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“... for example, a head as simple as a bean seed.) Later there were American connections – in 1916 John Quinn began collecting his work; he knew the photographers Edward Steichen and Man Ray – and Romanian connections, which were maintained all his life. There is hardly a significant name which does not turn up in some context or other, from Picasso and the ...”

“... did not pick up popularity till after Walter Scott. ‘Valkyries’ were introduced to English by Gray in 1768, closely followed by Percy’s translation of the Swiss professor Paul-Henri Mallet’s Monuments de la mythologie et de la poésie des Celtes et particulièrement des anciens Scandinaves. But ‘berserkers’ did not appear till 1822, though by 1879 ...”

“... exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household name, his critical reputation has for decades ...”

“... and Kant. The ‘History will absolve me’ speech quotes, among other more famous names, John of Salisbury and John Knox. But as Szulc remarks, ‘one sees how his methodical mind subordinates all texts to his private interpretation.’ Castro had, and still has, a large appetite for information, but he appears to ...”

“... writing. Some examples: ‘She had a face like an upturned canoe,’ said by the actor Charles Gray at breakfast in Dundee (though of whom I can’t remember). A. I’ve been salmon fishing. B. It’s not the season. A. No. I thought I’d take the blighters by surprise. ‘Here we are. Fat Pig One and Fat Pig Two.’ Said by my mother when she and ...”

“... as a poet. ‘It is all a battle,’ he announced to his friend and partner in art, the painter John Minton. He and Dunsmuir lived in conditions of spectacular inconvenience: a poky caravan for some years and later a cottage to which the word ‘spartan’ doesn’t really do justice – ‘a leaking roof, no cooking stove, no electricity, an outside toilet ...”

“... seemed to me,’ Henry James wrote to the critic and campaigner for homosexual rights John Addington Symonds in 1884, ‘that the victims of a common passion should sometimes exchange a look.’ The common passion James referred to was for Italy – or was it?Here is one double-take. In Mansfield Park, published in 1814, Mary Crawford is rattling ...”

“... fervour also seems to me to come into play in the contrast between his distaste for John Ford and his love of Howard Hawks, perhaps the perfect no-brow. The clue to Hawks’s greatness is that this sombre lining is cut against the cloth of the genre in which he is operating. Far from the meek purveyor of Hollywood forms, he always chose to turn ...”

“... the cause had been a chorister two years younger than Byron who had been his lover at Cambridge. John Edleston (commemorated in his poetry as ‘Thyrza’) moved to London when his voice broke to take up a position as a clerk in a mercantile firm. They hadn’t seen each other for a while, when Edleston wrote to Byron, asking for help with finding a new ...”

“... but which will evidently bring further hardship to the world’s poor: I crossed the canal in a gray overcoat, on one lapel a crimson buttonhole for the cold ecstasy of the assassin. In the square coffin manacled to my wrist: small countries pleaded through the mesh of graphs in treble-spaced, Xeroxed forms to the World Bank on which I had scrawled the one ...”

“... The Political Lives of Dead Bodies: Reburial and Post-Socialist Change (1999) and more briefly in John Gray’s The Immortalisation Commission.* Preserving Lenin’s body from further decay is a bit like painting the Forth Bridge: every 18 months the body is bathed in a potassium acetate-glycerin solution and careful maintenance done on the accumulating ...”

“... Beasts in interest. The volume has a valuable seventy-page introduction and some useful notes by John Haffenden, who arranges the material as far as possible in chronological order. The play or melodrama, Three Stories, was written when the poet was 20, and performed, with him in the cast, by the Cambridge ADC. Long supposed to have been lost as Empson ...”

“... As an admirer of Huysmans, Oscar Wilde had recourse to the ‘shudder’ in The Picture of Dorian Gray. A high proportion of these instances occur in commonplace expressions such as ‘I shudder at the thought’ or ‘a shudder passed through’ whoever it was, examples which tend only to show that whatever its original force the shudder was susceptible to ...”

“... where the expressive word, spoken or written, still seemed paramount – beneficiaries of what John Bayley once called “the inevitable solace that right language brings”. We were all, in varying degrees, sociable yet solitary.’It was a bold assertion. She was not only young, and relatively unproven, but the wrong gender; she was pushed right up ...”

“... to what other writers were doing about the war. In 1943, after reading a story about the army by John Cheever in the New Yorker, he wrote to Mackie: ‘The trouble with writing a story about the army is this: people expect something to happen in a story (Cheever supplied things, lots of things); but the whole point of the army is that nothing ever does ...”