“... of rabbis and licensed moneylenders to the Habsburg emperors, and remained contemptuous of her self-made financier husband. She had been brought up in Vienna, for which, like many similarly placed ladies from the provinces, she yearned throughout her life. To annoy her and as a sign of protest against her attempts to cultivate a Viennese salon in ...”

“... a more generous view of Carl Schorske’s Fin-de-Siècle Vienna (1980), or indeed Robert Musil’s The Man without Qualities, might have yielded a more abundant answer. On the other hand, Freud’s warm if critical admiration of England (which, he shared, incidentally, with members of the Viennese Jockey Club), his remarkable command of ...”

“... like the rest.* Maybe. But no other writer in this field so regularly startles one into self-recognition. We skitter anxiously from cradle to grave like a tart between lamp-posts. I won’t make you feel bad so long as you don’t make me feel bad. That is the social contract. And there is nothing much to be done about it. Goffman’s work, as he ...”

“... we begin to suspect Byron of sharing. Yet Byron made a loyal friend, to men at least. The self-absorption conveyed by Byron has been exaggerated by the insistent style of Raphael’s narration and by the one-sidedness of his interests. On Byron’s short-lived and disastrous marriage to Annabella Milbanke, Raphael is in his element, as a ...”

“... money stock was the one and only thermostat that policymakers required to regulate an effectively self-correcting economy; second, that rules should be introduced, via what Friedman called ‘constitutional provision’, to insulate monetary governance from the temptation to meddle with an economy that was better left to its own devices. If everyone expected ...”

“... Tell me​ your mystic and I will tell you who you are. The Little Flower, she of the astonishing self-love? Hildegard of Bingen, glowing like rock crystal, or Simone Weil, picking herself like a scab? Teresa of Avila, a chilly forehead and a warm thigh, or St Simeon, being written by the tip of his stylus? You may prefer Marguerite Porete, burning alive with her book, or the rich black intersection of St John of the Cross or the pyroclastic whisper of Anonymous, Unknown Author ...”

“... Sending up her closest friends, she cast the arrogant fellow graduate she was in love with as a self-centred cleric, Archdeacon Hoccleve, given to complaining loudly about his wife and numbing his congregation with abstruse sermons. Pym and her sister, Hilary, became Belinda and Harriet Bede, ‘spinsters of fiftyish’, living together in a cottage. While ...”

“... own son, John, who also became an adept fiddler, like his grandfather. Clare felt an affinity with Robert Burns, collected songs as Burns did, and during his asylum years wrote a number of songs in the Scottish vernacular. Clare says in his autobiography that both his parents were ‘illiterate to the last degree’. Concerned to dispel the myths, Bate points ...”

“... Messiaen’s goal, exactly: he wrote music to praise God, not to proselytise. Nonetheless, as Robert Sholl argues in his ‘critical biography’, it’s not easy to disentangle Messiaen’s art from his belief that in composing he was ‘making a transcendent God empirical and sensate’. The music, Sholl suggests, allows ‘believers and non-believers ...”

“... of media, and in her lifetime was known as a writer, she is now remembered for her photographic self-portraits, mainly taken in the 1920s, which stage her in various personae (aviator, buddha, doll, angel). She never had an exhibition of photographs in her lifetime, and they hardly circulated. Thomson’s narrator is Schwob/Cahun’s life partner, Suzanne ...”

“... and The New Atalantis (1709), with passages of factual commentary, she offered a counterfeit self-portrait of a woman whose true identity might best be represented as a series of fictional impostures. Irene von Treskow’s cover illustration confirmed the sense of life as performance: ‘Manley’, disguised in the black robes of a ...”

“... rain as ‘grief in arrears’ is the loveliest thing in the book), or the compact subtleties of Robert Crawford, whose short poem ‘Scotland’ is infinitely more subtle and political than the work of Didsbury and McMillan or even Peter Reading. And then the sweet, rapid brocade of Glyn Maxwell’s complex forms, or the grace of Pauline Stainer. These ...”

“... example, she says more than once that Hemingway proved to be a better writer about the war than Robert Graves or Siegfried Sassoon, even though they saw a lot more fighting than he did, precisely because he was not, as they were, hampered by a literary education and training in ‘conventional strategies of expression’. A similar point is made about the ...”

“... the most haunting stories in the book is that of the Tierra del Fuegian boy kidnapped by Captain Robert Fitzroy, Chief Officer of HMS Beagle, in 1830. The boy was given a name by the crew – Jemmy Button – and taken to London, where he ‘saw a stone lion on the steps of Northumberland House, and settled down to a boarding-school at Walthamstow’. On the ...”

“... Libyan adventure of 1912, an essay which combines patriotic fervour with a deep intelligence and self-questioning. Like so many others he died and disappeared, his work now virtually unknown except to a few fellow bibliophiles: had he lived, he would probably have disappeared in any case into middle-aged obscurity, the state of resignation which, as he found ...”