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“... potential was long-lived and in the last century the greatest exponent of the rhetorical ruin was Ian Hamilton Finlay. Finlay is represented here by four lithographs but the chance to make interesting and much needed connections with the 18th century in his use of neoclassicism and reworking of Piranesi is not taken up. Finlay’s own temple of protest in his ...”

“... of images that made no concession to hierarchies of taste. My mother’s copies of Vogue, with black and white photographs by Penn, Avedon and Horst, and drawings by John Ward, Bouché, Eric and the rest, are still my best notion of what a sophisticated magazine should look like. The Post, with its Rockwell covers and advertisements for refrigerators of ...”

“... a buggy tucked a Union flag around the child’s knees. I asked a young man why he was wearing a black balaclava. ‘’Cos it’s cold,’ he said. Another man said they had to hide their faces because Republicans were taking photographs of the loyalists and passing them on to the police. ‘People have lost their jobs over it,’ he said. A straggle of ...”

“... of racial supremacy, but sees many parallels between the two apartheid regimes and thinks that black Africans were more likely to get a fair trial in South Africa than Palestinians in the Occupied Territories. Shahak would probably argue that Israel did not need a theory of racial supremacy, because it already had a religious one. In any case, practice is ...”

“... savouring of the land – the ‘landscape’ – must overlap with more workmanlike uses of it. Ian Thompson’s history of the Lake District is grounded almost exclusively in the aesthetic. ‘Since the Lake District is an imaginative construction,’ he argues, ‘it has no real boundaries, physical or historical.’ So he is thinking of it as a region ...”

“... to the further destabilising of any easy notion that fair = white = day = beautiful while dark = black = night = ugly. According to the sonnet, that view is an error, either of outmoded fashion or of inadequate candour: ‘In the old age black was not counted fair,/Or if it were, it bore not beauty’s name;/But now is ...”

“... In 1969, while he was serving a prison sentence for unlawful assembly, Ian Paisley sent this message to his congregation: I rejoice with you in the rich blessings of last weekend. I knew that our faithful God would pour out His bounty. In prayer in this cell I touched the Eternal Throne and had the gracious assurance of answered prayer ...”

“... each other, except style: sly, fake-lazy, apparently frivolous in the case of Washington, a clever black guy playing other people’s idea of a not so bright black guy; and brisk, smooth and bitchy in the case of Foster, everyone’s idea of what power would look like if women had it. There is some kind of metaphor in the ...”

“... War from Barcelona (where he gets drunk with Hemingway), is recruited to Naval Intelligence by Ian Fleming and dispatched to Portugal to spy on the Duke and Duchess of Windsor, becomes a prisoner of war in Switzerland, takes a job running an art gallery in New York (which brings him into contact with de Kooning and Pollock), gets caught up in the Biafran ...”

“... Alexander reminded me that Black once said that he was prepared to let his editors have a completely free hand except on one subject. He forbade attacks on American Presidents in general and President Reagan in particular. Entry for 18 April 1986, Not Many Dead The success of Michael Moore’s film about Roger Smith and General Motors has aroused an envious spirit of emulation in my breast ...”

“... years ago J.M. Wallace-Hadrill’s classic textbook on barbarian Europe warned against the ‘black untruth’ of claiming a fundamental opposition between kings and their aristocracy. On Charlemagne’s grandson Dr McKitterick writes: ‘Whereas the lay aristocracy was divided in its loyalty to Charles the Bald, the bishops and the church backed him ...”

“... up on innocent people and its widespread bugging of the places where they met. One of these, as Ian Smith suspected during the Rhodesia talks of 1965, was Lancaster House, where many of the negotiations over self-government took place (it was thought the decor would impress the natives). Smith used to meet his aides in the ladies’ lavatory, convinced that ...”

“... red roundel at the centre. I would be hard pressed now to roll a fag by the flickering light of a black and white movie. In the late Seventies, I dabbled with Annie Leclerc’s bitter-sweet little book, Au feu du jour, about the end of her affair with nicotine – Klein quotes it liberally in his section on Casablanca – but resolved to leave it until I too ...”

“... chess (with Martin Amis, who felt humbly as if he always had, or anyway always ought to have, the black pieces). Women found him instantly attractive. And he rode a motor bike. The illustrations here are more than adequate reminders of his dash and industry. On the whole, as one might expect, the samples of the late Sixties String-Along strips fare least ...”

“... features both a fine-grained depiction of a bookish Jewish boy’s childhood in rough, mostly black, pre-gentrification Brooklyn, as well as explicitly comic-book elements: the boy and his black best friend find a ring that confers on them the powers of flight and invisibility. Conversely, the smaller books tend to ...”