At the Royal Academy
Natasha Fedorson: Modernism in Ukraine, 10 October 2024
“... Exter’s interest in vivid colour (the two women met in Paris in 1911), and with her husband, Robert Delaunay, developed a technique they called Simultanism, in which contrasting colours are placed alongside each other, or allowed to overlap, creating an impression of motion and gesture. Exter’s Composition (Genoa) of 1912 is displayed next to ... ”