Diary
Paul Laity: Henry Woodd Nevinson, 3 February 2000
“... and William Roberts – and a revolutionary moment in British art. Even to express support for Roger Fry’s Post-Impressionist exhibitions was daring and radical. Nevinson, having seen a contemporary art show in Venice, knew he was ‘bored with the old Masters’. He was ambitious and keen to be liked, but socially difficult. A photo survives of a Slade ... ”