“... and reworked by middle-class men with sexual anxieties of their own. ‘A Night in a Workhouse’, John Addington Symonds recalled, ‘brought the emotional tumour which was gathering within me to maturity,’ inspiring him to write a long passionate poem about cross-class love between men, including a section entitled ‘Kay’. Were the sexual ...”

“... may suggest, the level of sheer verbal force and arresting cadence is abnormally high. His friend John Sterling registered these characteristics when he thanked him for two recent letters ‘which, unlike other people’s, have the writer’s signature in every word as well as at the end’. The project to collect, edit and publish all known letters by ...”

“... Henry VII’s long-lost palaces stood at Richmond and Greenwich, and at Burbage in Wiltshire, John Seymour was starting work on his expensive new house, Wolfhall. Hilary Mantel’s trilogy, like the musical Six and innumerable historical novels and films before and since, owes its popularity to the fact that ‘Tudors and Stuarts’ is still for many ...”

“... a visionary monologue notionally addressed to a love-object, though her reality is pretty foggy. John Stuart Mill read the poem attentively in preparation for a review which never appeared, although Browning did later get to see his notes and was understandably struck by one of Mill’s sharper comments: ‘The writer seems to me possessed with a more ...”

“... back benches, the dominant figures are far removed from the Methodism, or the cultural critique of Ruskin and Morris, that was once the ethical basis of the Labour movement. What of the anti-revolutionaries? Neo-liberals are not particularly concerned to beat down the legacies of 1789 and 1848, and they view even 1917 with equanimity, given their faith in the ...”

“... was indifferent; Tolstoy denounced the Ring cycle as ‘counterfeit art’; a discombobulated Ruskin left a performance of Die Meistersinger claiming the music was ‘clumsy, blundering, boggling, baboon-blooded … sapless, soulless, beginningless, endless, topless, bottomless’. Matthew Arnold and William Morris thought their own engagement with ...”

“... like the Loshes who took ideas seriously and were inclined towards radicalism. Sarah’s father John, born in 1757, was the eldest of four remarkable brothers. Their wealth came partly from land and later from the alkali works the family developed at the Walker colliery. The extended network of cousins and relatives by marriage (a number of whom were the ...”

“... scenes occur in the great mining films of the early 1940s (Carol Reed’s The Stars Look Down, John Ford’s How Green Was My Valley). Bernard soon leaves the mineshafts behind. His main interest lies in the ways in which the advent of the elevator transformed the design, construction and experience of high-rise buildings, and thus of modern urban life in ...”

“... in contemporary hen-house design, as if this were House and Garden rather than Farm-Poultry. John Evangelist Walsh has remarked that it was in these stories, published ten years before his first book of poems, that Frost had his first successes in capturing the flavour of real speech, voices which he later insisted poetry couldn’t do without. ‘Write ...”

“... Gertrude Jekyll lived to see the first waves of the tide of gentility that swept over Surrey until John Betjeman could not look at one of Miss Jekyll’s beloved rhododendrons without thinking of a stockbroker. Less intellectual, in many ways less effective than Morris, she was, nevertheless, in one sense nearer the heart of the issue. In her work as a garden ...”

“... of the vertiginous prospects opened up behind, beneath and before us by students of fossils. Ruskin claims to hear the clink of the geologists hammer in the cadences of the Scriptures. ‘There where the long street roars, hath been/The stillness of the central sea./The hills are shadows and they flow,’ Tennyson reflects. One of Pater’s ...”

“... all the same. It may derive from Updike’s own experience as a practitioner. He studied at the Ruskin in Oxford and is therefore expert enough to set down a splendidly thorough account of artistic ineptitude: ‘As those who have both drawn and written know, the problems of definition differ radically. A table or a person becomes in graphic representation ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... forces to scientific examination. Among its officers and members were Tennyson, Gladstone, Ruskin, Lewis Carroll, William James, Henri Bergson, and scores of other persons with unimpeachable intellectual and social credentials. In the 18th century, the foundations of received Christian faith, undermined by deism, had been shored up for some time by the ...”

“... To have been born into a world of beauty, to die amid ugliness is the fate of all us exiles.’ Ruskin would have told him that much of the ‘world of beauty’ had gone long before he was born. One reason for travelling through your own country is to document visual atrocity and human deprivation, and Waugh’s sense of a better world that is lost can be ...”