At the National Gallery

Peter Campbell: Jan Gossaert, 17 March 2011

... 1510 and 1515 and is the finest in Jan Gossaert’s Renaissance at the National Gallery (until 30 May). A new catalogue raisonné, which includes all his work, not just what is shown here in London or what was seen in the companion exhibition in New York, persuades you that it was his masterpiece.* The painter’s attention is of the kind that lets no part of ...

Short Cuts

Thomas Jones: Facebook Break-Ups, 7 October 2010

... next research project. One of the reasons breaking up with someone by text message or on Facebook may not be a good idea is the difficulty of judging tone. Take the sad case of Halle and Doug (‘Halle’ is the pseudonym of one of Gershon’s interviewees). While they were going out, they had a running joke, conducted largely by text message, based on the ...

In the Land of the Free

Christian Lorentzen, 22 November 2012

... Journal editorial page had done their side a disservice by asserting that Romney would win (he may have believed them too: he didn’t write a concession speech). Everyone else was listening to the New York Times statistician Nate Silver, whose incessant poll-crunching put the likelihood of the president’s re-election around 90 per cent. With the ...

At the National Portrait Gallery

Peter Campbell: Gerhard Richter, 14 May 2009

... Richter’s portraits (an exhibition of them runs at the National Portrait Gallery until 31 May) are pictures of photographs. Pictures of photographs, not pictures based on photographs, which is how you would describe them if the photograph took the place of a preparatory drawing. The effect is nothing like that of a painting which, placed alongside its ...

At the Foundling Museum

Brian Dillon: Found, 11 August 2016

... on each child some particular writing, or other distinguishing mark or token, so that the child may be known thereafter if necessary’. By 1790, 18,000 of these objects had been collected; women had continued to leave them for decades after they were replaced by paper receipts in 1760. The Victorians exhibited some of the old tokens, and accidentally ...

Consider the Narwhal

Katherine Rundell, 3 January 2019

... shot through with around ten million nerve endings, and by rubbing tusks on meeting, the narwhals may be passing on information about the salinity (and therefore propensity to freeze) of the water through which they have just passed; not aggressors, then, but Mercators. The horns may also be an aid to courtship; a positive ...

At the Royal Academy

Peter Campbell: Caravaggio, 8 February 2001

... I should take her by the elbow and see her safely back to the church she was made for. Yet one may never see her so clearly again. Mary, handsome, strong, leaning against the door frame, her great baby, more a child really, balanced on her hip, and the elderly, barefoot pilgrims she looks down at – all well lit, not seen as they are in the church, in the ...

At the Movies

Michael Wood: ‘Marty Supreme’, 22 January 2026

... The remark is meant to sound tough and true, if a little worn out. In fact, although the character may be right about many places in reality, he couldn’t be more wrong about the world of this movie. Everyone has dozens of chances, and everyone screws up most of them.Marty Supreme is the second film Safdie has made without his usual co-director, his ...

Fire and Ice

Patrick O’Brian, 20 April 1989

Fire Down Below 
by William Golding.
Faber, 313 pp., £11.95, March 1989, 0 571 15203 1
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... while Talbot finds his person and his obsequiousness repulsive. In this ship the quarterdeck may be walked upon only by invitation, and the Captain is not to be spoken to first: standing orders to this effect are posted up but neither Talbot nor Colley reads them and both disobey the rules. Talbot, by flourishing his godfather, gets away with it and is ...

Après the Avant Garde

Fredric Jameson, 12 December 1996

Histoire de ‘Tel Quel’, 1960-82 
by Philippe Forest.
Seuil, 656 pp., frs 180, October 1995, 2 02 017346 8
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The Time of Theory: A History of ‘Tel Quel’ (1960-83) 
by Patrick ffrench.
Oxford, 318 pp., £37.50, December 1995, 0 19 815897 1
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The Making of an Avant Garde: ‘Tel Quel’ 
by Niilo Kauppi.
Mouton de Gruyter, 516 pp., August 1994, 3 11 013952 9
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... yet another ‘last avant garde’, the Situationists, and also formally dissolved his group (in May ’68). Tel Quel had no relations with these competitors at the time, but seems to have posthumously (and perhaps abusively) canonised Debord. The quotation gives them ambiguous aid and comfort, for it is unclear whether Sollers’s group should be identified ...

What Bill and What Rights?

