloaded with trivia, one wonders if she is an appropriate subject for biography at all. When one has read the book, one begins to suspect ...

Basking

Paul Seabright, 21 March 1985

The Forger’s Art 
edited by Denis Dutton.
California, 276 pp., £18, June 1984, 0 520 04341 3
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Of Mind and Other Matters 
by Nelson Goodman.
Harvard, 210 pp., £14.90, April 1984, 0 674 63125 0
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Fact, Fiction and Forecast 
by Nelson Goodman.
Harvard, 131 pp., £4.20, April 1984, 0 674 29071 2
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But is it art? 
by B.R. Tilghman.
Blackwell, 193 pp., £15, August 1984, 0 631 13663 0
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... to subtly different uses in the two books. Both show that similarities between the known and the unknown cannot be invoked independently of, and used to explain, our tendency to predict and perceive such similarities. But for Kripke’s Wittgenstein this is an argument about meaning, and one from which nothing systematic can be salvaged. For Goodman, who ...

De-Nazification

Noël Annan, 15 October 1981

Blind Eye to Murder 
by Tom Bower.
Deutsch, 501 pp., £9.95, July 1981, 0 233 97292 7
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The Road to Nuremberg 
by Bradley Smith.
Deutsch, 303 pp., £7.95, October 1981, 0 233 97410 5
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... German administrator would have to go. To them this meant losing an able man and accepting an unknown quantity. The Oberpraesident of Schleswig-Holstein was sacked. But we could also point to men who had for years been forbidden by the Nazis to hold office and who proved to be able administrators. The Oberpraesident of Niedersachsen turned out to be an ...

Australia’s Nineties

Clive James, 15 July 1982

Christopher Brennan: A Critical Biography 
by Axel Clark.
Melbourne, 358 pp., £20, May 1980, 0 522 84182 1
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... not be confused with modesty. Locally thought to be a big name in Europe, Brennan was in fact unknown there, but the legend was fed by his notorious epistolary exchange with Mallarmé, who was kind enough to acknowledge Brennan’s admiration. The admiration amounted to abject worship and went on after Mallarmé’s death, which was fulsomely recorded in ...

Death in Greece

Marilyn Butler, 17 September 1981

Byron’s Letter and Journals. Vol. XI: For Freedom’s Battle 
edited by Leslie Marchand.
Murray, 243 pp., £11.50, April 1981, 0 7195 3792 4
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Byron: The Complete Poetical Works 
edited by Jerome McGann.
Oxford, 464 pp., £35, October 1980, 0 19 811890 2
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Red Shelley 
by Paul Foot.
Sidgwick, 293 pp., £12.95, May 1981, 0 283 98679 4
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Ugo Foscolo, Poet of Exile 
by Glauco Cambon.
Princeton, 360 pp., £15, September 1980, 0 691 06424 5
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... first time. McGann’s edition of the poetry also contains some poems which were previously either unknown or not identified as Byron’s. But its more significant contribution is to make available passages, either from the poems or from Byron’s or Hobhouse’s notes for them, which on first publication were censored for political reasons. The literary ...

Pamela

Alan Brien, 5 December 1985

Orson Welles 
by Barbara Leaming.
Weidenfeld, 562 pp., £14.95, October 1985, 0 297 78476 5
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The Making of ‘Citizen Kane’ 
by Robert Carringer.
Murray, 180 pp., £8.95, October 1985, 0 7195 4248 0
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Spike Milligan 
by Pauline Scudamore.
Granada, 318 pp., £8.95, October 1985, 0 246 12275 7
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Nancy Mitford 
by Selina Hastings.
Hamish Hamilton, 274 pp., £12.50, October 1985, 0 241 11684 8
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Rebel: The Short Life of Esmond Romilly 
by Kevin Ingram.
Weidenfeld, 252 pp., £12.95, October 1985, 0 297 78707 1
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The Mitford Family Album 
by Sophia Murphy.
Sidgwick, 160 pp., £12.95, November 1985, 0 283 99115 1
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... thumb pulled out many a plum. Professor Carringer, however, supplies a great deal of previously unknown detail which must affect all future appreciation of how the images were physically constructed. Many of the most memorable will now be seen to stem not so much from Gregg Toland’s marvellous deep-focus photography as from the dazzling optical tricks ...

English Art and English Rubbish

Peter Campbell, 20 March 1986

C.R. Ashbee: Architect, Designer and Romantic Socialist 
by Alan Crawford.
Yale, 500 pp., £35, November 1985, 0 300 03467 9
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The Laughter and the Urn: The Life of Rex Whistler 
by Laurence Whistler.
Weidenfeld, 321 pp., £14.95, October 1985, 0 297 78603 2
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The Originality of Thomas Jones 
by Lawrence Gowing.
Thames and Hudson, 64 pp., £4.95, February 1986, 0 500 55017 4
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Art beyond the Gallery in Early 20th-century England 
by Richard Cork.
Yale, 332 pp., £40, April 1985, 0 300 03236 6
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Alfred Gilbert 
by Richard Dorment.
Yale, 350 pp., £9.95, March 1986, 0 300 03388 5
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... failed to find an audience, failed to satisfy its possessor’. Jones’s oil sketches, which were unknown until thirty or so were sent for auction in 1954, are astonishing: in themselves, but especially in their context. The first time you see them hanging among the works of his contemporaries, as a couple of them do in the Tate, you think there has been a ...

Dummy and Biffy

Noël Annan, 17 October 1985

Secret Service: The Making of the British Intelligence Community 
by Christopher Andrew.
Heinemann, 616 pp., £12.95, October 1985, 0 434 02110 5
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The Secret Generation 
by John Gardner.
Heinemann, 453 pp., £9.95, August 1985, 0 434 28250 2
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Two Thyrds 
by Bertie Denham.
Ross Anderson Publications, 292 pp., £7.95, September 1983, 0 86360 006 9
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The Ultimate Enemy: British Intelligence and Nazi Germany 1933-1939 
by Wesley Wark.
Tauris, 304 pp., £19.50, October 1985, 1 85043 014 4
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... and nieces into the ranks of the secret service, just in time for the First World War. But all unknown to Cumming (the original C) and Kell, the first head of what became MI5, or to Dummy Oliver, the Director of Naval Intelligence, and Blinker Hall, head of Room 40 in the Admiralty, who appear as characters in the interests of verisimilitude, Giles Railton ...

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