“... things in this book, it is printed in a footnote. The book is a version of Mitchell’s 1979 T.S. Eliot Memorial Lectures, and, especially when deprived of the original film and musical illustrations, the form seems unsatisfactory – chatty, untidy and partial. Mitchell’s scholarship is indispensable to students of Britten, as it is to those of Mahler, but ...”

“... Characters are continually pelting each other with chunks of Shakespeare or T.S. Eliot. There are even a couple of discreet allusions to Areté, the author’s own literary journal, though with commendable delicacy Raine refrains from providing the address of the subscriptions manager. The reader stumbles unexpectedly on a brief essay on ...”

“... flavour. Whether apocalyptic or Byronic, the fierce expression of sincerity has dated. But T.S. Eliot believed in Barker’s poetry and fixed him up with jobs in Japan when he wanted to escape from one or both of his ladies. His troubles were real enough, and so was his father, a grim butler and ex-Guardsman known as ‘the colonel’, of whom Barker in his ...”

“... said he felt that as one held to be German he hadn’t ‘any right to be in this country’. T.S. Eliot, who taught him for a while at school, would sign himself ‘Metoikos’, and it seems that in this, though in few other respects, Eliot and Betjeman shared a feeling. As a matter of fact, the Betjemann family seems to ...”

“... novel, comes when Jamie reflects from Byron: Man’s love is of man’s life a thing apart, ’Tis woman’s whole existence. ‘He picked up the coffee-pot. By Byron’s standards, he was not a man.’ But is he even an existence? Twenty pages later, and now in that foreign country from which he had emigrated, Canada, his rage splutters into the murder ...”

“... noticed in this country, and (up to now, anyway) literary editors have set their heavies to the task of reviewing it. Why the fuss over what is, after all, no more than a lively compilation of literary biographies, a descriptive rather than analytical account that adds little to published materials already familiar to the reader interested in the ...”

“... Owen, for example, who thought the poetry was in the pity, but went on writing poems; or T.S. Eliot, who admitted he found it hard, in London in 1942, ‘to feel confident that morning after morning spent fiddling with words and rhythms is justified activity,’ yet chose in ‘Little Gidding’ to give the anxiety of influence precedence over a more ...”

“... obvious note of celebration, a quality of melancholy, even of tragedy. In a wonderful essay about Eliot – ‘T.S. Eliot at 101’ – she points out that ‘Eliot did once fill a football stadium. On 30 April 1956, fourteen thousand people came to hear him lecture on The Frontiers of ...”

“... In T.S. Eliot we find the poet as farmer’: now that truly is revisionist. If the pin-striped modernist with the ‘features of clerical cut’ ever put his hand to a pitchfork, the incident has gone unreported. And yet in Romantic Moderns, her provocative critical survey of English cultural life between 1930 and 1945, Alexandra Harris points to Eliot’s lines in ‘East Coker’ about ‘Earth feet, loam feet, lifted in country mirth/Mirth of those long since under earth/Nourishing the corn ...”

“... that in modern society the arts depend on a current of ideas which it is the universities’ task – at least in theory – to provide and protect. The trouble comes with the theory. Nobody could pretend that universities are at present, or were ever, especially alive with applied intelligence. In addition, we are in a difficult phase of academic ...”

“... for ‘rope-dancing, or Frontiniac or sherry’: but he then affirms that an original poet has the task of ‘creating the taste by which he is to be enjoyed’. The same applies to the manufacturers of most new products, so that the poet-critic has this in common with the advertising agency. Both are in the business of forming the public’s view of what it ...”

“... watching East Enders or equivalent divertissements of the ‘modern’ world anathematised by T.S. Eliot in his great poem of breakdown, The Waste Land. I am inclined to agree with ‘official’ psychiatry that Freud and Jung have little to offer the acutely ill, fascinating as they are to the moderately well. On the other hand, it is important that your ...”

“... Emily Hale​ was Eliot’s ‘Raspberrymouth’. That’s what he called her in the love letters they began exchanging in 1927, a correspondence that intensified in the early 1930s, and continued through the awkward years of their disentanglement after the death of his first wife, Vivien, in 1947. Eliot’s love for Emily, his ‘Tall Girl’, retained all the shy ardour he felt when he first met her as a young student in Cambridge, Massachusetts, in 1912 ...”

“... beautiful work and, as a commemoration of the Blitz, ought now to take its place beside T.S. Eliot’s “Little Gidding”, and Dylan Thomas’s “A Refusal to Mourn the Death, by Fire, of a Child in London” and “Ceremony after a Fire Raid”’. But ‘Epithalamion’ outdoes it: there ‘is much more to this work than the other, and nearly all of ...”

“... combines their traditions, right down to following James in this book to where T.S. Eliot was mildly shocked to find him, seeking spiritual life in English country houses. Conrad’s pertinence to Naipaul is written not all over, but all in, the novels of the Seventies, and ‘Conrad’s Darkness’ was enlightened by Naipaul in an essay of ...”