The Sultan and I

Anthony Howard, 1 June 1989

By God’s Will: A Portrait of the Sultan of Brunei 
by Lord Chalfont.
Weidenfeld, 200 pp., £14.95, May 1989, 0 297 79628 3
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The Richest Man in the World: The Sultan of Brunei 
by James Bartholomew.
Viking, 199 pp., £12.95, April 1989, 0 670 82152 7
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... and caution. To no avail, however – and perhaps understandably. On Saturday, 11 January 1986, Donald Trelford, the editor of the Observer, had spent a lot of time closeted in the paper’s fourth-floor boardroom. Outside the Observer’s premises that afternoon stood a convoy of Rolls-Royces and other opulent vehicles. I am not suggesting the Sultan ...

Homage to Ezra Pound

C.K. Stead, 19 March 1981

The Poetic Achievement of Ezra Pound 
by Michael Alexander.
Faber, 247 pp., £7.95, April 1979, 0 571 10560 2
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Ezra Pound and the Pisan Cantos 
by Anthony Woodward.
Routledge, 128 pp., £7.95, April 1980, 0 7100 0372 2
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Ezra Pound and the Cantos: A Record of Struggle 
by Wendy Stallard Flory.
Yale, 321 pp., £12.60, July 1980, 0 300 02392 8
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Ezra Pound and His World 
by Peter Ackroyd.
Thames and Hudson, 127 pp., £5.95, February 1981, 0 500 13069 8
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End to Torment: A Memoir of Ezra Pound with Poems from Ezra Pound’s H.D. Book 
edited by Norman Holmes Pearson and Michael King.
Carcanet, 84 pp., £2.95, February 1980, 0 85635 318 3
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... also (and strangely, considering his origins in the neo-Augustan ‘Movement’ of the Fifties) Donald Davie, who kept the subject respectable, the interest alive. Michael Alexander suggests that ‘indifference and bafflement are today more common than hostility,’ and that may be so. But there has been some excellent work done on Pound recently: Richard ...

Experience

Christopher Peacocke, 18 December 1986

Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson 
edited by Ernest LePore.
Blackwell, 520 pp., £29.50, April 1986, 0 631 14811 6
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... philosophy, has edited the proceedings of the 1984 Rutgers conference on the philosophy of Donald Davidson. The scale of that conference is reflected in the size of this volume, which contains 28 substantial papers. And this is but half the story: a companion volume of similar size, drawn from the same conference, and dealing with Davidson’s essays ...

New Looks, New Newspapers

Peter Campbell, 2 June 1988

The Graphic Language of Neville Brody 
by Jon Wozencroft.
Thames and Hudson, 160 pp., £14.95, April 1988, 0 500 27496 7
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The Making of the ‘Independent’ 
by Michael Crozier.
Gordon Fraser, 128 pp., £8.95, May 1988, 0 86092 107 7
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... but in both cases graphic design allows scanning (as against reading), and allows those buyers who read very little of the continuous text to feel that they have had their money’s worth from the paper. The ingredients of the graphic style which Brody gave The Face included ‘abstract’ Bauhaus-like alphabets, headlines letter-spaced so that long and short ...

Chatwin and the Hippopotamus

Colin Thubron, 22 June 1989

What am I doing here 
by Bruce Chatwin.
Cape, 367 pp., £12.95, May 1989, 0 224 02634 8
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... It is hard to read this book dispassionately. Its gathering of stories, portraits, travelogues and fragments embodies such a rush and depth of enthusiasm – the stuff of many lives lived in a single too-short one – that the reader grows haunted by regret for everything Bruce Chatwin would have written had he not died so early ...

Speaking in Tongues

Robert Crawford, 8 February 1996

The Poetry of Scotland: Gaelic, Scots and English 1380-1980 
edited and introduced by Roderick Watson.
Edinburgh, 752 pp., £19.95, May 1995, 0 7486 0607 6
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... English translation) are the great Latinist George Buchanan and the Gaelic poet Alexander Mac-Donald. Duncan Ban MacIntyre’s expansive 18th-century Gaelic poem on deer (echoes of which can be heard in Crichton Smith and Les Murray) is juxtaposed with John Davidson’s ‘A Runnable Stag’. This should have been the book which set the agenda for all ...

