Disappearing Ink

Tom Stevenson: Life of a Diplomat, 10 August 2023

And Then What? Inside Stories of 21st-Century Diplomacy 
by Catherine Ashton.
Elliott and Thompson, 256 pp., £20, February 2023, 978 1 78396 634 9
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“... willing to let him.’ A lot of CIA directors have written memoirs: Richard Helms, William Colby, Robert Gates, George Tenet, Michael Hayden, Leon Panetta, Michael Morell, John Brennan. We already have the memoir of the current CIA director, Bill Burns, but not that of his predecessor, Gina Haspel. Perhaps it would be too torture-heavy to be ...”

We can breathe!

Gabriel Winant: Anti-Fascists United, 1 August 2024

Everything Is Possible: Anti-fascism and the Left in the Age of Fascism 
by Joseph Fronczak.
Yale, 350 pp., £25, February 2023, 978 0 300 25117 3
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“... the 20th century. Both fled their home cities as children to escape racial violence: Gordon, the Robert Charles riots of 1900, in which a mob of white Southerners murdered dozens after an African American man shot a police officer who had asked what he was doing in a mainly white neighbourhood; Croll, the Odessa pogrom of 1905, in which more than four ...”

Good Vibrations

Frederick Wilmot-Smith: On the Rule of Law, 12 September 2024

Thoughtfulness and the Rule of Law 
by Jeremy Waldron.
Harvard, 326 pp., £37.95, December 2023, 978 0 674 29077 8
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“... A.V. Dicey had three principles; John Rawls had four. Waldron pokes fun at this approach – ‘Robert Summers holds the record, I think, with eighteen rule-of-law principles’ – but that doesn’t stop him drawing up a list of his own. As well as access to independent courts, he says, the rule of law requires ‘people in positions of state authority to ...”

Jaguars over the Seine

Clare Jackson: Early Modern Americana, 23 July 2026

A Golden World: How the Americas Transformed Renaissance England 
by Lauren Working.
Faber, 384 pp., £22, June, 978 0 571 39383 1
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“... we have no right’. Mindful of the ancient Greek fable about ‘the bird in borrowed feathers’, Robert Greene dismissed William Shakespeare in 1592 as that ‘upstart Crow, beautified with our feathers’ who dared to mingle among London’s established writers. Meanwhile, in English markets, items misleadingly claiming to be made entirely from desirable ...”

Seventy Years in a Colourful Trade

Andrew O’Hagan: The Soho Alphabet, 16 July 2020

Tales from the Colony Room: Soho’s Lost Bohemia 
by Darren Coffield.
Unbound, 364 pp., £25, April 2020, 978 1 78352 816 5
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“... took a taxi, unless she hadn’t a penny, even for the Tube, whereupon she walked, as the painter Robert Colquhoun did on the evening of one of his openings, from the Colony Room to the Whitechapel Gallery, three miles in the pouring rain.Francis Bacon​ was 39 when he tipped up at the club in 1948. He was introduced to it by Brian Howard, the poet and ...”

At MoMA

Hal Foster: Sigmar Polke, 19 June 2014

“... the time. Today the two are bound together art-historically in a way that recalls the pairing of Robert Rauschenberg and Jasper Johns, with Polke, like Rauschenberg, cast as the restless experimenter – the vast retrospective includes about three hundred works executed in all sorts of materials and media – and Richter, like Johns, as his restrained ...”

At the Movies

Michael Wood: ‘Miles Ahead’, 19 May 2016

Miles Ahead 
directed by Don Cheadle.
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“... I didn’t hold it against him personally, although I was mad at the people who picked him.’ In Robert Budreau’s film Born to be Blue, Baker plays at about this time to an audience that includes Davis and Gillespie. Gillespie is friendly, Davis is patronising. The playing was sweet, he says, ‘like candy’. He advises Baker to come back when he has ...”

You know who

Jasper Rees, 4 August 1994

Jim Henson – The Works: The Art, the Magic, the Imagination 
by Christopher Finch.
Aurum, 251 pp., £20, April 1994, 1 85410 296 6
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“... Henson realised his longstanding ambition to present a series of Greek myths in puppet form. Robert Graves might not have approved, but if it hadn’t been for Henson, audiences in Japan would never have heard of the Minotaur or the Gorgon. Long after the Muppets have been quietly forgotten, Henson will be remembered and thanked for Sesame Street, beyond ...”

Melton Constable

W.R. Mead, 22 May 1986

The past is a foreign country 
by David Lowenthal.
Cambridge, 489 pp., £27.50, November 1985, 0 521 22415 2
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“... a minority has always spurned the past. The past intimidates, threatens and diminishes us. For Robert Browning’s ‘Paracelsus’, it was written on a ‘sullen page’. The past is regarded as a brake on progress, paralysing creative energy. It is invested with determinative force. It undermines self-confidence – for George Gilbert Scott it doomed ...”

Chronicities

Christopher Ricks, 21 November 1985

Gentlemen in England 
by A.N. Wilson.
Hamish Hamilton, 311 pp., £9.95, September 1985, 0 02 411165 1
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“... is stringent as situation and acquiescent as plot. Elizabeth Barrett pinpointed the malaise which Robert Browning probed: ‘When a man spins evermore on his own axis, like a child’s toy I saw the other day ... what is the use of him but to make a noise?’ And when a man like Horace Nettleship or a gentleman (perhaps) like Waldo Chatterway spins evermore ...”

Scenes from Common Life

V.G. Kiernan, 1 November 1984

A Radical Reader: The Struggle for Change in England 1381-1914 
edited by Christopher Hampton.
Penguin, 624 pp., £7.95, January 1984, 0 14 022444 0
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Riots and Community Politics in England and Wales 1790-1810 
by John Bohstedt.
Harvard, 310 pp., £12.50, November 1983, 0 674 77120 6
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The World We have Lost – Further Explored 
by Peter Laslett.
Methuen, 353 pp., £12.95, December 1983, 0 416 35340 1
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“... pale mother nourishes her child to the deadly slaughter.’ So oppressive were the rich and great, Robert Crowley declared in 1550, that ‘we must needs fight it out, or else be brought to the like slavery that the Frenchmen are in!’ ‘European slavery is indeed a state of liberty, if compared with that which prevails in the other three divisions of the ...”

As time goes by

Brenda Maddox, 2 July 1981

Ingrid Bergman: My Story 
by Ingrid Bergman and Alan Burgess.
Joseph, 480 pp., £9.50, November 1980, 0 7181 1946 0
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“... of her recent battle with cancer. Was she having an affair, pre-Rossellini, with the photographer Robert Capa? (Her co-author describes their love as ‘an association that left them both worried slightly’.) Where did all that Hollywood money go? Rossellini wondered, when she came to Italy, why she had no jewels or furs or other sign of her big-earning ...”

At the Royal Academy

Peter Campbell: Hungarian Photography, 28 July 2011

“... by them that are on display here. For example, Brassaï’s Bijou of Montparnasse (1932), Robert Capa’s Death of a Loyalist Militiaman (1936), Kertész’s Satiric Dancer (1926), László Moholy-Nagy’s Berlin Radio Tower (1928) all have their place in a tally of the 20th century’s most memorable images. The last of the five, Martin ...”

At the V&A

Marina Warner: ‘Hollywood Costume’, 20 December 2012

“... are mingling, too, with many who are long dead. Ronald Reagan and Meryl Streep, Bette Davis and Robert De Niro jostle closely together in several large spaces, chambers for different sins in the afterlife – for vamping, sharp-shooting, taxi-driving – while a flickering crowd comes and goes in an endless loop on screens and monitors. The stars have been ...”