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She Who Can Do No Wrong

Jenny Turner, 6 August 1992

Curriculum Vitae 
by Muriel Spark.
Constable, 213 pp., £14.95, July 1992, 0 09 469650 0
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... Spark seems to have lost interest in T.S. Eliot from that point on. Her edition of the letters of John Henry Newman, however, went ahead as planned. And her interest in Job and his dreadful afflictions, the capricious God who made him suffer dreadfully for the sake of a wager, and his horrible friends who only made things worse, she displaced, with a ...

The Opposite of a Dog

Jenny Turner, 6 October 1994

Radon Daughters 
by Iain Sinclair.
Cape, 458 pp., £15.99, August 1994, 0 224 03887 7
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... and Star Trek enthusiast called TCP ‘Germy’ Hinton on the Oxford leg, passing by the grave of John Dee, Elizabeth I’s court wizard, an allegorical theme-park called Milton Keynes and other centres of deep and magical significance, as they go. Why are they doing this? Because they have been sent on a quixotic chase after a texte de fétiche, a putative ...

Dearest Papa

Richard Altick, 1 September 1983

The Correspondence of Thomas Carlyle and John Ruskin 
edited by George Allan Cate.
Stanford, 251 pp., $28.50, August 1982, 0 8047 1114 3
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Ruskin Today 
by Kenneth Clark.
Penguin, 363 pp., £2.95, October 1982, 0 14 006326 9
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John Ruskin: Letters from the Continent 1858 
edited by John Hayman.
Toronto, 207 pp., £19.50, December 1982, 0 8020 5583 4
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... Toward the end of their correspondence, which spanned years 1851-79, John Ruskin, who hitherto had addressed Thomas Carlyle more or less in terms of deferential formality (‘Dear Mr Carlyle’), suddenly shifted to ‘Dearest Papa’, signing himself ‘Ever your loving disciple-son’. Whatever the immediate reasons for the change, it simply made explicit Ruskin’s steady conception of his relation to Carlyle, the older man by 24 years ...

At Tate Britain

Peter Campbell: ‘Watercolour’, 3 March 2011

... of that freshness: two of the most famous, Thomas Girtin’s The White House at Chelsea and Turner’s Blue Rigi, hang side by side. There is also Bonington’s view of the Piazza dell’Erbe in Verona, which gives a sense of moving crowds and shifting light that makes Canaletto’s Venetian crowds and calm yellow sunshine seem mechanical. Sargent’s ...

In Bexhill

Peter Campbell: Unpopular Culture, 5 June 2008

... a clean air act, or want to commiserate about the bad weather, as George VI did when he looked at John Piper’s drawings of Windsor Castle. You are struck by the observation of things that had not been seen before, or seen rarely, in pictures: things like the backs of the South London houses where Carel Weight set odd encounters that could have come from ...

My Runaway Slave, Reward Two Guineas

Fara Dabhoiwala: Tools of Enslavement, 23 June 2022

Freedom Seekers: Escaping from Slavery in Restoration London 
by Simon Newman.
University of London, 260 pp., £12, February 2022, 978 1 912702 93 0
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... Miranda Kaufmann’s Black Tudors (2017) tells the stories of free Africans living in England: John Blanke, the royal trumpeter; Edward Swarthye, the trusted upper servant of a leading Gloucestershire landowner; Cattelena, an independent Black ‘singlewoman’ living with her cow in the village of Almondsbury, near Bristol; Reasonable Blackman (or ...

As Astonishing as Elvis

Jenny Turner: Ayn Rand, 1 December 2005

Ayn Rand 
by Jeff Britting.
Duckworth, 155 pp., £12.99, February 2005, 0 7156 3269 8
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... back, cow-eyed and alabaster-browed. The actual text is 1079 tiny-printed pages long. ‘Who is John Galt?’ the novel begins: the question is rhetorical, an expression of despair. The setting is, loosely, America in the 1940s – Washington, Wisconsin, Mexico are mentioned, as are diners, bums, hamburgers, negligees – but film-set-thin and vague and ...

