Wagner’s Fluids
Susan Sontag, 10 December 1987
“... of signalling the emotional necessity of a new physical wound is to make it, shockingly, virtually self-inflicted. (Tristan drops his sword at the end of Act Two and lets the treacherous Melot run him through.) Amfortas had already been seduced by Kundry – Klingsor’s spear just made that wound literal. In Wagner’s misogynistic logic a woman, who ... ”