The Great Dissembler
James Wood: Thomas More’s Bad Character, 16 April 1998
“... pre-Reformation who nobly gave his head to forces beyond his control. Most absurdly, because of Robert Bolt’s screenplay, this barrister of Catholic repression is widely envisioned as modernity’s diapason: the clear, strong note of individual conscience, sounding against the authoritarian intolerance of the Early Modern state. Thomas More died in ... ”