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“... I feel certain, got it more quickly. ‘How long were you in Vietnam?’ he was asked in 1975 by William Heath, who later edited Conversations with Robert Stone (2016). Heath’s flat question was impossible to ignore. ‘Just a couple of months, something under three months,’ Stone said, ‘which is, I admit, not very long, but all I can tell you is every ...”

“... 1960s pop-rock before its larky brashness got lost in earnest philosophising. I see the young Ray Davies – an ambiguous girly-boy who hymned his cheap-suit backstreet bohemia over blackout power chords – as Smith’s John the Baptist. Horses betrays a love of early Kinks, Them, Who, but reframes their riffy aesthetic with studied artfulness. How much ...”

“... briefly on 18 June, but not seconded; several of his powerful friends, including Marvell and Sir William Davenant, whom Milton had saved from execution as a Royalist conspirator under the Commonwealth, helped to rescue him. The recollection of images from Macbeth might also contain a trace of subconscious regicide guilt. Milton may have had the regicide ...”

“... the Central Park concert, put her off the stage for the next 27 years. It was time for Hollywood.Ray Stark​ , the producer of Funny Girl, formed a production company to make it into a movie. After some wrangling, he signed Streisand on a non-exclusive four-picture deal, agreeing to pay her $200,000 per film. She arrived in Hollywood having never done a ...”

“... about the future is a lens for apprehending the present: Orwell’s Nineteen Eighty-Four is an X-ray of 1948, and so forth. Lem himself, in an interview, pointed out that Kafka’s ‘In the Penal Colony’ isn’t better than The Castle for having come true. Then again, perhaps these two things are really one: to bring oneself to see the present is to see ...”

“... about whose life we know very little emerges by this measure as the undisputed Top British Person: William Shakespeare (1564-1616, ‘playwright and poet’) is allotted more than 30,000 words, a length achieved only by devoting a large proportion of them to various aspects of his literary after-life – about which, of course, we know a good deal more. The ...”

“... was living. We know what he painted: in 1933, when he was 23, his Crucifixion that looks like an X-ray; eleven years later, the contortions of Three Studies for Figures at the Base of a Crucifixion. But what was going on in his mind is a matter for speculation. In October 1940, his asthma exacerbated by the dust from the bombing, he left London and moved to a ...”

“... wondered if his Resistance past was a myth, all part of the same persona as his Stetson and Ray-Bans. Thanks to two recent books – Bertrand Teissier’s biography Jean-Pierre Melville: Le Solitaire and Jean-Pierre Melville, une vie, an unusually illuminating coffee-table book by the film critic Antoine de Baecque – we have a much fuller picture not ...”

“... and diaries and subsequently in the biographies of Eliot’s London friends and associates. From Ray Monk’s Life of Bertrand Russell, or Hermione Lee’s of Virginia Woolf, or Miranda Seymour’s of Ottoline Morrell, there comes an abundance and, in its repetitiveness, an overabundance of testimony about Vivienne’s or Tom’s nervous as well as physical ...”

“... consider carefully’: An easier way for Mr Bennett to earn could be possibly with ray co-operative part. Two young men could follow me in a car, one with a camera to get a funny film like ‘Old Mother Riley Joins Up’ possibly. If the car stalls they could then push it. Or they could go on the buses with her at a distance. Comedy happens ...”