At the National Gallery of Scotland

Peter Campbell: Joan Eardley, 13 December 2007

... of a head, the angle of a leg, or the loop of a skipping rope add movement. English painters like John Bratby and Jack Smith were drawing on similar subjects with a not dissimilar, calculated clumsiness that trades crispness for directness, as though seeking to match the thing drawn in the accent of the drawing. ‘Catterline in Winter’, c.1963. Her ...

At Dulwich Picture Gallery

Peter Campbell: David Wilkie, 31 October 2002

... money from, pictures of this sort: for Sir George Beaumont The Blind Fiddler; for the financier John Julius Angerstein (who paid 800 guineas) The Village Holiday; for the Prince Regent Blind Man’s Buff (finished 1813). Wilkie became an associate and then a member of the Royal Academy while very young; he was knighted and made a painter to the King. He was ...

Afloat with Static

Jenny Turner: Hey, Blondie!, 19 December 2019

Face It 
by Debbie Harry.
HarperCollins, 352 pp., £20, October 2019, 978 0 00 822942 9
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... going on.’‘Debbie blinked for two minutes when she was looking after Chris,’ the filmmaker John Waters has said, ‘and Madonna stole her career.’ Which is funny, because Harry’s appearance in Waters’s Hairspray (1988), playing a monstrous stage mother with a galleon hairdo opposite a properly lovely mother, played by Divine, was to me one of her ...

Our Boys

John Bayley, 28 November 1996

Emily Tennyson 
by Ann Thwaite.
Faber, 716 pp., £25, October 1996, 0 571 96554 7
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... to marry the adroit Augustine Birrell, later Secretary of State for Ireland and an indefatigable turner-out of occasional light essays –‘Birrelling’, it came to be called. Emily, as usual, loved and welcomed, but Alfred was deeply suspicious. ‘Why do you want to force an entry into my family?’ he asked his prospective son-in-law, saying aloud what ...

Lauraphobia

Jenny Turner, 10 March 1994

In Extremis: The Life of Laura Riding 
by Deborah Baker.
Hamish Hamilton, 462 pp., £25, October 1993, 9780241128343
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... jumped straight on a train to Nashville, there to meet with her friends-and-collaborators-to-be. John Crowe Ransom, then a key member of the Fugitive group, tells the story of what happened next. Undoubtedly we were rather absurd in the way we received Laura at Nashville – prim, formidable and stiff. What she came for was human companionship of the most ...

Across the Tellyverse

Jenny Turner: Daleks v. Cybermen, 22 June 2006

Doctor Who 
BBC1Show More
Doctor Who: A Critical Reading of the Series 
by Kim Newman.
BFI, 138 pp., £12, December 2005, 1 84457 090 8
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... him with Basil Fawlty. Except that the dying Dennis Potter went further, maybe, when he called John Birt, the BBC’s then director-general, ‘a croak-voiced Dalek’ in 1993. Much expectation surrounded Doctor Who’s return last year, into an industry that has changed vastly since he went away. Mark Thompson, the BBC’s current director-general, sees ...

Angry Duck

Jenny Turner: Lorrie Moore, 5 June 2008

The Collected Stories 
by Lorrie Moore.
Faber, 656 pp., £20, May 2008, 978 0 571 23934 4
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... Bridget Jones. Except that Self-Help also now reads like a self-consciously historical document, a John Dos Passos-like collage. As well as simply telling stories about young women working and dreaming in 1980s Manhattan etc etc, Moore’s form and language pastiche the very material of which such dreams are made: stories address the reader (‘How to Be an ...

Music without Artifice

Peter Phillips: Tomás Luis de Victoria, 15 December 2022

The Requiem of Tomás Luis de Victoria (1603) 
by Owen Rees.
Cambridge, 262 pp., £22.99, September 2021, 978 1 107 67621 3
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... are more likely to occur. (Two modern editions of the Requiem – those of David Wulstan and Bruno Turner – try to correct the offending octaves in the Benedictus but in doing so introduce two sets of consecutive fifths. It would have been better to leave Victoria with his momentary slip, as Rees does in his new online edition of the entire work.) The first ...

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