“... to look again at one of their leading critical preoccupations, the handing-on of the English novel’s Great Tradition. Southam’s Introduction focuses strongly on this aspect of the manuscript – its relationship as a play to the novel which is its source. And after his edited version and transcript of the play, he provides a special series of ...”

“... The tension between party members and elected representatives, however, is congenital in Labour: Richard Crossman observed in 1968 that the nominal sovereignty given to the party conference was vitiated in practice by the freedom given to MPs in matters of political judgment. Perversely, the unremitting attacks from his own MPs made it more difficult, not ...”

“... Monroe. Like so many young London literati of the period – Wyndham Lewis and T.E. Hulme and Richard Aldington and F.S. Flint – Eliot fell under the spell of Pound’s beguiling mixture of flamboyance, generosity and startling self-confidence. Together they orchestrated what in hindsight can seem like a hostile takeover of the somewhat moribund London ...”

“... Until 15 or 20 years ago most students of English literature would have known one thing about Anna Letitia Barbauld, which was her appearance in a droll anecdote told by Samuel Taylor Coleridge towards the end of his life and recorded in the posthumous volume of his Table Talk. ‘Mrs Barbauld told me that the only faults she found with the Ancient Mariner were – that it was improbable, and had no moral,’ Coleridge is reported as saying: ‘As for the probability – to be sure that might admit some question – but I told her that in my judgment the chief fault of the poem was that it had too much moral, and that too openly obtruded upon the reader ...”

“... took an interest in literary criticism, history and philosophy as well as society gossip. Richard Steele, the magazine’s editor and a friend of Swift’s, puffed the poet and his work in an introduction. This new writer, he said, deserved to be read and admired because he had ‘run into a Way perfectly new, and describ’d Things exactly as they ...”

“... in life, to writing for a living.Chandler’s reacquaintance with the American language after an English private school education defined his style. Jameson compares him to Nabokov, as a writer in a borrowed tongue: ‘Language can never again be unself-conscious for him.’ His trademark comparisons, so often imitated and parodied, have kept their ...”

“... the maquisards.’In Laurent Mauvignier’s novel about the war, Des hommes (2009), published in English as The Wound and recently made into a film by the Belgian director Lucas Belvaux, a young appelé ‘thinks of what he’s been told about Oradour-sur-Glane’ while wandering through an empty village razed by the army. This was a typical scene, repeated ...”

“... actually – which were called Freeman, Hardy and Willis – were trained by Barry’s brother, Richard, who showed David how to work with the birds himself. Everything had the appropriate size about it.’ Loach’s sense of ‘appropriate size’ remains to this day the key to his achievement as a filmmaker.Kes marked a conscious departure from the ...”

“... football pitches, changing rooms erected to replace shower blocks opened in the dark ages by Wendy Richard of EastEnders. Back in the 1820s Gas Company funds were misappropriated, illegal payments made to council officials and stock accounts falsified. Now, in more enlightened times, when bureaucratic malpractice is exposed and celebrated every ...”

“... it down. There had been a Centre for Contemporary Cultural Studies at Birmingham University since Richard Hoggart set it up in 1964, but cultural studies proper only really started after Hall took over as director a few years later: ‘What is the discipline? We didn’t have one. In a way we had to construct it. Not because we had huge ambitions to be ...”

“... reality in its entirety. At that time the only collection of Situationist texts available in English was Leaving the 20th Century: The Incomplete Work of the Situationist International, a slim green volume published in 1974, crammed with photographs, illustrations and comic strips, compiled and annotated by Christopher Gray. Years later I learned that ...”

“... is a necessary evil,’ Stephen Dedalus says in Ulysses. In Yeats: The Man and the Masks, Richard Ellmann quoted Ivan Karamazov: ‘Who doesn’t desire his father’s death?’ ‘From the Urals to Donegal,’ Ellmann writes,the theme recurs, in Turgenev, in Samuel Butler, in Gosse. It is especially prominent in Ireland. George Moore, in his ...”

“... would’ve, or did you?’ they asked. ‘I did,’ said Ingram, quite calmly. A psychologist, Richard Peterson, was brought in to help interrogate Ingram: his role was vital because he gave Ingram an explanation of what was happening to him. When Ingram asked why he had no memory of what he’d done, Peterson told him that it was ‘not uncommon for ...”

“... the sophomore year of high school; precocious philosophical peers like Allan Bloom (born 1930) and Richard Rorty (born 1931) were educated on the same programme. ‘I’ll really know what to do in Chicago when I get there,’ Sontag writes after recounting more adventures in the bars of San Francisco and Sausalito. ‘I’ll begin right by going out and ...”

“... the 1920s into the 1940s, Greene and several of his talented male contemporaries were working, in English fiction, related veins of anxiety and intelligence, anger and danger, sex and sensibility, and contrasting an ironic private humanity with the petty vanities and great harm of established power. Their narrative frequently centred on the difficulty of ...”