Only foam comes out

Michael Hofmann: Vallejo in English, 4 December 2025

The Eternal Dice: Selected Poems 
by César Vallejo, translated by Margaret Jull Costa.
New Directions, 155 pp., £13.99, May, 978 0 8112 3766 6
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... and more like speech; if Tristan Corbière is out of range, at least make it sound as if he had read, so to speak, Tony Harrison. (Why do so many translations of poems sound as though their authors had read no poems, ever, in any language?) In English I see sculptures made from pipe-cleaners, bullied into ...

O Harashbery!

C.K. Stead, 23 April 1992

The Selected Poems of Frank O’Hara 
edited by Donald Allen.
Carcanet, 233 pp., £18.95, October 1991, 0 85635 939 4
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Flow Chart 
by John Ashbery.
Carcanet, 213 pp., £16.95, September 1991, 0 85635 947 5
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... and Keats are pre-eminent. It is not a question of merit, nor of density, but of pace. If you read attempts by 19th-century English poets (Byron is something of an exception) to write poetic drama, and compare their lines with Shakespeare’s, the difference is all the more surprising because it’s so clear that Shakespeare was their model. Their lines ...

Comparative Everything

Geoffrey Strickland, 6 March 1980

Comparative Criticism: A Yearbook 
edited by E.S. Shaffer.
Cambridge, 327 pp., £12.50, November 1979, 0 521 22296 6
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... as to be almost unusable as well. In her respectful but uncompromisingly sensible review of Donald Davie’s Clark Lectures on the literature of the English Dissenting tradition, for example, she complains that his survey amounts to a ‘brilliant piece of canon-making for a day which epitomises criticism in our time’. The contributors to the first ...

Short Cuts

David Bromwich: Alexander Hamilton’s Worst Idea, 24 October 2019

... On​ 6 October, Donald Trump made a phone call to Recep Erdoğan signalling the withdrawal of around two hundred US troops who were protecting Kurdish soldiers in northern Syria. Trump announced that he would soon make room for Turkey to clear the area and create the buffer zone Erdoğan had long wanted to impose against a hostile political entity ...

At Tate Britain

Anne Wagner: Conceptual Art in Britain, 1964-79, 14 July 2016

... that is asked of the viewer, whether novice or expert, is a) to give the show enough time; b) to read both the works and the labels; c) to inspect the cases carefully – conceptual art wasn’t made just to hang on the wall; and d) to remember that though conceptualists revelled in lists, schemes, systems and graphs, a work’s format was never an end in ...

Manners maketh books

E.S. Turner, 20 August 1981

Debrett’s Etiquette and Modern Manners 
edited by Elsie Burch Donald.
Debrett, 400 pp., £8.95, June 1981, 0 905649 43 5
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... on manners tried to refine the practices of bed-sharing, spitting and blowing the nose (one may read about the ‘sociogenesis’ and ‘psychogenesis’ of these teachings in Norbert Elias’s The Civilising Process, and doubtless elsewhere). Two centuries ago, when John Debrett became a miscellaneous publisher, his contemporary advice-givers had moved on ...

At the Movies

Michael Wood: ‘The Martian’, 22 October 2015

The Martian 
directed by Ridley Scott.
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... has to set letters in the soil at appropriate distances from each other for a circling camera to read them. There isn’t room for a full alphabet, so he has to work out a code. It takes them some time to crack the code on Earth but they do. And more dramatically, the real hero of the movie turns out to be a researcher at Nasa (...

Bugger me blue

Ian Hamilton, 22 October 1992

The Selected Letters of Philip Larkin 
edited by Anthony Thwaite.
Faber, 759 pp., £20, October 1992, 0 571 15197 3
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... 266, you ‘deaf cunt’, and so on. Less succinct salutations will be discovered by the likes of Donald Davie (‘droning out his tosh’), Ted Hughes (‘boring old monolith, no good at all – not a single solitary bit of good’) and Anthony Powell, aka ‘the horse-face dwarf’. There is even a ‘Hi, Ian’: he calls me ‘the Kerensky of ...

Teeth of Mouldy Blue

Laura Quinney: Percy Bysshe Shelley, 21 September 2000

The Complete Poetry of Percy Bysshe Shelley: Volume I 
edited by Donald Reiman and Neil Fraisat.
Johns Hopkins, 494 pp., £58, March 2000, 0 8018 6119 5
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... pieces, including some that have been unavailable in standard editions of the collected poetry, Donald Reiman and Neil Fraistat’s meticulously edited volume brings out the aims Shelley had for his verse, and the effects he sought, which remained surprisingly uniform.* Largely derivative in form and content, the poems divulge almost nothing of interest ...