“... enthusiasts filed into the Maverick Concert Hall near Woodstock to hear a piano recital by the young virtuoso David Tudor. That they should be here, tucked away in the Catskills, was already extraordinary. The Maverick is more hermitage than concert hall: a wooden, barn-like structure, set – in 1952 at least – in several acres of woodland. Water Music ...”

“... into transcendental meditation and gets written up as a Muscovite avatar of a character out of Robert Stone or Joan Didion: Often silences fell between us. Much of the time I felt that she was not in my company at all, nor I in hers. She would close her eyes for long, still minutes, smiling crookedly … I don’t know how she conceived of me. She only ...”

“... For all his new-found faith in other people, Fallada went on to write two self-centred novels: Young Goedeschal, an exercise in expressionism, and Anton and Gerda, a semi-autobiographical work about a short-sighted young man in his early thirties. Neither was particularly successful, critically or commercially. The pen ...”

“... in the orbit of William F. Buckley’s National Review and the zealous campus activists of Young Americans for Freedom (a group ultimately larger and far more influential than the much celebrated leftist Students for a Democratic Society), as well as members of the staunchly anti-Communist John Birch Society (named for an American missionary said to ...”

“... She is known mainly for three novels: The Trick Is to Keep Breathing (1989), the tale of a young teacher’s emotional collapse; Foreign Parts (1994), in which Cassie and Rona, West of Scotland welfare rights workers, kvetch and fret their way round France; Clara (2002), based on the life of Clara Schumann, prodigy and virtuoso and heroically loyal ...”

“... novels began to be rediscovered in the 1970s. While researching his screenplay for Chinatown, Robert Towne came across Ask the Dust and took up Fante’s cause. He optioned the novel and persuaded Francis Ford Coppola to do the same for the book Fante was then working on, The Brotherhood of the Grape (1977). In 1978, the poet Charles Bukowski mentioned ...”

“... present in the early Sartor Resartus, lively and opaque by turns, a book which inspired the young and bewildered their elders. A devastating social critic over-impressed by heroes and dictators, Carlyle was humane and savage, radical and racist, an agnostic quoted by churchmen and praised as ‘a prophet in the midst of an untoward generation’ in Dean ...”

“... in the 1960s and early 1970s Johnson was, as Coe’s publishers maintain, ‘one of the best-known young novelists in Britain’, but his celebrity quickly faded. Now, as this large biography attests, there has been a revival of interest. Coe has worked on his book for years, occasionally lamenting the loss of time that might have been devoted to writing ...”

“... May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric – the geese’. He was referring to the over-elaborate style of some of his prose writings, but his first poem, ‘Up in the Wind’, composed on 3 December 1914, opens with a version of the ...”

“... impulses of an evil empire’. He introduced those final thoughts with the story of ‘a young father, a very prominent young man in the entertainment world, addressing a tremendous gathering in California’: ‘I love my little girls more than anything,’ Reagan said he said, but ‘I would rather see my little ...”

“... intellect by developing a version of ‘learning’ which involves no active thought but makes young ladies look clever at parties. Being able to quote from ‘approved authors’ like Martial, knowing by heart the full pantheon of Greek gods and goddesses and parroting the ‘acknowledged authority’ on Homer are all forms of performative smartness that ...”

“... troops were seasoned veterans of the Eastern Front or the North Africa campaign, but others were young and inexperienced recruits. D-Day was the first time that Private Franz Rachmann had handled a machine gun outside of training: ‘I shoot, I shoot! For each American I see fall, there came ten hundred other ones!’ In the days after the invasion some ...”

“... Early in​ 1971, Robert Hughes, recently appointed as Time magazine’s chief art critic, was ripping out his loft apartment at 143 Prince Street when he received an unexpected visitor. This was Henry Geldzahler, curator of modern art at the Metropolitan Museum. Hughes, probably the most macho and combative critic in his profession, was, by his own account, sweaty, foul-tempered, sore-footed and ‘grey with ingrained dirt ...”

“... had many familiar trappings: a busy fringe programme, a smattering of business sponsors, ambitious young men in sharp suits. But it also felt different from any party conference I’d attended before. The queue that snaked around the conference perimeter on the first morning had a giddy, almost nervous energy. It was overwhelmingly, if not ...”

“... History of Great Britain, no doubt because they happened to be around the house at the time. The young Thomas read Tom Paine’s The Age of Reason at the age of 13 and became a lifelong freethinker: in 1925, he was to compose a foreword to the collected works of Paine. He started to lose his hearing at an early age and always said later that it helped him ...”