Stephen Sedley, 5 June 1997

... law, but cannot prevent government from changing the law, whatever the nature of the change. It may be that, at least in cases where clear evidence emerges, the courts have the jurisdiction to stop the use of government powers for party political ends. There is no reason in principle why an order of prohibition should not be used to prevent a minister from ...

A Time for War

Peter Clarke, 21 October 1982

The Rebirth of Britain 
edited by Wayland Kennet.
Weidenfeld, 275 pp., £12, October 1982, 0 297 78177 4
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Claret and Chips 
by Hugh Stephenson.
Joseph, 201 pp., £8.95, September 1982, 0 7181 2204 6
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... philosophers, have pored over such matters in order to understand the world; and one or two may have come round to his conclusion, that the point is to change it. This seems an unlikely role in which to cast Roy Jenkins. But when the urbane biographer of Asquith undertook the 1979 Dimbleby Lecture (now reprinted in The Rebirth of Britain) he was clearly ...

White Coats v. Bow Ties

Nicholas Penny, 11 February 1993

Jacopo della Quercia 
by James Beck.
Columbia, 598 pp., $109.50, February 1992, 0 231 07200 7
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Michelangelo and the Creation of the Sistine Chapel 
by Robin Richmond.
Barrie and Jenkins, 160 pp., £18.99, April 1992, 0 7126 5290 6
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Rembrandt. The Master and his Workshop: Paintings 
by Christopher Brown, Jan Kelch and Pieter van Thiel.
Yale, 396 pp., £35, September 1991, 0 300 05149 2
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Michelangelo’s Drawings: The Science of Attribution 
by Alexander Perrig.
Yale, 299 pp., £35, June 1991, 0 300 03948 4
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Michelangelo and his Drawings 
by Michael Hirst.
Yale, 128 pp., £14.95, August 1990, 0 300 04391 0
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The Poetry of Michelangelo: An Annotated Translation 
by James Saslow.
Yale, 559 pp., £22.50, April 1991, 0 300 04960 9
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... must always have been striking, although not in James Beck’s view. Ilaria, Beck concedes, ‘may look “Gothic” ’ – as if we were about to claim that she actually was Gothic. Indeed, her narrow, high-collared dress, belted below the breast, with long curving folds falling from belt to feet is Gothic – but, who knows, she might be less so if she ...

What We Don’t Talk about When We Talk about Russian Hacking

Jackson Lears: #Russiagate, 4 January 2018

... had ‘wittingly’ spied on Americans – a lie for which he has never been held to account. In May 2017, he told NBC’s Chuck Todd that the Russians were highly likely to have colluded with Trump’s campaign because they are ‘almost genetically driven to co-opt, penetrate, gain favour, whatever, which is a typical Russian technique’. The current ...

Ghosts

Hugh Haughton, 5 December 1985

The Life and Work of Thomas Hardy 
by Thomas Hardy, edited by Michael Millgate.
Macmillan, 604 pp., £30, April 1985, 0 333 29441 6
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The Literary Notebooks of Thomas Hardy: Vols I and II 
edited by Lennart Björk.
Macmillan, 428 pp., £35, May 1985, 0 333 36777 4
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Emma Hardy’s Diaries 
edited by Richard Taylor.
Mid-Northumberland Arts Group/Carcanet, 216 pp., £14.95, January 1985, 0 904790 21 5
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The Collected Letters of Thomas Hardy. Vol. V: 1914-1919 
edited by Richard Little Purdy and Michael Millgate.
Oxford, 357 pp., £22.50, May 1985, 0 19 812622 0
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The Complete Poetical Works of Thomas Hardy, Vol. III 
edited by Samuel Hynes.
Oxford, 390 pp., £32.50, June 1985, 0 19 812784 7
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Annals of the Labouring Poor: Social Change and Agrarian England 1660-1900 
by K.D.M. Snell.
Cambridge, 464 pp., £30, May 1985, 0 521 24548 6
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Thomas Hardy 
edited by Samuel Hynes.
Oxford, 547 pp., £12.95, June 1984, 0 19 254177 3
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... In a letter of May 1919 Hardy told his friend Sir George Douglas he hadn’t been doing much, ‘mainly destroying old papers’. ‘How they raise ghosts,’ he added. He was still at it in September when he complained of the ‘dismal work’ of destroying papers that were of ‘absolutely no use for any purpose God or man’s ...