“... who wrote a book about the screenwriter Charlie MacArthur, who almost made a mother of Dorothy Parker, who wrote a poem about Fitzgerald and fell a little in love with him? From this chaos of possible connections there gradually emerges an excited, suggestive, almost musical evocation of the spirit of the time, something like the marvellously frantic crowd ...”

“... or ‘neo-authoritarian’, what is indisputable is that it has unleashed what John Ganz has called a sense of ‘moral anarchy’, in which there are no longer any limits to the expression of sadism, or to its implementation as policy. Children are forcibly separated from their parents. Migrants from Venezuela are flown to a concentration ...”

“... escapades or of other people’s bad behaviour, a favourite being how, after a performance in John Osborne’s A Patriot for Me at Chichester for which he had been much praised, Alan was sitting in his dressing-room when there was a tentative knock on the door. It was Alec Guinness. He shook Alan’s hand, said, ‘You must be very tired,’ and ...”

“... the remit contained in the white paper which set it up. It is not the leading judgment of Lord Parker which today merits rereading bur the second one, in which Lord Justice Diplock observed that what was in dispute was the last unclaimed prize of the constitutional conflicts of the 17th century. Government had assumed that the exercise by ministers of the ...”

“... by Norman Bel Geddes, and luminaries such as Arthur Rubenstein, Cole Porter, Ivor Novello, Dorothy Parker and Mrs Vincent Astor in attendance on opening night. It closed after a few snaggle-toothed performances. In Jacob Slovak (1923), the one de Acosta play to have some success (John Gielgud appeared in a short-lived London ...”

“... and newspaper headline, impression and chronicle. For the middlebrow modernism of U.S.A., John Dos Passos shrewdly kept those registers apart, offering them separately on the page under the headings camera eye and newsreel. Here they are mashed together, and the effect is distinctly lumpy. There’s a reference to Firbank late in the book and perhaps ...”

“... to photograph celebrities, very few of the resulting pictures really worked. On the other hand, as John Berendt, who commissioned her for Esquire noted, ‘her eyes would light up at the mere suggestion of oddity, deformity, depravity.’ When the Sunday Times magazine in London tried to interest her in taking pictures of terminally ill patients in a ...”

“... and they were numerous, included both Fitzgeralds, the New York society hostess Muriel Draper, John Dos Passos, Dorothy Parker, Nancy Mitford, Dawn Powell, even Mary McCarthy, whose rivalrousness towards other intellectual women is legendary. The fact that Murphy seems to have been one of the kindliest people on earth no ...”

“... we were all such boys.’ This is how I remember my early days working for the BBC in the 1960s. John Fortune, John Bird, Keith Waterhouse and Willis Hall: we were all such boys too and it seemed such play. Less play was Beyond the Fringe, but that had its sillier side. Dudley Moore had an act – never, I think, done in ...”

“... one Sinatra’s name was often linked with. Consider the following, from Cosa Nostra (2004), John Dickie’s history of the Sicilian Mafia: ‘Anyone who was worthy of being described as mafioso therefore had a certain something, an attribute called “mafia”. “Cool” is about the closest modern English equivalent.’ Discourse among ‘men of ...”

“... spectacular ways of showing what their product could do. At an exhibition in San Antonio in 1876, John Gates (then just an agent for the manufacturers, later an iron magnate in his own right) sealed off part of the town’s central plaza with barbed-wire fencing and packed it with dozens of fierce-looking longhorn steers. When the animals charged the ...”

“... imperative mode: ‘Be good!’ – a demand, a trap. Women like Rich and Cusk, and also Rozsika Parker and Lisa Baraitser, who lay bare the complex run of emotions to which motherhood gives rise, are issuing a political corrective, sourced in but reaching far beyond the domain of motherhood itself. The idea of maternal virtue is a myth that serves no ...”

“... by 2020. In Taking Power Back, his 2015 book calling for a renewal of local democracy, Simon Parker describes the consequences as ‘perhaps the biggest shift in the role of the British state since 1945’. There is currently a very real risk that Brexit will distract from austerity – no longer the disaster du jour – which will nonetheless grind ...”