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“... to the rakish, ‘gay dog’ critic. Keynes also mortified Woolf by telling her that her memoir of George Duckworth, later published as 22 Hyde Park Gate, was the best thing she had ever done. He advised her bluffly to carry on in that vein, ‘write about real people & make it all up’, causing her to reflect that ‘if ...”

“... briefly by an unregarded few. And so it comes about that the Victorians – Browning, no less than George Eliot – are back in favour, not just for their undemanding and verbally profligate forms but for their portentous preoccupation: how to lose religious faith and yet preserve all the psychological comforts which that faith had afforded. More than a ...”

“... author of many major books including a study of the Munich crisis and the official biography of George VI, who agreed on condition that he would not be expected to publish in Lord Avon’s lifetime. By a tragic irony of events Sir John, who was younger than Eden, predeceased him. Various possibilities have been canvassed since Eden’s death. The choice for ...”

“... to become contagious.’ This confession comes at the end of Delany’s engaging new biography of George Gissing, and suggests the special difficulty of spending long periods in the company of the English novelist most known for the relentless pessimism of his novels and the self-destructive tendencies of his life. The dean of Gissing studies, Pierre ...”

“... with jottings and sketches. The fullest notes are for his last incomplete novel, Denis Duval. George Eliot seems to have begun making her collections of notes, or quarries, for novels with her third full-length work, Romola. Charles Reade began to rely on his system of note-making with his third novel, It is never too late to mend. Trollope claimed not to ...”

“... in the work which, more than any other book, provided the title-deeds of the cultural revival: George Davie’s The Democratic Intellect, published by Edinburgh University Press in 1961, was fallible as a history of Victorian Scottish universities, but an eloquent restatement of the deductive basis of the Scottish intellectual tradition assaulted by Buckle ...”

“... Fatal Rivalry: Flodden 1513 provides a welcome antidote to the usual run of work on the period. George Goodwin places the events of 9 September 1513 in the context of the two kingdoms and their interrelated royal dynasties over the quarter-century leading up to the battle. He follows most Scottish historians in being impressed with James IV’s qualities as ...”

“... says of an occasion early in the orchestra’s history when the players had been rehearsing with Walter Susskind. Ruth Railton lived for this intensity. She gave up a promising career as a pianist to find it. She was in love with the capacity of children to love music. ‘The freshness that comes from the first experience of a great work’, ‘the natural ...”

“... the links between them and their often disparate specialities have never previously been explored. Walter Scott and Victor Hugo feature among the less familiar scholars, and some painters, including Bonnington and Delacroix, make brief appearances. As these names suggest, Hill has much to tell us about Anglo-French relations, present as well as past.We ...”

“... by asking them how they spent the leisure time that the magazines of the 1890s loved to celebrate. George Bernard Shaw listed his recreations as ‘cycling and showing off’.Today’s Who’s Who remains a child of the 1890s. The editorial board stands by the book’s original intention, to recognise people whose ‘prominence is inherited, or depending upon ...”

“... days of his success, his black-faced, mammy-singing disciples included not only Eddie Cantor, George Burns, George Jessel and Sophie Tucker, but the future movie mogul Harry Cohn, the young Walter Winchell and his own older brother. Signed by the Shubert Brothers in 1911, Jolson was ...”

“... relaxed, bantering figure at his ease amid the friendly, mostly American group made up by herself, Walter Berry, Howard Sturgis, Morton Fullerton, John Hugh Smith, Percy Lubbock and a few other initiates. She emphasises the man’s ‘quality of fun’, and her James is ‘the laughing, chaffing, jubilant yet malicious James’, not ‘the grave personage ...”

“... Aunt Eveline arranges herself on the piano stool and with my father on the violin (‘Now then, Walter, what shall we give them?’) kicks off with a selection from Glamorous Night. Then, having played themselves in, they accompany Uncle George, my father’s brother, in some songs. Uncle ...”

“... the petit bourgeois milieu to which he belonged and which is her special province as a novelist. George Steiner, in his short novel or novella (cut for publication in the Cambridge magazine Granta), returns us to the black-red-white formulaic fiction, in which the aged Hitler is tracked down in the swamps of South America by an Israeli search party whipped ...”

“... to his unusual capacity for suffering in the service of a transcendent Art. No wonder he told George Sand as he set out on the novel that it would be the modern ‘counterpart’ of Saint Antoine (the final version of which he had just sent off to the publisher). He is reverting in Bouvard et Pécuchet to the role of St Anthony, with the prolonged ascesis ...”