“... soil’. She describes how ‘East Coker’, ‘The Dry Salvages’ and ‘Little Gidding’ were read out, each as it was published, on the wartime BBC, and how that factored into their rhetoric. ‘“History is now and England”: that is the voice of a rousing speechmaker and it was meant to be.’ And there, in the buoyancy of Harris’s own speech ...”

“... Cornwell (a.k.a. John le Carré) and Tobias Wolff did. Ackerley’s left two letters, ‘to be read only in the case of my death’, in which he revealed his ‘secret orchard’: the mistress and three daughters he’d been hiding for many years. Ackerley’s first reaction to the duplicity was shock: ‘My relationship with my father was in ruins. I had ...”

“... came and went, the Branson book stayed, to be taken up by the decreasing remainder as a favourite read. Surely it must have been the devious, miscalculating and ultimately naive Nick who brought it into the house? Nick got sussed by the public and eventually his fellow inmates. Is the same thing going to happen to Richard Branson? He who lives by public ...”

“... all of Scholem’s scholarly apparatus, which has the advantage of making his book easier to read, but the disadvantage that we don’t know what the sources are for various elements in the story. In Scholem’s telling, the development of the great messianic movement within the Ottoman Empire took place without any influence from the broader Christian ...”

“... he feels ‘both homicidal and suicidal’. He means it, too. All this makes his Diaries a strange read, because they are interesting, indeed fascinating, in many of their details, yet draining and demoralising in their cumulative effect. Reading this book is like standing listening to someone ranting and jabbing their finger in your chest, for hours, but ...”

“... else insists so emphatically on what we are usually happy to forget: that, during the hours we read, our lives have gone quite still, and we are taking a stranger’s word for the world. A landscape, a face, a building, a painting, even a taste, an odour, an emotion: we will readily accept words for these, because we feel able to usher words into the space ...”

“... extensive list of unpublished documents consulted in German archives and published primary sources read in libraries in Berlin, Cologne, Freiburg and elsewhere. Over the eight years he took to research and write the book, Kurlander hoovered up everything even remotely connected with the topic. His argument unfolds logically and consistently. And there are ...”

“... Biographies​ of artists often read like legends of heroes. Vasari preferred his Renaissance masters to be precocious in talent, humble in origin and, if possible, anointed by a predecessor – so he gives us Cimabue discovering the shepherd boy Giotto sketching a pastoral scene with perfect skill. Born in 1922, Richard Hamilton was a working-class kid whose gift for drawing was recognised early on: at 12, he talked his way into adult classes, and at 16, not long before the Second World War, into the Royal Academy of Art ...”

“... in Dallas ran a conference in November. Nor is More much celebrated outside academia and St Peter’s. The fate of the Romanov obelisk in Moscow’s Alexander Garden, first put up in 1914 to mark the tercentenary of the dynasty, is illustrative. Bolsheviks re-engraved the obelisk with More’s name and other mooted harbingers of communism. In 2013, 99 ...”

“... neighbour at Euston. Urban planning utopias have never been popular except with political elites. Peter Willmott and Michael Young, in Family and Kinship in East London (1957), painted a dire picture of community warmth in the old East End giving way to anomie and alienation in the new towns to which bombed-out families were forced to move. In the end, the ...”

“... the fearful conflicts of interest which surround our ecological predicament. Another such book was Peter Singer’s Animal Liberation. Singer, like Passmore, devoted much of his time to clearing the ground – marshalling the relevant facts, surveying the range of existing attitudes, pointing out their confusions, and tracing the sources of trouble in the ...”

“... Row suits, could easily be a real-life counterpart of Dorothy L. Sayers’s fictional sleuth Lord Peter Wimsey. (It’s a nice touch that the affair gets a mention in her 1935 detective novel Gaudy Night. Wimsey himself had clearly been following it keenly.) The dishevelled, corduroy-clad communist Pollard has more than a whiff of Le Carré about him: in one ...”

“... in spite of the Freedom of Information Act.During the Napoleonic Wars, newspapers were allowed to read and reprint naval and military dispatches in return for carrying ‘paragraphs agreeable to the Ministry’. Today, as Norton-Taylor reminds us, Whitehall departments still run their own gentlemanly lobbies in which selected hacks are allowed to see ...”

“... with ways of making sense of the world around me.’ There were other formative influences. He read widely, and quickly absorbed the work of Léopold Senghor, Langston Hughes, Gwendolyn Brooks and Amiri Baraka, whose poetry drew on vernacular speech patterns and the rhythms of jazz and blues. Through New Beacon Books, a radical bookshop and publisher in ...”

“... is at his frequent best, however, when his poetry is least negotiable in the hands of people who read it on the look-out for what they hope to find there. He knew himself to be a great poet, a man privileged to receive the awesome and often close to terrifying visitations of genius. It is about the gestations of that poetry that he most often writes, as if ...”