Crossed Palettes
Ronald Paulson, 4 November 1993
Painting for Money: The Visual Arts and the Public Sphere in 18th-Century England
by David Solkin.
Yale, 312 pp., £40, July 1993,0 300 05741 5 Show More
by David Solkin.
Yale, 312 pp., £40, July 1993,
“... laid out in the discourses he delivered as President of the Royal Academy. It was re-created by John Barrell in his influential Political Theory of Painting (1986). Drawing on J.G.A. Pocock’s politics of civic humanism, Barrell replaced the two traditions of painting with a tradition of academic theory – from Shaftesbury to Reynolds and so on – which ... ”