“... can read them later. There is also a flashback to a time when Zeena and her partner (Ian Keith; David Strathairn) were in vaudeville. Their act involved working a complicated code, where one of them would apparently be repeating questions from the audience but was actually signalling facts about the questioners. In the city, a different kind of trick is ...”

“... The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer Exhibition, that super-English annual gathering of the amateur art establishment, to which the buying public with large pocketbooks flock from the Home Counties and beyond ...”

“... nor useful. Kiefer’s work sticks to your imagination the way tar sticks to a shoe. You may not want it there, but you can’t scrape it off. You hear its zippy crackle follow as you try to walk away. It can make you seem to recall dreams you know you never had: dreams where you cross a clay field at the end of a grey day, your legs hardly able to ...”

“... he chose to disparage, not least the work of former friends and rival contemporaries. When David Sylvester once asked what precisely was so deplorable about it (a ‘kind of caution’ perhaps?), Bacon’s response was studiedly offhand. ‘Well,’ he drawled, clearing his throat. ‘Well . . . Illustration surely means just illustrating the image ...”

“... rock stars. The memoir the movie is based on, which has the same title, carries an epigraph from David Bowie: ‘Planet Earth is blue and there’s nothing I can do.’Well, perhaps this is not so comforting. A title card has told us the year – 1971 – and if we remember that a military dictatorship had been in power in the country since 1964, aided by ...”

“... to pose, the enraged Freud painted over her face and inserted that of his long-time assistant David Dawson. But the baby had not caused offence, so was not painted out, with the result that a naked and strangely breasted Dawson is now seen feeding the child. Freud’s American dealer assumed the picture would be unsellable; it was bought by the first ...”

“... I suppose a cork-lined carriage. The ‘Marcel Proust’ might be a good name for a train. 16 May. Philip Roth’s face in a photograph by Nancy Crampton on the jacket of his new novel, Everyman, is as stern and ungiving as a self-portrait by Rembrandt. 30 May, Yorkshire. Not one in fifty people knows how to restore or ...”

“... patronage of a king proclaim a writer at ease with his own educational capital and the position it may earn him. As it turned out, Love’s Labour’s Lost was a landmark in Shakespeare’s accession to prosperity and prestige. It appears to have been the first of his plays to be acted before Queen Elizabeth, and it was later revived for James after ...”

“... nothing about them, because we learn almost nothing about Richards either. This glazed reticence may, however, tell us something in itself, especially if it is viewed as part and parcel of the public persona of the man in the middle of the Modern Movement. At this point, let me lay my own credentials on the table, since what follows stems in part from my own ...”

“... in Map Five. The map of Israel’s ‘Final status’ proposals for the West Bank put forward in May 2000 are shown in Map Six. All maps were provided by the Foundation for Middle East Peace, Washington.]On 29 September, the day after Ariel Sharon, guarded by about a thousand Israeli police and soldiers strode into Jerusalem’s Haram al-Sharif (the ‘Noble ...”

“... to be taken seriously and relying on a single performance by Jo Grimond, Jeremy Thorpe or David Steel to give them whatever credibility they could earn. It was Labour that faced the real problem. Defeat for the leadership – often following a bitter row – saddled it with policies unacceptable to its own MPs and profoundly unattractive to the ...”

“... feel the same way about going to bed with handsome men, although a dishy premature ejaculator may find that women shun him. He certainly has a low opinion of the feminist sexual imagination. He applauds the way women abandoned brassières in the late Sixties, and believes that for some of the women who did so it was ‘part of the realisation that ...”

“... of confrontation which he has used against the British printing unions in the Wapping dispute may hark back to his 19th-century predecessor as proprietor of the Times, but they were perfected in the US management-union wars of the 1970s, which were quite unarguably won by the managements. Equally clearly, the British unions had not learnt the lessons. All ...”

“... would have hit any more.’ Healey and Gilmour – and indeed Edward Heath and James Callaghan – may be thought to have spoken for those two-thirds of poll respondents who decided that Mrs Thatcher had been guilty of a brutal misjudgment: and for the many people who believe that she overrode a rational understanding on the use of counter-terror, together ...”

“... is perhaps because readers no longer expect books simply to ‘reflect’ reality. Another reason may be that mirrors themselves are no longer convex, as they usually were until the 17th century, so that the word has ceased to carry the attractive promise of a larger reality compressed into a small and manageable compass. One of the most widely read of all ...”