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“... Heaney on the front of the companion volume to this one, New Selected Poems 1966-87, painfully young, worried-looking, Noh-rice-flour-pale, against a dark brick wall. The riot of hair came later, in the 1970s, the period after the epochal move out of Belfast down to Glanmore in Wicklow, the Noddy Holder whiskers, the period of ‘Exposure’, of ...”

“... by an old man, inspired by Hrabal’s Uncle Pepin, a top-gallant, one might say, addressing his ‘young ladies’. It was written in the 1950s and first published in 1964, as Hrabal’s second book in print. Michael Henry Heim’s English translation appeared in 1995, when Hrabal was 81. Old book? New book? ...”

“... the trappings of the hardened old warhorse you could still see traces of the impetuous young thoroughbred, who had enchanted Leiris and others a quarter of a century before.’ Well, yes. Most of us were easier to take when young, especially if we were beautiful, energetic, bright and eagerly ambitious, as Sonia ...”

“... hall above the pub and there’s a lot of shouting. Later, as we are getting into the car, Gary, a young man crippled with arthritis, calls out to A. from the snooker hall. She knows him and asks if it was him that was doing the shouting. ‘Yes,’ he says proudly. ‘You shouldn’t.’ ‘Why?’ he asks. ‘Because,’ I put in weakly, ‘it’s a free ...”

“... the Great Stanton, putting on his show in fancy nightclubs. Molly (Coleen Gray; Rooney Mara), a young woman from the fairground, is his partner: he plays the Zeena role and she collects the questions from the audience. Everything goes smoothly until the psychologist, all too symbolically called Lilith, appears in the audience. Helen Walker was pretty good ...”

“... movie’s travellers get some food and spend a piece of the night. An old man lives there, and a young girl, who provokes most of the speculation about beauty and danger. Again, the building is an outpost against the dark. Seen from outside, light leaks out under the door, round the sides of the curtains. But not ordinary light from rural Turkey, more like ...”

“... was only four years away. But what was so modern about the Rossellini film, and why did it seem so young? The answer, I think, has to do with the refusal of the apparently inevitable melodrama – how could there be a journey without change or redemption? – and again, with the transposition of Hollywood actors into a world that has left them stranded. The ...”

“... Cage owes money to his bookmaker – he bets on American football games – roughs up a young man with strong political connections, threatens an old lady by tearing her oxygen tube out, bullies a football player into throwing a game, and crosses over to the real dark side by selling police information to a top drug dealer. Nothing but trouble is ...”

“... snowy fields and leave them to die. We see her on this mission with one of the babies. When its young mother finds out what has happened she commits suicide, and the sisters refuse to obey the abbess, who seems to be dying of advanced syphilis caught from the soldiers. Something happens to the film, and perhaps to the real-life story it is based on, when ...”

“... The cinematographer is José Luis Alcaine. Estrella is played by Sonsoles Aranguren when young, Icíar Bollaín when older. The transition from actress to actress is effected elegantly by having the first go to school on one bike, the other return on a different machine. We see some of the sources for Estrella’s idea of the south in a box full of ...”

“... all its questions in delicately indirect ways. When Mank, played by Gary Oldman, first meets the young English woman (Lily Collins) who will type the script at his dictation, she politely says: ‘How do you do?’ He replies: ‘Well, that’s a big question.’ Asked if he knew William Randolph Hearst’s mistress, Marion Davies, he says yes – ‘if ...”

“... to jail, but time shifts constantly, and these shifts usually aren’t flagged. She looks very young, then she is almost middle-aged; she has straight hair, then it is curly. She speaks modestly and penitently in public; and then in front of a different audience she is like a rock star, expertly performing her grief. She looks after the children; we see ...”

“... what else she is – principally an uninformed child in an adult body. This is not a metaphor. The young woman we saw committing suicide in the opening frames of the film is Bella. She died but was not beyond resurrection once Dr Baxter took up the body. He discovered that Bella was pregnant and decided to go beyond ordinary rescue of one or the other of the ...”

“... Fortunately, before she left Georgia, she acquired the companion I mentioned – an orphaned young man whose main job in life so far has been to annoy the violent, conservative older brother he lives with. Istanbul changes him too. He becomes a caring aide to Lia, who, consistent with her own development, stops telling him to shut up and actually talks ...”

“... to get some official acknowledgment of what happened. In his memoir Marcelo Rubens Paiva, a young child at this point in the story (and played by Guilherme Silveira in the film), says: ‘I don’t know the exact date on which she discovered the truth. That was when she stopped smiling for many years.’A quarter of a century later Eunice receives, from ...”